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!Sibelius7/!Help/Specialsco

This website contains an archive of files for the Acorn Electron, BBC Micro, Acorn Archimedes, Commodore 16 and Commodore 64 computers, which Dominic Ford has rescued from his private collection of floppy disks and cassettes.

Some of these files were originally commercial releases in the 1980s and 1990s, but they are now widely available online. I assume that copyright over them is no longer being asserted. If you own the copyright and would like files to be removed, please contact me.

Tape/disk: Home » Archimedes archive » Zipped Apps » Sibelius 7
Filename: !Sibelius7/!Help/Specialsco
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File contents
CONTENTS
 Music examples
 Piano four hands
 Very long scores
 Choral music

See manual for: several movements/pieces; double
 choir; two orchestras; incipits; Lutoslawski-
 like scores

See also Save graphic, Special instruments


MUSIC EXAMPLES

  If you want to embed short fragments of music
  in text, such as in a music textbook, you
  should export them from Sibelius into a docu-
  ment processor (such as Impression). This is
  explained in Save graphic. You will often need  to set up various options beforehand:

  � Page numbers: music examples seldom have
    page numbers, so switch them off if they are
    on.
  � Name format: if the music example is for no
    instrument in particular, choose House style
    �Instruments�No names.
  � Narrow staves: short music examples can be
    much narrower than the page they appear on.
    Don�t try to do this by decreasing the page
    width in the Dimensions window - Sibelius
    won�t allow this if the page gets very
    narrow. Instead, set a large right margin,
    so there is lots of white space to the right
    of the staves.
  � Excerpts: if you are using an excerpt from
    the middle of a score which includes bar
    numbers and/or rehearsal marks, set up the
    first bar number and rehearsal mark of the
    excerpt within the relevant House style
    menus.

  The StyleSheet directory on disk 2 includes a
  MusicExamp style sheet with these options
  preset.


PIANO FOUR HANDS

  Scores for four hands at one piano used to be
  printed with the music for the left-hand pian-
  ist on each left-hand page, and the right-hand
  pianist�s music on the right-hand page. The
  left-hand and right-hand pages must end at the
  same point so page-turning will work; some-
  times the system breaks correspond to make
  rehearsal easier.

  You can use the old-fashioned notation in
  either of the two following ways:

  � Create two scores, one for each pianist.
    Make the page breaks (and system breaks, if
    you like) correspond by inserting breaks at
    the appropriate points. Print out both
    scores and interleave the pages. If page
    numbers are switched on, the pages will be
    numbered 1,1,2,2,3,3... (which may be what
    you want). Bar numbers and rehearsal marks
    will be correct for each pianist.
  � Alternatively, create a single score in
    which you alternate pages of music for each
    pianist, with page-breaks in between. The
    pages will be numbered 1,2,3,4... as normal.
    You mustn�t use automatic bar numbers or
    rehearsal marks with this method, as they
    won�t correspond between the two piano
    parts.

  Whichever method you use, be careful not to
  alter the spacing of the score too much after
  transcribing it or the layout will be spoilt.


VERY LONG SCORES

  Scores which are too long to fit onto your
  computer or onto a single floppy disk can be
  transcribed in several sections, each saved as
  a separate file. The first bar number, first
  page number and first rehearsal mark can be
  adjusted so that the bars, pages and rehearsal
  marks of each section follow on from the
  previous one.


CHORAL MUSIC

  When singers divide, you can number them 1 and
  2 using the Players text style (see Players);
  the names to the left of each system will
  automatically be numbered the same way.

  Alternatively, you can write Dec., Can. and
  Full in one of the Technique text styles; this
  won�t be duplicated to the left of the system.
  You should put system breaks wherever a choral
  stave splits from one stave to two or joins
  back from two to one stave; see System and
  page breaks for an explanation.

