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!Sibelius7/Other/Read

This website contains an archive of files for the Acorn Electron, BBC Micro, Acorn Archimedes, Commodore 16 and Commodore 64 computers, which Dominic Ford has rescued from his private collection of floppy disks and cassettes.

Some of these files were originally commercial releases in the 1980s and 1990s, but they are now widely available online. I assume that copyright over them is no longer being asserted. If you own the copyright and would like files to be removed, please contact me.

Tape/disk: Home » Archimedes archive » Zipped Apps » Sibelius 7
Filename: !Sibelius7/Other/Read
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File size: 17B9 bytes
Load address: 0000
Exec address: 0000
File contents
ADDITIONS TO SIBELIUS 7 VERSION 1.22 (since version 1.16 of the manual)

1. The Lines menu now contains dashed slurs.

2. The Lines menu now also has a thin vertical line, which is useful for
   using as a barline or a stem (e.g. when adding a third voice).

3. You can beam over invisible rests, which makes the notation of some
   piano music easier.

4. The Symbols->Transfers window now has a very small 'H' clef (at the
   bottom) for putting on percussion stave lines. For instance, give a
   percussion stave a blank clef, then put one or more of these tiny 'H's
   on the lines you are going to use.

   There is also a double-H clef symbol for similar purposes.

5. You can now drag text without double-clicking. Point to the text, press
   Select and wait until it all goes red, then drag as normal.

6. Underlay positioning has been improved:
    When you choose Underlay off the menu and position it, it is given a
    default height.
    Thereafter the height of underlay is maintained when you use space and
    hyphen to advance a syllable, and when you copy the caret with Adjust.
    Triple-clicking on a syllable selects it and all syllables to the right
    of it at the same height, so you can drag them up and down.

   (Hint: to copy a line of underlay, copy the bars as a passage, then
    change the notes.)

   (Hint: if you want to adjust the vertical position of a passage of
    underlay, beware that subsequent reformatting may shift some of the bars
    around and so produce lines of underlay which aren't lined up. It's best
    to correct the vertical positioning of underlay when the whole score is
    in and everything else is correctly spaced; then there is no danger of
    reformatting.)

7. Beaming between staves has been considerably simplified: if you select
   the first note of a group of quavers, semiquavers etc. and press Delete,
   the beam will be deleted, leaving the stems extending up to where it was.
   This allows you to draw an entire beam between two staves (using the
   beam-shaped line) without having to join together two beams already
   there.
   The Delete key also works on isolated notes to deleting a single curved
   'hook'. You can reinstate a beam by typing any of the F1 beam keys.
     [Requested by Marcus Blunt and John Rutter.]

8. The music fonts are now called 'OpusII Music' and 'OpusII Text' (replacing
   the obsolete Opus fonts).Install them in exactly the same way as
   installing the Opus fonts is described in the manual.

   (If you already have a copy of the old Opus fonts, you can delete them
   UNLESS you have any old Draw files, such as music exported into word
   processor documents, which you will want to reuse. If you haven't, you can
   delete the old fonts by holding down Shift while double-clicking on your
   own !Fonts. This will reveal your font directories: delete the one called
   Opus in the standard way.)

9. You can now use the Shift-F12 key on rests to make them cue-sized.

10. Small staves have been implemented more fully, in that rests,
   articulation marks, grace notes, clefs and the thickness of lines are all
   correctly reduced in size. This will be extended in due course to cover
   text and transfers.

11. The transfers window now contains rests and tails for quavers etc.
     [Requested by Andrew Shiels.]


HOUSE STYLES

1. A new option 'House style->General->Extend irrational brackets' makes
   brackets overshoot the last note of an irrational if it is longer than
   the irrational's unit length (e.g. for a 'scotch snap' in a triplet).
     [Requested by Faber Music.]

2. There is a new House style->Text menu, containing two new options:
    Show lyric lines: if you switch this off, lyric lines on underlay
    disappear.
    Wide underlay hyphens: makes underlay hyphens further apart than usual.
     [Requested by Chris Hinkins.]

3. The House style->General menu contains a new option:
    Lock staves: if you switch this on, staves cannot be dragged up or down.
     [Requested by Chris Hinkins.]

4. A new option 'House style->Instruments->Readout in corner' shows the
   current instrument name at the bottom left of the screen. It works
   whatever object is selected, but reads '(System)' for system markings
   such as titles.
   If an instrument has several staves, these are called (for instance)
   'Piano (a)', 'Piano (b)', etc. This helps you to preserve continuity
   between staves running from one system to the next.
     [Requested by Jenny Fisher.]

