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ImpJunior/Manual/!JManual/CHAPTER13/TEXT

This website contains an archive of files for the Acorn Electron, BBC Micro, Acorn Archimedes, Commodore 16 and Commodore 64 computers, which Dominic Ford has rescued from his private collection of floppy disks and cassettes.

Some of these files were originally commercial releases in the 1980s and 1990s, but they are now widely available online. I assume that copyright over them is no longer being asserted. If you own the copyright and would like files to be removed, please contact me.

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Filename: ImpJunior/Manual/!JManual/CHAPTER13/TEXT
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\`��`Bhz���:����GFrame
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����P�pAow8��?k��%The }�Frame menu contains options concerned with Impression p�TB�����O.��%frames. It~�~� allows you to:
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~�T%0B\�Ƕ����%��create new frames,
0%4B�r��Ϥ��%��alter existing frames,
4%HB��G-��`��%��alter the appearance of graphics in frames,
H�hB�Z��O��%��change the stacking order of frames. 
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(�(�h�DB��|��g���+Note:�(�
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)�D�h֫�C��wv��%Menu options for cutting, deleting, and pasting frames are in the  *�*�h�dB�����9��&EditK�*� menu.~�~�~�

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d�HBR�������%

$F�$F�F�#E�#E�$F�H�#E�$F��@B^��������CInsert frame
se#E�$F�E�$F�@�hB
Z�9���l��%Click on this option to directly choose tly����New frame��.
hT�������%Slide over the arrow to the right of the name to display a T�xB�������%submenu showing:nu ������������
���������������x�DBw�ݚ���������/��%������
D�lBL�h��ݚ��%These types of frame are described in s����Using Impression.Im��
l�XB�	-���2��%Both frame types are created in the same wayhe 
�
�:
XX�Gm���5�%1. Choose the appropriate option. The cursor tracks a pair of XXD}~��E���%cross-hairs. Position these where you want the top left-hand X%8B���A��Ut��%corner of the new frame to be.
8�hB�>����/��%2. Press and hold down the 0�0�
�Select0�
� mouse button.
h�x�Q
�����%3. Keep the . K1�1�
�Select 1�
�button pressed and drag the  cross-hairs to xP�{����%where you want the bottom right-hand corner of the new P%(B�->���p��%frame to be.
(�|B�ym���5,��%4. When correctly place
�ce
٫
٫d release �
٫�Select�
٫. 
|�DBl�}���E�%The new frame is now created.ow
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DT�H�T��]���%The new frame becomes the selected frame, indicated by the T��C����mJ��%eight �������ee��frame handlesb��e �earound its edge.
$��$��#��#��$����LBP��y�����CNew frame
#��$����$����L��BfB���mP��&Keyboard short-cut: Ӽ�ӼL�ӼX���ӼCtrl-I Ӽ�Ӽ�
�����������%A new frame is initially a ���������null framer��� ly�(empty frame). It becomes a ull����������t\��x������m%text frame������ if you type into it or you drop in a text story. It t��C�>�;���n��%becomes a  ����t s	�	���graphic frame���	�  	� if you drop in a Sprite or Draw file. 
�$��$����#��#��$����TB֬������CNew repeat frame
#��$��$����T��B
��A���t��&Keyboard short-cut: �Ӽ�ӼC�Ӽame��ӼCtrl-Shift-RӼ�T�
��tH�������%Use this option to create a new Ӽ����repeating frame��. Create the frame t\ҝ������%on the first page where it is required; copies of it then appear on \%@BI\`��ݒ��%all subsequent pages of the document.
@X�$-��*��%Initially the frame is a null (empty) frame. Putting text or a XX3=����%graphic in the frame makes the text or graphic appear in all X�\B��M~���%copies of this repeating frame.
�$H�$H�G�#G�#G�$H�\P#G�$H��PB ����z��CAlter frame
�#G�$H�H�$H�/�/�/�P��B���)�b\�&Keyboard short-cut:/��� �Լ�ԼCtrl-F10H�Լ��
�\�|���z��%The Alter frame dialogue lets you alter the size and position of \���„��%the selected frame which can be of any type (te��text, graphical� or and
�
�null\
�). �\s��G�z�%It also lets you change the frame borders and the colour (if any) \T�B�
�=�%of the frame background. These two groups of functions are TX	�����%controlled by two separate pages of the dialogue box. The radio X��_p�����%switches near the bottom of the box marked SSInfo Sand TTTView Tare �%@C�T�چ�%used to flip between the two pages.
