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!Sibelius7/!Help/!Doccy/Chapter1/Text
This website contains an archive of files for the Acorn Electron, BBC Micro, Acorn Archimedes, Commodore 16 and Commodore 64 computers, which Dominic Ford has rescued from his private collection of floppy disks and cassettes.
Some of these files were originally commercial releases in the 1980s and 1990s, but they are now widely available online. I assume that copyright over them is no longer being asserted. If you own the copyright and would like files to be removed, please contact me.
| Tape/disk: | Home » Archimedes archive » Zipped Apps » Sibelius 7 |
| Filename: | !Sibelius7/!Help/!Doccy/Chapter1/Text |
| Read OK: | ✔ |
| File size: | 267AC bytes |
| Load address: | 0000 |
| Exec address: | 0000 |
File contents
<e � � �D B�K.l��~���03 � � Accidentals� �
D �( B >/�� ^�� "
, , ( �X C� ����%��$ Contents
, - - X %< B� �������p Creating or changing an accidental
< %0 B�y��� ��p Removing an accidental
0 %, BR*.r��>���p Special accidentals
, % B NC��^j��p
�T C n��~;��p See manual for : altered unisons.
- � � T �4 B ��� ��p
� / / 4 0 �R�������$ Creating or changing 0 �@ C�� ·��ޮ��$ an accidental /
� � @ %, C�� �O���v��p � Select a note.
, L @� ���G��p � Press F2, F3 or F4 (with Shift or Ctrl for double- L %( BT� �����p accidentals).
( % C �����p
X >���� ���p If you select a whole chord by double-clicking Select on it, X P �U.e��>���p you can add an accidental to every note of the chord at P % B�S N6��^]��p once.
�4 B n��~.��p
� 0 0 4 �H C�y�������$ Removing an accidental
0 � � H %< C"��������p � Select the note it belongs to.
< %T C8`�z��ޡ��p � Re-press the accidental�s function key to toggle it off.
T �4 C �K���r��p
� 1 1 4 �H B�. �� D��$ Special accidentals1 pec � �
H T �|.�>��p For accidentals in brackets and small, big and microtonal T �h B�/N���^�p accidentals, use the Transfers window (see manual).
e � (s � � h � � �< B�,�/��#v��03 Alignment �
�2 2 < % B �����!��$
�@ C� �����$ Contents 2 h� � �
@ %, B @���p Rhythmic alignment
, %, C�>n��#���p Align when copying
, % B 3?��Cf��p
%0 C�JS��c7��p See also Attachment.
0 % B s����p
�4 B �����p
� � 4 3 3 4 �H C�9���ê�$ Rhythmic alignment3 � � �
H P &'�T��{�p Notes, chords and rests are automatically aligned in P %< B&�%�M�p columns according to their rhythm.
< % B ��# �p
�4 B 3��C��p
� 4 4 4 4 �H CP6S��c��$ Align when copying4 � � �
H T D�sj��p If you switch on House style �Layout�Align when copying, T T �V�;�b�p then text, lines and transfers can be copied into precise T %, B�0� ��3�p rows and columns :
, % B �����p
%< BX�����p � Select the object to be copied
< T ����#��p � Move the pointer to where you want to copy to, roughly T %P B� 3Q�Cx�p in line (horizontally or vertically) with the original.
P %T B�~S"�cI�p � Click Adjust. The copy will �snap� into exact alignment
T �H C� s���p with the original.
� out � � H � � �< B�
�/��#v��03 Articulati �
5 5 < % B �����!��$
�H B� �����$ Contents � � 5 T�5 �
H %4 C�����p Adding an articulation mark
4 %8 C&�n��#���p Removing an articulation mark
8 %4 B�3?��Cf��p Special articulation marks
4 % B S��c7��p
L 4As����p See manual for: automatic prevention of meaningless L %< C������p combinations; pauses on bar rests.
