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SibDemo/Read?Me/Reviews/Impression/Times
This website contains an archive of files for the Acorn Electron, BBC Micro, Acorn Archimedes, Commodore 16 and Commodore 64 computers, which Dominic Ford has rescued from his private collection of floppy disks and cassettes.
Some of these files were originally commercial releases in the 1980s and 1990s, but they are now widely available online. I assume that copyright over them is no longer being asserted. If you own the copyright and would like files to be removed, please contact me.
| Tape/disk: | Home » Personal collection » Acorn hard disk » apps » sibelius |
| Filename: | SibDemo/Read?Me/Reviews/Impression/Times |
| Read OK: | ✔ |
| File size: | 2EE8 bytes |
| Load address: | 0000 |
| Exec address: | 0000 |
File contents
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˰�����H Friday March 17 1995, page 3
P 0 ��7���F��R COMPUTER LENDS A HAND 0 �< Be K������R FOR TOUGH PIANO CONCERT
R < � ������H TWO piano pieces by an avant-garde Hungarian composer are so difficult to perform that a computer is having to � %L B� U���M���H stand in for the pianist at a concert tonight...
L � ��IJ��Au��H To play the etudes by Ligeti, who wrote some of the music for the film 2001: A Space Odyssey, a piano is connected � � E�����A��H to a computer sitting on the piano stool. Dressed for the occasion in a bow tie, it will play the keys and pedals in a � � ��A�9��H state-of-the-art variation of the pianola at the tenth International Composers Festival at the Royal Academy of Music � %$ BU� �������H in London.
$ � d��h������H The computer reads the score and sends the information into an electrical digital box attached to the standard Yamaha � %H Bk�-5��%`��H piano and electric motors depress the keys.
H � &�!���H Paul Patterson, head of composition at the Royal Academy, said: �In a way, this piece is difficult only in that it is very � � ��������H fast with very complicated chord patterns. The fingers don�t fall into normal patterns as they do in Mozart. They�re all � � ��������H over the piano.� He said that when they contacted to composer to break the news to him, they were �terribly nervous�. � %` B���S���~��H �But he heard it performed and thought the computer was fantastic.�
` � $�� ���7��H Sibelius 7 is so sophisticated that it could make a piano perform dazzling feats far beyond the reach of any human � � �������H hands. The pianist Alfred Brendel said: �You need three or five hands to play Ligeti. But it�s worth the trouble.� He � � ������y��H said Ligeti pieces were not playable at short notice. �They are only playable by some talented wizard. They need a � � ӈ�q������H great deal of expertise.� But he recommended the effort, saying that Ligeti wrote some of the best contemporary � �� B
]y>��qi��H works for the keyboard. �I have inspired some young pianists to try them. I say, �If you are feeling heroic...��
e � �D B{km���e"�� Dalya Alberge, Arts Correspondent
D �, B a���Y��H
m a" " , �X CujUi��M��� (Excerpts from a longer article, with colour photo)
" X % B I"��AM��H
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�� ( %| B �1���)��� [Sibelius 7's concert was attended by journalists and television news crews from around the world.
| � ��%M�� x�� Sibelius 7�s performance was broadcast on TV news bulletins in many countries worldwide, from the USA (NBC & � �� B�)����D�� ABC networks) to Australia. It even made the front page of the South China Morning Post!]
IME !� � � � �| Bǽ���L�PF THE TIMES M; (London)
| %( B ����H 31 January 1996
( �H B j���H
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H �d B�5#�M� Leader column on editorial page
L
d 4 �XnK�θ�R A BRITISH INVENTION TAKES 4 �< B�KW��*�R THE MICROCHIP TO MOZART
< � ��7�b�H DO re mi fa, eureka! Two British inventors, Jonathan and Ben Finn, have dreamt up something which might one day � � -���.�H do for music what the word-processor has done for language. As our Arts Editor writes on page 33 [see below], the � � ���� ��H brothers have devised a computer program which can notate, print and play a musical score at a pace even more rapid � %< B�5���|��H than Mozart at his most fecund...
< � HxU�p��H Imagine what wonders Bach could have worked with such technology; or Richard Strauss, or Britten. Or the � %` B���!��L�H composer of Finlandia himself, from whom the program takes its name..
` � kO�����H Today we salute the Finns. Their �garden shed� has yielded up a device to which the musical world should be � %$ C�� d��\��H indebted.
$ �( B X`�P��H
� ( �D Ba#L�DD� (Excerpts from a longer article)
� D % B @��8��H
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�! ! ( 0 ���� !�R IS THEIR BYTE BETTER 0 �, B ��%���R THAN BACH?
! , � 8�B��:��H ART and science are usually mutually exclusive polarities in British intellectual life. But just occasionally C P Snow�s � %� B���k���H �two cultures meet in a union so sweet that the pessimists are confounded. Sibelius 7 is one such union.
� � =��$�O�H In five years this extraordinary computer program has changed the music profession forever. It can notate, print and � � �.��& �H play a musical score faster than anything the world has ever seen. It may soon redefine the very nature of � %( B�� �����H composition...
( � ���v���H Computer music programs were not unknown in 1990; in particular, the Americans had devised one called Finale and � %d B[�C�n�H were marketing it assiduously. But the Finns had a secret weapon: speed...
d � W���'�H To see it in action is breathtaking. If, for instance, Wagner returned to Earth and wanted to add an extra bar near the � � �b�����H beginning of The Ring, Sibelius 7 would take precisely one tenth of a second to re-format 100 orchestral parts � �� B������H covering four nights of music. Composers have been liberated from hours of drudgery on every orchestral score...
� � %8 B�
�M��x� Richard Morrison, Arts Editor
8 �4 B ���1�
� 4 �T BVW����� (Excerpts from a much longer article, with photo)
� T % B �x�Σ�H
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*
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*
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*
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*
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*
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*
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*
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00001af0 50 61 75 6c 20 50 61 74 74 65 72 73 6f 6e 2c 20 |Paul Patterson, |
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00001da0 69 61 6e 69 73 74 20 41 6c 66 72 65 64 20 42 72 |ianist Alfred Br|
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00001f50 94 49 20 68 61 76 65 20 69 6e 73 70 69 72 65 64 |.I have inspired|
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