@���*����%If the ����TWW��Alter graphics��W��W dialogue is on screen, it will be automatically �T�>:����%closed if this option is chosen from the menu. The keyboard T�p)5Jr���%short-cut cannot be used if the �>WWAlter graphicsoW dialogue is on p�0B[�Z5�"h�%screen.
z�|�|�0�dBf+�,�:��he �2{�*��phi|�
��on ���d��B�����,�m%The Alter frame dialogue showing the Info page��cre��dd
������I.����%The theګګOK ګand �۫۫Cancel ۫buttons work in the usual way. Pressing ��t�>U���%them with the 6�6�Select  6�button causes the dialogue box to leave the t��R�N�K�%screen and the 8�8�Adjust 8�button leaves it on screen. The  thܫܫOK ܫbutton ��p P^��&�%changes the frame to its new, edited state. The aveݫݫCancel ݫbutton p�`B"�n��6��%restores the frame to its old state before it was d9�9�edited.
`�
9����w6����%While the ^^9�Alter frame^9� �9�dialogue is on screen, documents can be �X]F���%edited normally. If the selected frame changes during editing XX��VB�u�%(you might click in another frame or move the cursor into a new X�l�Ff�.8�%frame) the ccAlter framec dialogue will be updated to show the l%0BG�v��>��%newly selected frame. 
0X���`�V��%Changes are incorporated in the document only when you click X�h�O�#�fV�%on the ߫߫OK ߫button. If you make changes and then move on to h�lIW���v�%another frame without clicking on ��OK�, those changes are not l%HB������%incorporated into the document and are lost.
H\U��A�t�%The top line of the dialogue describes the frame - there are three \������7�%possibilities; ��Text, Graphics �or ��Null. b�����ere���\����Text ss���frames�� hold text stories; r ��ull��������Wn�����m%Graphics ����frames�� hold graphics;  te��������Null ����frames�� are empty and can ��xB#Y��ν�%become either  ��Text%� or ��Graphicsram� frames.
x\��#��U�%The final item in the frame description only applies to text frames \\��.���%and it tells you whether the text story overflows from this frame. \X�]>����%Text can overflow from a frame if there is too much text to be XX�ZNl���%shown in the frame and there is no other frame for the text to X�l�0^/�&b�%flow into (/�/�truncated text�/�). This is a very important warning lX)On��6%�%because it means that some of the text is not displayed in the X�DB��~��F��%document!
__�&ռ_ռD�TB�&:�^��h7Info page
_ռ���ռ6�ռ�T�,B�����v�+Position
��,�t�}�}���%The ���Positionthe� group describes the position and size of the frame t��ڹ�@�s�%on the page. d ffX fand iveggY fggive the distance of the top left-hand corner ���ɸ��6�%of the frame from the top left-hand corner of the page. hhWidth hand �ii���Kx�����&Height igive the width and height of the frame. The  jjX�j, ekkY kllWidth �l��t=���μ�%and nnHeight nvalues are shown in millimetres by default, but they tX�,M���%can be entered in any of the standard units. See the chapter X�xՇ&��B�%entitled  b��Using dialogue boxesof � for a full list of units recognised by x�4B�	6���%Impression.