5. A new option ' House style->Instruments->Show empty staves' makes new bar
   rests added to your score appear in every stave (not just in the top one
   at first). You will have to switch the option on when starting new scores
   because it is off by default. (This is because some parts of the manual
   assume it works in the old way.)
     [Requested by David Charles Martin.]

6. There is a new option 'House style->Bar numbers->Every bar'. This is
   apparently required for handbell music, but is also useful for music
   examples. You may want to use it temporarily to keep track of where you
   are while typing in big scores.

7. There are new options 'House style->Rehearsal marks->24 in a box' (etc.),
   to allow you smaller rehearsal marks for chamber music and instrumental
   parts. There are now also rehearsal marks without a box. When extracting
   parts from a full score the rehearsal marks will be automatically switched
   to 14 point size for you.
     [Requested by John Rutter.]

8. The other House style options have been rearranged more rationally:
    House style->General->Repel text from margins / Single system markings /
     Smart quotes have been moved to the new House style->Text menu.
    Symbols->Key changes->Atonal and House style->General->Transposing score
     have been moved to House style->Key signatures.
    House style->General->Modern brackets has been moved to
     House style->Instruments.


IMPORTANT BUGS FIXED

Dragging italic underlay now works.

The hourglass now disappears correctly after printing.
00000000  0a 41 44 44 49 54 49 4f  4e 53 20 54 4f 20 53 49  |.ADDITIONS TO SI|
00000010  42 45 4c 49 55 53 20 37  20 56 45 52 53 49 4f 4e  |BELIUS 7 VERSION|
00000020  20 31 2e 32 32 20 28 73  69 6e 63 65 20 76 65 72  | 1.22 (since ver|
00000030  73 69 6f 6e 20 31 2e 31  36 20 6f 66 20 74 68 65  |sion 1.16 of the|
00000040  20 6d 61 6e 75 61 6c 29  0a 0a 31 2e 20 54 68 65  | manual)..1. The|
00000050  20 4c 69 6e 65 73 20 6d  65 6e 75 20 6e 6f 77 20  | Lines menu now |
00000060  63 6f 6e 74 61 69 6e 73  20 64 61 73 68 65 64 20  |contains dashed |
00000070  73 6c 75 72 73 2e 0a 0a  32 2e 20 54 68 65 20 4c  |slurs...2. The L|
00000080  69 6e 65 73 20 6d 65 6e  75 20 6e 6f 77 20 61 6c  |ines menu now al|
00000090  73 6f 20 68 61 73 20 61  20 74 68 69 6e 20 76 65  |so has a thin ve|
000000a0  72 74 69 63 61 6c 20 6c  69 6e 65 2c 20 77 68 69  |rtical line, whi|
000000b0  63 68 20 69 73 20 75 73  65 66 75 6c 20 66 6f 72  |ch is useful for|
000000c0  0a 20 20 20 75 73 69 6e  67 20 61 73 20 61 20 62  |.   using as a b|
000000d0  61 72 6c 69 6e 65 20 6f  72 20 61 20 73 74 65 6d  |arline or a stem|
000000e0  20 28 65 2e 67 2e 20 77  68 65 6e 20 61 64 64 69  | (e.g. when addi|
000000f0  6e 67 20 61 20 74 68 69  72 64 20 76 6f 69 63 65  |ng a third voice|
00000100  29 2e 0a 0a 33 2e 20 59  6f 75 20 63 61 6e 20 62  |)...3. You can b|
00000110  65 61 6d 20 6f 76 65 72  20 69 6e 76 69 73 69 62  |eam over invisib|
00000120  6c 65 20 72 65 73 74 73  2c 20 77 68 69 63 68 20  |le rests, which |
