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!Sibelius7/!Help/Systempage

This website contains an archive of files for the Acorn Electron, BBC Micro, Acorn Archimedes, Commodore 16 and Commodore 64 computers, which Dominic Ford has rescued from his private collection of floppy disks and cassettes.

Some of these files were originally commercial releases in the 1980s and 1990s, but they are now widely available online. I assume that copyright over them is no longer being asserted. If you own the copyright and would like files to be removed, please contact me.

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Filename: !Sibelius7/!Help/Systempage
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File contents
CONTENTS
 Forcing a system or page break
 Page breaks
 System breaks


FORCING A SYSTEM OR PAGE BREAK

  You can force systems and pages to break
  wherever you like, but you should only do this
  for a good reason because Sibelius may have to
  use non-ideal spacing on the system or page in
  order to get it to break where you want it to.

  � Select the barline you want to break at, or
    a note in the bar before it
  � Choose Selection�System break/Page break.
    The menu option will have a tick next to it
    if you have already forced a system or page
    break there.

  The music will spread out so it ends at the
  specified point - more specifically, Sibelius
  spreads out the two systems leading up to the
  break. Thereafter, the bar ending with the
  break will always go at the end of a system or
  page until you remove the break by re-choosing
  Selection�System break/Page break.


PAGE BREAKS

  It is a good idea to force page breaks:

  � in extracted parts so that the performer
    doesn't have to turn the page when he is
    playing,
  � at the end of sections (movements, songs, or
    pieces), especially when the next section
    has title text at the start. This will en-
    sure that the title text remains at the
    start of the new section.


SYSTEM BREAKS

  There is an automatic system break at the very
  end of a score. It is a good idea to force
  system breaks:

  � at the end of smallish sections of music
    (e.g. at a repeat barline)
  � at the end of big sections (e.g. movements)
    in extracted parts, especially when the next
    section has title text at the start. When
    extracting, Sibelius turns all page breaks
    into system breaks for you, so you don't get
    huge gaps in the part
  � where singers or strings divide onto two
    staves or rejoin onto one, so you don't get
    sequences of bar rests which aren't per-
    formed by anyone
  � sometimes where the performer changes be-
    tween doubling instruments; see Instruments.
$
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00000040  65 61 6b 73 0d 0d 0d 46  4f 52 43 49 4e 47 20 41  |eaks...FORCING A|
00000050  20 53 59 53 54 45 4d 20  4f 52 20 50 41 47 45 20  | SYSTEM OR PAGE |
00000060  42 52 45 41 4b 0d 0d 20  20 59 6f 75 20 63 61 6e  |BREAK..  You can|
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000007d0  65 6e 74 73 2e 0d 24                              |ents..$|
000007d7