�aa4�(B�fg���+Repel
a(Tzf�.6�%The repel group describes how text is repelled around the TX��v��>��%outside of the frame. Text is only repelled away from the edges X��No���N��%of the frame if the tsippRepel text outside pswitch is turned wh��on�; when ��t���L�^�%turned ��off�, text in underneath frames will flow behind the frame. t�tS���nB�%When the qqRepel qswitch is on, the editable fields are enabled. The t�t�����~�%value in the �����horizontal ��field describes how far away the text will t\\�ƕ���%be pushed from the left and right edges of the frame. Similarly, \��=��X���%the ������vertical ���value controls the top and bottom of the frame9��9��. The �9���h������%repel distance is in addition to the width of any frame border that �9��h�tB��o�ʡ�%might be drawn along that edge.bb
b����׭�ּ��ּt�PB�����9�h7View��ּ��
be�� ed��P�dB�}�����_����5}�d|_�
���d�`B�������m%The Alter frame dialogue showing the View page
`���*[�ˍ�%The vvView ��vdisplay (visible when the o��Viewe� button is pressed) �T�3��P�%describes how the frame is drawn. The thin white rectangle T\Xx#����%represents the frame and the editable fields against each of the \Xi3�����%edges hold the border number for that edge.  This rectangle is X��4|Cg���%called the ����������border display box������. A half-size version of the border is �X`S*�]�%drawn in the dialogue box to show you the effect. The border X�DB��c��+ �%numbers cor}�}�an be changed by;
DT�Y���k��%��Clicking on the arrow icons around them. Arrows pointing TX�B�k�{��%down or left decrease the value; arrows pointing up or right X%(C���.��a�%increase it.
(ET�Q����%��Clicking on them and typing. Any changes are only imple-TT������%mented when the cursor is moved out of the editable field T�dC��#p���%with the cursor keys or ��}�Returnt�}�.
}�d��dBKEv��>��%The ׼׼available  ����׼borders׼�� are:
d%DF/�g�~��%1/�1/4 pt black line
D%@F��"�U�%2��1 pt black line
@%@F�6���%3e
��4 pt black line
@%PF�vv��>��%4e
�v�1/4 inch Dark grey mitred slab
P%PF�}�T�~��%5
�}�1/4 inch Light grey mitred slab
P%PF֐��B�%6b
֐�1/8 inch Black drop shadow left
P%TFs�6����%7t
s��1/8 inch Black drop shadow right
T�xFv��>��%8�1/4 pt black line and 1/8inch offset 2pt in9ݾ��9ݾblack line
x�xF�s�A�~t�%9
�s�1/8 inch offset, centre and corners off9ݾ��nly, 4pt black line
x�dF[���/�%10
Љ1/4 inch offset 4pt black line with curved cot ��rners.
d\�������%Notice that the illustration of the dialogue box shows how to use \�TB�X���%the \ؼؼdrop shadow bordersؼ 6 and 7.
T����6��"�%The small wwAll he wswitch in the top right of the ��View t �page allows all ��p�+F����%of the ټټborders f tټto be altered at once. While this switch is on, pX_�Vv���%changing any one of the four border numbers changes the other X%4B8f9�.l�%three to the same value.
4���|~��F�%The 4xxTransparent nt xand ranyyColour yradio switches in the centre of the tchzz��d����V��&View�z page determine whether the frame has a filled background d%$B��W�f��%or not. 
$������~"�%If the {{����{��Transparent ��{��ran��switch is set, then the frame has a transparent �Th�Ʋ����%background. Anything underneath the frame will show through T%HB��u����%wherever text or graphics don't fill the frame.
H���u�
��@�%If the yyColour yswitch is set, then the ����frame background���� is set by ��p1x�����%the �yyColour yfield and anything underneath the frame is hidden. pX�!�����%Click in the colour field to display the colour picker; this is X�`BܚW���%described in ���Using Impression.
�sin0�0�`�0��dS��:q�����G8�Frame borders0�0�
$J�$J�I�#I�#I�$J�d� #I�$J��PB:�f�~���CAlter graphics
#I�$J�J�$J�(�(�P��B���
�f=�&Keyboard short-cut:ڼ(�ڼ (�ڼlte)�)�ڼCtrl-F11ڼ)�(�)�P����E��%���%�
-c��%�ڼ%��\�����~��%You can also call up this dialogue box by double-clicking inside a \�dB�^�e����%graphics frame.�������%���%�
so��%� di%�d\]����0�%If the selected frame is not a graphics frame, the menu option is \% B8������%greyed.