< % B ���ê�p
�4 B �T��{�p
� 6 6 4 0 �c�%�M�$ Adding an articulation 0 �< CFP ��# �$ mark 6 � � �
< %< C�3��C��p � Select a note, chord or rest.
< X ؍S��c��p � Press one of the articulation mark keys (Shift- or Ctrl-F5 X % B.h sj��p to F9).
% C �;�b�p
T �� ��3�p You can add several articulation marks to a note or chord; T X l������p they will be positioned in the correct order. Rests can only X %4 Cأ����p be given a pause (Ctrl-F9).
4 �4 B ��#��p
� 9 9 9 4 ( � 3Q�Cx�$ Non-standard ( �@ Cү S"�cI�$ positioning
9 � � � @ T <�s���p If you want to change the position of an articulation mark, T P �������p remove it and use one from the Symbols�Transfers window P %$ Bnx ���ü�p instead.
$ % B �f���p
�4 B �7�_�p
� : : : 4 0 x^ �#0�$ Removing articulation 0 �< Cx_ 3��C�$ marks : � � �
< %< C(�S��c��p � Select the note, chord or rest.
< %D B,ms|��p � Re-press the appropriate function key.
D % B �M�t�p
�4 B � ��E�p
� ; ; ; 4 0 B5�����$ Special articulation 0 �< Bx_ ����$ marks ; rti � �
< %@ B�=��#��p These are available on the Symbols�
@ �D Bl83c�C��p Transfers window. �
� � D �4 B �*�R�p
d � � � 4 � � �@ B�xx���9�03 Atonal music
� < < @ % B X��h��$
�@ C� x����$ Contents < Z� � �
@ %$ C�� �`���p Definition
$ %( B�� �1��X�p Atonal scores
( % B ���)�p
%4 C�}�����p See also Key signatures.
4 % B ��(��p
�4 B 8v�H��p
� = = 4 �@ Cp� XG�hn�$ Definition= � � �
@ P �0x�?�p Atonal music (music not in a key) is written entirely P T N�����p without key signatures. Not even transposing instruments T T ������p have them, unlike when a transposing score is in C major T %$ B\� ؋���p or A minor.
$ % B �\���p
�4 B .�(U�p
� > > 4 �@ C�� 8��H&�$ Atonal scores
> � � � @ T $oX��h��p To indicate that your score is atonal, choose Symbols -> T %4 C"dx����p �Key change -> �Atonal.
4 �4 B �r���p
� � � � 4 � � �< BHx���9�03 Attachment �
� � < �4 B X��h��p
� ? ? ? 4 �@ C� x����$ Contents ? � � �
@ %$ C�� �`���p Definition
$ %0 C�d�1��X�p Places objects can�t go
0 %0 C>\���)�p Horizontal attachment
0 %, B�2�����p Vertical attachment
, % B ��(��p
%< C
?8v�H��p See also Stave and system markings.
< �4 B XG�hn�p
� ��@ @ 4 �< Bp� x�?�$ Definition
@ � � < P �-����p Most objects are �attached� horizontally to rhythmic P X x�������p positions in the music, and vertically to particular staves. If X T �d؋���p you drag a note left or right, or a stave up and down, all T %L C���\���p objects attached to it will move around as well.
L �4 B .�(U�p
� A A 4 �L B�f8��H&�$ Places objects can't goA s o � �
L T rvX��h��p To the right of a system there is no rhythmic position for T X �x����p objects to attach to. Similarly, in totally blank areas of the X %T B�{�r���p page there are no staves to attach to. Hence you can�t put
T T fi�C��j�p objects (e.g. text) in these places, or Sibelius would not T D ,����;�p know where to move them when the score was D %( C�� ���
�p reformatted.
( �4 B ��(��p
� B B 4 �L B�`8��H��$ Horizontal attachment�B ont � �
L T �IXY�h��p Objects placed directly over a note attach to that note. T L �x*�Q�p Objects placed between two notes attach to a point L %D B&����"�p between the notes (see manual for details).