00000130  6d 61 6b 65 73 20 74 68  65 20 6e 6f 74 61 74 69  |makes the notati|
00000140  6f 6e 20 6f 66 20 73 6f  6d 65 0a 20 20 20 70 69  |on of some.   pi|
00000150  61 6e 6f 20 6d 75 73 69  63 20 65 61 73 69 65 72  |ano music easier|
00000160  2e 0a 0a 34 2e 20 54 68  65 20 53 79 6d 62 6f 6c  |...4. The Symbol|
00000170  73 2d 3e 54 72 61 6e 73  66 65 72 73 20 77 69 6e  |s->Transfers win|
00000180  64 6f 77 20 6e 6f 77 20  68 61 73 20 61 20 76 65  |dow now has a ve|
00000190  72 79 20 73 6d 61 6c 6c  20 27 48 27 20 63 6c 65  |ry small 'H' cle|
000001a0  66 20 28 61 74 20 74 68  65 0a 20 20 20 62 6f 74  |f (at the.   bot|
000001b0  74 6f 6d 29 20 66 6f 72  20 70 75 74 74 69 6e 67  |tom) for putting|
000001c0  20 6f 6e 20 70 65 72 63  75 73 73 69 6f 6e 20 73  | on percussion s|
000001d0  74 61 76 65 20 6c 69 6e  65 73 2e 20 46 6f 72 20  |tave lines. For |
000001e0  69 6e 73 74 61 6e 63 65  2c 20 67 69 76 65 20 61  |instance, give a|
000001f0  0a 20 20 20 70 65 72 63  75 73 73 69 6f 6e 20 73  |.   percussion s|
00000200  74 61 76 65 20 61 20 62  6c 61 6e 6b 20 63 6c 65  |tave a blank cle|
00000210  66 2c 20 74 68 65 6e 20  70 75 74 20 6f 6e 65 20  |f, then put one |
00000220  6f 72 20 6d 6f 72 65 20  6f 66 20 74 68 65 73 65  |or more of these|
00000230  20 74 69 6e 79 20 27 48  27 73 0a 20 20 20 6f 6e  | tiny 'H's.   on|
00000240  20 74 68 65 20 6c 69 6e  65 73 20 79 6f 75 20 61  | the lines you a|
00000250  72 65 20 67 6f 69 6e 67  20 74 6f 20 75 73 65 2e  |re going to use.|
00000260  0a 0a 20 20 20 54 68 65  72 65 20 69 73 20 61 6c  |..   There is al|
00000270  73 6f 20 61 20 64 6f 75  62 6c 65 2d 48 20 63 6c  |so a double-H cl|
00000280  65 66 20 73 79 6d 62 6f  6c 20 66 6f 72 20 73 69  |ef symbol for si|
00000290  6d 69 6c 61 72 20 70 75  72 70 6f 73 65 73 2e 0a  |milar purposes..|
000002a0  0a 35 2e 20 59 6f 75 20  63 61 6e 20 6e 6f 77 20  |.5. You can now |
000002b0  64 72 61 67 20 74 65 78  74 20 77 69 74 68 6f 75  |drag text withou|
000002c0  74 20 64 6f 75 62 6c 65  2d 63 6c 69 63 6b 69 6e  |t double-clickin|
000002d0  67 2e 20 50 6f 69 6e 74  20 74 6f 20 74 68 65 20  |g. Point to the |
000002e0  74 65 78 74 2c 20 70 72  65 73 73 0a 20 20 20 53  |text, press.   S|
000002f0  65 6c 65 63 74 20 61 6e  64 20 77 61 69 74 20 75  |elect and wait u|
00000300  6e 74 69 6c 20 69 74 20  61 6c 6c 20 67 6f 65 73  |ntil it all goes|
00000310  20 72 65 64 2c 20 74 68  65 6e 20 64 72 61 67 20  | red, then drag |
00000320  61 73 20 6e 6f 72 6d 61  6c 2e 0a 0a 36 2e 20 55  |as normal...6. U|
00000330  6e 64 65 72 6c 61 79 20  70 6f 73 69 74 69 6f 6e  |nderlay position|
00000340  69 6e 67 20 68 61 73 20  62 65 65 6e 20 69 6d 70  |ing has been imp|
00000350  72 6f 76 65 64 3a 0a 20  20 20 20 57 68 65 6e 20  |roved:.    When |
00000360  79 6f 75 20 63 68 6f 6f  73 65 20 55 6e 64 65 72  |you choose Under|
00000370  6c 61 79 20 6f 66 66 20  74 68 65 20 6d 65 6e 75  |lay off the menu|
00000380  20 61 6e 64 20 70 6f 73  69 74 69 6f 6e 20 69 74  | and position it|