 ����Y�΋�%If the ����ed WW��Alter frame��W tiWdialogue is on screen, it is automatically closed �X�z��N�%if this option is chosen from the menu. The keyboard short-cut X�xB��&����%cannot be used if the WWAlter frame is Wdialogue is on screen.
x�HB������x��=��D�x
th		H�PBQ�U���m%The Alter graphics dialogue box	
�P��d�5����%The ��Alter graphics� dialogue is similar to the alo��Alter frame �dialogue. ���OE��
��%The lte��OK �and  is��Cancel �buttons work in the same way and, once ��pg$Us���%again, the document can be edited while the ���Alter graphics � p�l߷e6�-i�%dialogue is on screen. If a non-graphic frame is selected, the ��Alter l�h
�u��=,�&graphics߷� box is automatically closed. If another graphic frame is h%PCY����M��%selected, the values in the dialogue box are updated.
P�t��T�e��%The ���Scale �field shows how the graphic has been scaled relative to tX�S��uJ�%the original size. 200% means the graphic is twice its original X\�g����
�%size. Note that the scale factor actually scales the height of the \%$B�͝����%graphic.
$�xs��5��h�%The ���Aspect X:Y� editable field shows the �fatness� or �thinness� of xX^�����+�%the graphic. It measures how much more the graphic is scaled in X`o������%the horizontal direction than it is in the vertical direction (as set `��!��ݱ�%by the ��Scale �field). When �+�+�Aspect X:Y +�is set to 100% the graphic is �`g�%B��t�%equally scaled in both directions. That is, a square in the original `T�;5��7�%graphic remains as a square in the scaled graphic. Numbers T�t�E��
��%smaller than 100 in the ���Aspect X:Y� field make the graphic thinner t�\B",U����%than the original, larger numbers make_�9_�9_� it fatter.
\D#9_��d��r��:��%The appearance 9_�of the graphic on the screen may be distorted by d%TB���O�J��%the aspect ratio of the pixels displayed by the monitor.
TX�2���b�%If you scale up the graphic, it could become bigger than the X\�����r��%frame and only part of the graphic will be seen in the document. \�x~��m����%This is called �d �����cropping� the graphichi�� and is a useful way of hiding x%\Bý�0��c�%unwanted parts of a picture without altering the original graphic.
\`gr������%If you alter either the scale or the aspect ratio of a graphic, it is `%DB�|�����%rescaled around the centre of the frame.
D�d	G
$��V�%To show a graphic at its original shape and size, set both the ��d��������&Scale l�and nd ��Aspect X:YX� fields to 100%. Note that Acorn rn����sprites es ��do ��t��*�����%not store any information about the original size of the hei�i�bit-mapi� t\E�:m���%and so Impression treats sprites as always being stored at screen \%PB��J0�c�%resolution no matter where they originally came from.
P�te�b��*��%The he ��Hide de�switch controls whether or not the graphic is shown in t\��r��:��%the document. Some line art pictures take a long time to re-draw, \X���N�J��%which can slow down the response time of the program, so it is X�pS`��ZD�%useful to be able to to����hide the picture re��once you have made sure p�PB�����j�%that it looks right.
t.,�,���,���P�|g��l����&Fit to frameame��,�,� is a quick way to resize the graphic to fill the frame. |���/��b�%If the -�-�Lock aspect ct -�switch is i��off�, the graphic is rescaled both ��|N�����%�%horizontally and vertically to fill the frame. If the switch is is ��on�, the |XY'�����%graphic is resized to fit the frame without changing the x-y X��BԪ�x�«�%scaling.��.�.�=�����.�
��.�.�$P�$P�#O�#O�$P��&#O�$P��PBl��V�����CForce to next
x#O�$P�$P�F�F�P��B'V���-�&Keyboard short-cut: P�ۼF�ۼ_��F�ۼ toY�Y�ۼCtrl-GۼY�F�Y�P����
�����\��������%The cursor must be located in the text before this option can be \% B�yV�Έ�%used.
 �x<���� �%Selecting  ��Force to nextth� causes the text after the cursor to move to x�lp�.�����%the start of the next frame. This is like a word processor�s �u����force l�`B�T>t���%to next page������ command and is used in similar circumstances.
`\��V�?�%To use, position the cursor immediately before the character that \�pGjf��.�%is to start the new frame. Choose �G�G�force to nexturG� and subsequent p\��v��>��%text moves to the next frame. If you have only one text frame on \\���U�N��%a page (as this manual does), then the text moves to the top of a \�p9��^K�%new page. We use ����Force to next (��in this manual to force each p%HB�4���n�%menu option description to start on a new page.