D % B ������p
X ��؝����p Text and other objects put to the left of a stave attach to the X \ ��n���p first bar of that stave; so to ensure the bar stays at the start \ T �m@�(g�p of the stave, you should put a system break at the end of T %0 B@8�H8�p the previous system.
0 �4 B X��h �p
� C C 4 �H B85x����$ Vertical attachmentC ert � �
H L ~ �����p Text, lines and transfers between two staves can be L X �y�U��|�p attached to either staves. This matters for part extraction, X %L B %�&��M�p so Sibelius knows which part to put a marking into.
L % B ��� �p
X ���(��p When you copy or select a piece of text, a line or a transfer X P vw8��H��p in an ambiguous position, a hand-shaped pointer appears P T �TXk�h��p pointing to the stave it is attached to. When you drag a T T �px<�c�p piece of text or a transfer from one stave onto another, it T P |D�
�4�p will attach to the new stave, and the hand pointer will P �X C�"�����p reappear pointing to the new stave.
� � � X BZ� � � �< BZ� ��m��03 Barlines �
� � � < �4 B ���
��p
� D D 4 �@ B� S�-z�$ Contents@ D �� � �
@ %, B�=$�MK�p Normal barlines
, %, B4]��m �p Special barlines
, % B }����p
L j�����p See manual for: adjusting gaps in barlines; special L P �$�h�͏�p properties of final double barline and double-repeat P %H C^��9��`�p barline; using special barlines in bar rests.
H �4 B �
�
2�p
� E E 4 �D C0 ��-�$ Normal barlinesE � �
D T �=��M��p These are automatically created by Sibelius when you add T T ��]~�m��p bar rests. You can drag normal barlines left and right, and T %@ C@}O�v�p copy them on top of special barlines.
@ �4 B � �G�p
� F F 4 �H C� �����$ Special barlines�F pec � �
H %0 B�K������p (e.g. double barlines)
0 % C ���
��p
%D C� e�-��p � Choose from the Symbols�Barlines menu.
D T �X=6�M]�p � Position in mid-bar or in place of a normal barline by T %, B�� ]�m.�p clicking Adjust.
, % C }�����p
%P C�0������p Special barlines can be copied, dragged and deleted.
P �4 B �z�͡�p
� G G 4 �D C&�K��r�$ Invisible barline
G nvi � � D X ��� �
D�p (Symbols�Barlines�Invisible) This is for concealing a normal X X $� ��-�p barline at the end of a system in order apparently to split a X % B�; =��M��p bar.
% C ]��m��p
P �a}a����p You can select invisible barlines by clicking where you P T ޖ�2��Y�p positioned them; when selected they appear as a red dotted T % B\D ���*�p line.
% C �����p
T p����
��p Beware that the automatic bar numbering counts each side T �` C.u w�-��p of the invisible barline as a separate bar.
� � � ` � � �< BLg ��m��03 BarNumbers �
� � < �4 B ���
��p
� � H H 4 �@ C� S�-z�$ ContentstsH � �
@ %$ C� =$�MK�p Frequency
$ % CPP ]��m �p Style
%, Bd}����p First bar number
, % B �����p
P ���h�͏�p See manual for: conventions for numbering 2nd time bars P %< C���9��`�p (at the end of repeated sections).
< �4 B �
�
2�p
� I I 4 �@ C� ��-�$ FrequencycI � �
@ P �=��M��p On the House style�Bar numbers menu you can choose bars P T r�]~�m��p to be automatically numbered every 5 bars, every 10, at the T %@ C�}O�v�p start of each system, or not at all.
@ % B � �G�p
�4 B �����p
� J J 4 �< C�K ������$ Style J 0� � �
< P �����
��p On the same menu you can choose the numbers to be size P %L C4� e�-��p 12, size 12 (italic), size 10 or size 10 in a box.