00000390  2c 20 69 74 20 69 73 20  67 69 76 65 6e 20 61 0a  |, it is given a.|
000003a0  20 20 20 20 64 65 66 61  75 6c 74 20 68 65 69 67  |    default heig|
000003b0  68 74 2e 0a 20 20 20 20  54 68 65 72 65 61 66 74  |ht..    Thereaft|
000003c0  65 72 20 74 68 65 20 68  65 69 67 68 74 20 6f 66  |er the height of|
000003d0  20 75 6e 64 65 72 6c 61  79 20 69 73 20 6d 61 69  | underlay is mai|
000003e0  6e 74 61 69 6e 65 64 20  77 68 65 6e 20 79 6f 75  |ntained when you|
000003f0  20 75 73 65 20 73 70 61  63 65 20 61 6e 64 0a 20  | use space and. |
00000400  20 20 20 68 79 70 68 65  6e 20 74 6f 20 61 64 76  |   hyphen to adv|
00000410  61 6e 63 65 20 61 20 73  79 6c 6c 61 62 6c 65 2c  |ance a syllable,|
00000420  20 61 6e 64 20 77 68 65  6e 20 79 6f 75 20 63 6f  | and when you co|
00000430  70 79 20 74 68 65 20 63  61 72 65 74 20 77 69 74  |py the caret wit|
00000440  68 20 41 64 6a 75 73 74  2e 0a 20 20 20 20 54 72  |h Adjust..    Tr|
00000450  69 70 6c 65 2d 63 6c 69  63 6b 69 6e 67 20 6f 6e  |iple-clicking on|
00000460  20 61 20 73 79 6c 6c 61  62 6c 65 20 73 65 6c 65  | a syllable sele|
00000470  63 74 73 20 69 74 20 61  6e 64 20 61 6c 6c 20 73  |cts it and all s|
00000480  79 6c 6c 61 62 6c 65 73  20 74 6f 20 74 68 65 20  |yllables to the |
00000490  72 69 67 68 74 0a 20 20  20 20 6f 66 20 69 74 20  |right.    of it |
000004a0  61 74 20 74 68 65 20 73  61 6d 65 20 68 65 69 67  |at the same heig|
000004b0  68 74 2c 20 73 6f 20 79  6f 75 20 63 61 6e 20 64  |ht, so you can d|
000004c0  72 61 67 20 74 68 65 6d  20 75 70 20 61 6e 64 20  |rag them up and |
000004d0  64 6f 77 6e 2e 0a 0a 20  20 20 28 48 69 6e 74 3a  |down...   (Hint:|
000004e0  20 74 6f 20 63 6f 70 79  20 61 20 6c 69 6e 65 20  | to copy a line |
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00000520  20 20 63 68 61 6e 67 65  20 74 68 65 20 6e 6f 74  |  change the not|
00000530  65 73 2e 29 0a 0a 20 20  20 28 48 69 6e 74 3a 20  |es.)..   (Hint: |
00000540  69 66 20 79 6f 75 20 77  61 6e 74 20 74 6f 20 61  |if you want to a|
00000550  64 6a 75 73 74 20 74 68  65 20 76 65 72 74 69 63  |djust the vertic|
00000560  61 6c 20 70 6f 73 69 74  69 6f 6e 20 6f 66 20 61  |al position of a|
00000570  20 70 61 73 73 61 67 65  20 6f 66 0a 20 20 20 20  | passage of.    |
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00000590  20 74 68 61 74 20 73 75  62 73 65 71 75 65 6e 74  | that subsequent|
000005a0  20 72 65 66 6f 72 6d 61  74 74 69 6e 67 20 6d 61  | reformatting ma|
000005b0  79 20 73 68 69 66 74 20  73 6f 6d 65 20 6f 66 20  |y shift some of |
000005c0  74 68 65 20 62 61 72 73  0a 20 20 20 20 61 72 6f  |the bars.    aro|
000005d0  75 6e 64 20 61 6e 64 20  73 6f 20 70 72 6f 64 75  |und and so produ|
000005e0  63 65 20 6c 69 6e 65 73  20 6f 66 20 75 6e 64 65  |ce lines of unde|
000005f0  72 6c 61 79 20 77 68 69  63 68 20 61 72 65 6e 27  |rlay which aren'|
00000600  74 20 6c 69 6e 65 64 20  75 70 2e 20 49 74 27 73  |t lined up. It's|
00000610  20 62 65 73 74 0a 20 20  20 20 74 6f 20 63 6f 72  | best.    to cor|