H�l���s����%Where you have ����multiple frames�� on a page and you want text to lX�K�6��i�%start on a new page, you may have to use this option several X%PBh����,�%times to advance the cursor to the start of a new page.
P�x��������%A '��next frame' character�� is inserted in the text (although it is not x\|�U�·�%shown on screen). Thus, if you add or delete code before it, the \\e���J�%'next frame' character always ensures that the required text starts \\߃&���
�%at the top of a frame. Because it is a separate character, you can \%TBD�6�����%delete it using any delete key if it is no longer required.
T�p�N6�i�%The use of thisH�H� force to next�H� option is encouraged in long docu-pP�
^��&,�%ments since it speeds up many formatting operations and P�`B�>n��6��%improves the overall responsiveness.
$L�$L�ent#K�#K�$L�`�(#K�$L��PB֯�F��z����CPut to back
res#K�$L��$L�F�F�P��B2���b��&Keyboard short-cut: L�ۼF�ۼO��F�ۼo bY�Y�ۼCtrl-Shift-BۼY�Y�2�����
yb�����P�����z���%This and the �J�J�bring to front J�option control the �Y���stacking order�� of �����DB���E���x��%overlapping frames� on the page.
DT�A�ݻ����%You sometimes want to ensure that a certain frame overlays TX��꠻��ӻ�%another frame. This is particularly important when some frames X%LB@��c��–��%are opaque and obscure parts of frames underneath.
L\������.��%These two options work on the selected frame. If necessary, click \X,F"�����%on the required frame to select it before using either of these X�0Bh�2�������%options.
, *�*�0�dn�J��M��&Put to back*� puts the selected frame behind all other overlapping dT4;Zݹ�"��%frames. Use this option with care as you may lose the frame T\��j���2ӹ�%behind a larger frame. If this should happen, you can select the \��[Hzc��B���%hidden frame using ��ۏ������Alt-ram���oul�����Selectt��� ��(see �����Using Impression ��for more ��0BO��&��RY��%details).
+�+�0�hڬ����j�&Bring to front+� makes the selected frame the front frame. It is then h�XBnD����z���%on top of all other frames.
in$N�$N�+�#M�#M�$N�X�+#M�$N��@B��*G�������CBring to front
#M�$N�$N�@�TB�e����%See >�>�put to back M�>�description.
TyV4�G1�H2��HBz7@���5��1��G1�G1�1�H2�G1�H2��
H�G1�H2�%Bz7l�P���1�
�G1�H2�%Bz7 ��p8��1�
hG1�H2�%Bz7�n�0���1�
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HG1�H2�%Bz7�U����1�
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(G1�H2�%Bz7�a�0���1�
�G1�H2�%Bz7k�P���1�
G1�H2��DRz7�8��~��1�h�H2�G1�2�G1�
DyV4$ x4�5�7� ������3�m%4�4�4�5�5�4�5�7�4�5�7�Note the use of the �drop shadow� ��XBr����m%borders 6 & 7e 7�4�5��5�4����4�
XyV4�����XB_0kS��3����%����5. The Main Menu - Frame���
XyV4�d��'��|C_0kS��3����%�������'���'�5. The Main Menu - Frame��'�'�
|yV4
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00000030  01 01 01 00 00 00 00 00  00 18 00 00 a5 60 00 00  |.............`..|
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000000e0  06 c8 02 00 00 00 00 00  00 50 00 00 85 70 00 00  |.........P...p..|
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00000100  54 68 65 20 07 7d c5 fc  04 11 01 00 04 11 01 00  |The .}..........|
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00000120  00 00 00 00 20 6d 65 6e  75 20 63 6f 6e 74 61 69  |.... menu contai|
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00000180  1c 7e ba 06 00 00 00 00  20 61 6c 6c 6f 77 73 20  |.~...... allows |
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000001a0  0a 12 01 00 1c 7e ba 06  00 00 00 00 00 54 00 00  |.....~.......T..|
000001b0  25 30 00 00 42 5c d1 01  c7 b6 fa ff 8f e9 fa ff  |%0..B\..........|
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