  In some choral music, the names only appear to
  the left of the system at the start, but they
  are written above some later staves where
  necessary to show who is singing what. See
  manual for details on this and scores for
  double choir.
$
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00000c70  6e 20 6e 75 6d 62 65 72  20 74 68 65 6d 20 31 20  |n number them 1 |
00000c80  61 6e 64 0d 20 20 32 20  75 73 69 6e 67 20 74 68  |and.  2 using th|
00000c90  65 20 50 6c 61 79 65 72  73 20 74 65 78 74 20 73  |e Players text s|
00000ca0  74 79 6c 65 20 28 73 65  65 20 50 6c 61 79 65 72  |tyle (see Player|
00000cb0  73 29 3b 0d 20 20 74 68  65 20 6e 61 6d 65 73 20  |s);.  the names |
00000cc0  74 6f 20 74 68 65 20 6c  65 66 74 20 6f 66 20 65  |to the left of e|
00000cd0  61 63 68 20 73 79 73 74  65 6d 20 77 69 6c 6c 0d  |ach system will.|
00000ce0  20 20 61 75 74 6f 6d 61  74 69 63 61 6c 6c 79 20  |  automatically |
00000cf0  62 65 20 6e 75 6d 62 65  72 65 64 20 74 68 65 20  |be numbered the |
00000d00  73 61 6d 65 20 77 61 79  2e 0d 0d 20 20 41 6c 74  |same way...  Alt|
00000d10  65 72 6e 61 74 69 76 65  6c 79 2c 20 79 6f 75 20  |ernatively, you |
00000d20  63 61 6e 20 77 72 69 74  65 20 44 65 63 2e 2c 20  |can write Dec., |
00000d30  43 61 6e 2e 20 61 6e 64  0d 20 20 46 75 6c 6c 20  |Can. and.  Full |
00000d40  69 6e 20 6f 6e 65 20 6f  66 20 74 68 65 20 54 65  |in one of the Te|
00000d50  63 68 6e 69 71 75 65 20  74 65 78 74 20 73 74 79  |chnique text sty|
00000d60  6c 65 73 3b 20 74 68 69  73 0d 20 20 77 6f 6e 91  |les; this.  won.|
00000d70  74 20 62 65 20 64 75 70  6c 69 63 61 74 65 64 20  |t be duplicated |
00000d80  74 6f 20 74 68 65 20 6c  65 66 74 20 6f 66 20 74  |to the left of t|
00000d90  68 65 20 73 79 73 74 65  6d 2e 0d 20 20 59 6f 75  |he system..  You|
00000da0  20 73 68 6f 75 6c 64 20  70 75 74 20 73 79 73 74  | should put syst|
00000db0  65 6d 20 62 72 65 61 6b  73 20 77 68 65 72 65 76  |em breaks wherev|
00000dc0  65 72 20 61 20 63 68 6f  72 61 6c 0d 20 20 73 74  |er a choral.  st|
00000dd0  61 76 65 20 73 70 6c 69  74 73 20 66 72 6f 6d 20  |ave splits from |
00000de0  6f 6e 65 20 73 74 61 76  65 20 74 6f 20 74 77 6f  |one stave to two|
00000df0  20 6f 72 20 6a 6f 69 6e  73 0d 20 20 62 61 63 6b  | or joins.  back|
00000e00  20 66 72 6f 6d 20 74 77  6f 20 74 6f 20 6f 6e 65  | from two to one|
00000e10  20 73 74 61 76 65 3b 20  73 65 65 20 53 79 73 74  | stave; see Syst|
00000e20  65 6d 20 61 6e 64 0d 20  20 70 61 67 65 20 62 72  |em and.  page br|
00000e30  65 61 6b 73 20 66 6f 72  20 61 6e 20 65 78 70 6c  |eaks for an expl|
00000e40  61 6e 61 74 69 6f 6e 2e  0d 0d 20 20 49 6e 20 73  |anation...  In s|
00000e50  6f 6d 65 20 63 68 6f 72  61 6c 20 6d 75 73 69 63  |ome choral music|
00000e60  2c 20 74 68 65 20 6e 61  6d 65 73 20 6f 6e 6c 79  |, the names only|
00000e70  20 61 70 70 65 61 72 20  74 6f 0d 20 20 74 68 65  | appear to.  the|
00000e80  20 6c 65 66 74 20 6f 66  20 74 68 65 20 73 79 73  | left of the sys|
00000e90  74 65 6d 20 61 74 20 74  68 65 20 73 74 61 72 74  |tem at the start|
00000ea0  2c 20 62 75 74 20 74 68  65 79 0d 20 20 61 72 65  |, but they.  are|
00000eb0  20 77 72 69 74 74 65 6e  20 61 62 6f 76 65 20 73  | written above s|
00000ec0  6f 6d 65 20 6c 61 74 65  72 20 73 74 61 76 65 73  |ome later staves|
00000ed0  20 77 68 65 72 65 0d 20  20 6e 65 63 65 73 73 61  | where.  necessa|
00000ee0  72 79 20 74 6f 20 73 68  6f 77 20 77 68 6f 20 69  |ry to show who i|
00000ef0  73 20 73 69 6e 67 69 6e  67 20 77 68 61 74 2e 20  |s singing what. |
00000f00  53 65 65 0d 20 20 6d 61  6e 75 61 6c 20 66 6f 72  |See.  manual for|
00000f10  20 64 65 74 61 69 6c 73  20 6f 6e 20 74 68 69 73  | details on this|
00000f20  20 61 6e 64 20 73 63 6f  72 65 73 20 66 6f 72 0d  | and scores for.|
00000f30  20 20 64 6f 75 62 6c 65  20 63 68 6f 69 72 2e 0d  |  double choir..|
00000f40  24                                                |$|
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