00000620  72 65 63 74 20 74 68 65  20 76 65 72 74 69 63 61  |rect the vertica|
00000630  6c 20 70 6f 73 69 74 69  6f 6e 69 6e 67 20 6f 66  |l positioning of|
00000640  20 75 6e 64 65 72 6c 61  79 20 77 68 65 6e 20 74  | underlay when t|
00000650  68 65 20 77 68 6f 6c 65  20 73 63 6f 72 65 20 69  |he whole score i|
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00000670  72 79 74 68 69 6e 67 20  65 6c 73 65 20 69 73 20  |rything else is |
00000680  63 6f 72 72 65 63 74 6c  79 20 73 70 61 63 65 64  |correctly spaced|
00000690  3b 20 74 68 65 6e 20 74  68 65 72 65 20 69 73 20  |; then there is |
000006a0  6e 6f 20 64 61 6e 67 65  72 20 6f 66 0a 20 20 20  |no danger of.   |
000006b0  20 72 65 66 6f 72 6d 61  74 74 69 6e 67 2e 29 0a  | reformatting.).|
000006c0  0a 37 2e 20 42 65 61 6d  69 6e 67 20 62 65 74 77  |.7. Beaming betw|
000006d0  65 65 6e 20 73 74 61 76  65 73 20 68 61 73 20 62  |een staves has b|
000006e0  65 65 6e 20 63 6f 6e 73  69 64 65 72 61 62 6c 79  |een considerably|
000006f0  20 73 69 6d 70 6c 69 66  69 65 64 3a 20 69 66 20  | simplified: if |
00000700  79 6f 75 20 73 65 6c 65  63 74 0a 20 20 20 74 68  |you select.   th|
00000710  65 20 66 69 72 73 74 20  6e 6f 74 65 20 6f 66 20  |e first note of |
00000720  61 20 67 72 6f 75 70 20  6f 66 20 71 75 61 76 65  |a group of quave|
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00000750  65 6c 65 74 65 2c 0a 20  20 20 74 68 65 20 62 65  |elete,.   the be|
00000760  61 6d 20 77 69 6c 6c 20  62 65 20 64 65 6c 65 74  |am will be delet|
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000007d0  74 77 65 65 6e 20 74 77  6f 20 73 74 61 76 65 73  |tween two staves|
000007e0  20 28 75 73 69 6e 67 20  74 68 65 0a 20 20 20 62  | (using the.   b|
000007f0  65 61 6d 2d 73 68 61 70  65 64 20 6c 69 6e 65 29  |eam-shaped line)|
00000800  20 77 69 74 68 6f 75 74  20 68 61 76 69 6e 67 20  | without having |
00000810  74 6f 20 6a 6f 69 6e 20  74 6f 67 65 74 68 65 72  |to join together|
00000820  20 74 77 6f 20 62 65 61  6d 73 20 61 6c 72 65 61  | two beams alrea|
00000830  64 79 0a 20 20 20 74 68  65 72 65 2e 0a 20 20 20  |dy.   there..   |
00000840  54 68 65 20 44 65 6c 65  74 65 20 6b 65 79 20 61  |The Delete key a|
00000850  6c 73 6f 20 77 6f 72 6b  73 20 6f 6e 20 69 73 6f  |lso works on iso|
00000860  6c 61 74 65 64 20 6e 6f  74 65 73 20 74 6f 20 64  |lated notes to d|
00000870  65 6c 65 74 69 6e 67 20  61 20 73 69 6e 67 6c 65  |eleting a single|
00000880  20 63 75 72 76 65 64 0a  20 20 20 27 68 6f 6f 6b  | curved.   'hook|
00000890  27 2e 20 59 6f 75 20 63  61 6e 20 72 65 69 6e 73  |'. You can reins|
000008a0  74 61 74 65 20 61 20 62  65 61 6d 20 62 79 20 74  |tate a beam by t|
000008b0  79 70 69 6e 67 20 61 6e  79 20 6f 66 20 74 68 65  |yping any of the|
000008c0  20 46 31 20 62 65 61 6d  20 6b 65 79 73 2e 0a 20  | F1 beam keys.. |
000008d0  20 20 20 20 5b 52 65 71  75 65 73 74 65 64 20 62  |    [Requested b|
000008e0  79 20 4d 61 72 63 75 73  20 42 6c 75 6e 74 20 61  |y Marcus Blunt a|
000008f0  6e 64 20 4a 6f 68 6e 20  52 75 74 74 65 72 2e 5d  |nd John Rutter.]|
00000900  0a 0a 38 2e 20 54 68 65  20 6d 75 73 69 63 20 66  |..8. The music f|
00000910  6f 6e 74 73 20 61 72 65  20 6e 6f 77 20 63 61 6c  |onts are now cal|
00000920  6c 65 64 20 27 4f 70 75  73 49 49 20 4d 75 73 69  |led 'OpusII Musi|
00000930  63 27 20 61 6e 64 20 27  4f 70 75 73 49 49 20 54  |c' and 'OpusII T|
00000940  65 78 74 27 20 28 72 65  70 6c 61 63 69 6e 67 0a  |ext' (replacing.|
00000950  20 20 20 74 68 65 20 6f  62 73 6f 6c 65 74 65 20  |   the obsolete |
00000960  4f 70 75 73 20 66 6f 6e  74 73 29 2e 49 6e 73 74  |Opus fonts).Inst|
00000970  61 6c 6c 20 74 68 65 6d  20 69 6e 20 65 78 61 63  |all them in exac|
00000980  74 6c 79 20 74 68 65 20  73 61 6d 65 20 77 61 79  |tly the same way|
00000990  20 61 73 0a 20 20 20 69  6e 73 74 61 6c 6c 69 6e  | as.   installin|
000009a0  67 20 74 68 65 20 4f 70  75 73 20 66 6f 6e 74 73  |g the Opus fonts|
000009b0  20 69 73 20 64 65 73 63  72 69 62 65 64 20 69 6e  | is described in|
000009c0  20 74 68 65 20 6d 61 6e  75 61 6c 2e 0a 0a 20 20  | the manual...  |
000009d0  20 28 49 66 20 79 6f 75  20 61 6c 72 65 61 64 79  | (If you already|
000009e0  20 68 61 76 65 20 61 20  63 6f 70 79 20 6f 66 20  | have a copy of |
000009f0  74 68 65 20 6f 6c 64 20  4f 70 75 73 20 66 6f 6e  |the old Opus fon|
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00000a10  74 65 20 74 68 65 6d 0a  20 20 20 55 4e 4c 45 53  |te them.   UNLES|
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00000a40  75 63 68 20 61 73 20 6d  75 73 69 63 20 65 78 70  |uch as music exp|
00000a50  6f 72 74 65 64 20 69 6e  74 6f 20 77 6f 72 64 0a  |orted into word.|
00000a60  20 20 20 70 72 6f 63 65  73 73 6f 72 20 64 6f 63  |   processor doc|
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00000a90  65 75 73 65 2e 20 49 66  20 79 6f 75 20 68 61 76  |euse. If you hav|
00000aa0  65 6e 27 74 2c 20 79 6f  75 20 63 61 6e 0a 20 20  |en't, you can.  |
00000ab0  20 64 65 6c 65 74 65 20  74 68 65 20 6f 6c 64 20  | delete the old |
00000ac0  66 6f 6e 74 73 20 62 79  20 68 6f 6c 64 69 6e 67  |fonts by holding|
00000ad0  20 64 6f 77 6e 20 53 68  69 66 74 20 77 68 69 6c  | down Shift whil|
00000ae0  65 20 64 6f 75 62 6c 65  2d 63 6c 69 63 6b 69 6e  |e double-clickin|
00000af0  67 20 6f 6e 20 79 6f 75  72 0a 20 20 20 6f 77 6e  |g on your.   own|
00000b00  20 21 46 6f 6e 74 73 2e  20 54 68 69 73 20 77 69  | !Fonts. This wi|
00000b10  6c 6c 20 72 65 76 65 61  6c 20 79 6f 75 72 20 66  |ll reveal your f|
00000b20  6f 6e 74 20 64 69 72 65  63 74 6f 72 69 65 73 3a  |ont directories:|
00000b30  20 64 65 6c 65 74 65 20  74 68 65 20 6f 6e 65 20  | delete the one |
00000b40  63 61 6c 6c 65 64 0a 20  20 20 4f 70 75 73 20 69  |called.   Opus i|
00000b50  6e 20 74 68 65 20 73 74  61 6e 64 61 72 64 20 77  |n the standard w|
00000b60  61 79 2e 29 0a 0a 39 2e  20 59 6f 75 20 63 61 6e  |ay.)..9. You can|
00000b70  20 6e 6f 77 20 75 73 65  20 74 68 65 20 53 68 69  | now use the Shi|
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