L �4 B =6�M]�p
� K K 4 �H C
]�m.�$ First bar numbererK � �
H %T B8�}�����p You can change this for transcribing excerpts from a score.
T % C ������p
T @��z�͡�p Scores which have bar numbers at the start of each system T T ��K��r�p usually don�t have 1 written above bar number 1. To adopt T P �I� �
D�p this convention, choose House style�Bar numbers�Omit P %$ Bf� ��-�p number 1.
$ % C =��M��p
P Y]��m��p If your score starts with an upbeat bar which you don�t P T 0�}a����p want to be numbered 1, you should set the first bar number T �h CB)�2��Y�p to 0. (The number 0 won�t be drawn above the bar).
� abo � � h � � �< B� �z���03 BarRests< �
� � � < �4 B �E��l�p
� L L 4 �@ C� ���=�$ Contents L �� � �
@ %$ Cx� �����p General use
$ %0 C�#����p Inserting a bar rest
0 %4 Cv�"��2��p Erasing a bar in one stave
4 %< C&�B[�R��p Erasing a bar in all instruments
< %4 C̖b,�rS�p Erasing a bar in one voice
4 %4 C������$�p Removing a bar rest symbol
4 %( C|� ������p Irregular bars
( %$ C�� ����p Upbeat bars
$ %( B|� �p���p Bar rest format
( % B B�i�p
%4 C@�"�2:�p See also Rests, Multirests.
4 % B B��R �p
�4 B b��r��p
� M M M 4 �@ Cؽ ������$ General useM � � �
@ T @��W��~�p Bar rests behave much the same as ordinary rests: you can T T ��(��O�p turn them into notes, copy notes onto them, and copy them T %H Bv���� �p onto music in order to turn it into a bar rest.
H % C ����p
%P C?"��2��p There are various additional operations, listed below.
P �4 B Bm�R��p
� N N 4 �L C�.b>�re�$ Inserting a bar reststN � �
L %D C~����6�p � Choose Rhythm�Bar rests�Single bar rest.
D %H B������p � Click Adjust on the barline where you want
H %, B2� ±����p the bar to go.
, % B ����p
�4 B T�{�p
� O O 4 0 \C"%�2L�$ Erasing a bar in one 0 �< CFP B��R �$ stavevO � �
< %P C�Yb��r��p � Double-click Select on the stave anywhere in the bar.
P %@ B*������p � Press F12 to turn it into a bar rest.
@ % C �i����p
T px�:��a�p You can do the same to several bars at once; see Passage T %$ B�� � ��2�p operations.
$ �4 B ���p
� P P 4 0 44"��2��$ Erasing a bar in all 0 �@ CN� B�R��$ instrumentsP � �
@ %H C2�bP�rw�p � Triple-click Select on any stave in the bar.
H %@ B*�!��H�p � Press F12 to turn it into a bar rest.
@ % C �����p
T px������p You can do the same to several bars at once; see Passage T %$ B�� ����p operations.
$ �4 B f���p
� Q Q 4 \C � Q 0 \C����$ Erasing a bar in one 0 �< ClR "k�2��$ voicecQ � �
< %D CtpB<�Rc�p � Select an existing bar rest in the score.
D T �sb
�r4�p � Copy it onto the bar you want to erase using Adjust for T %L C�������p the first voice, Alt-Adjust for the second voice.
L �4 B ������p
� R R 4 , �=�ҧ�$ Removing a bar rest , �< C�n �Q��x�$ symbol R � �
< X ܉#�J�p Select a bar rest and press Delete; the bar rest symbol will X X "��2�p disappear. If the music was in two voices, this will turn it X %0 B�:B��R��p back into one voice.
0 % C b��r��p
X r��g����p To restore the bar rest symbol to a blank bar, select another X %H C��8��_�p one and copy it back into the bar using Adjust.
H �4 B � ��0�p
� S S S 4 �D C�� �����$ Irregular barsS � � �
D L � ����p (For music where bars have varying durations not L %D C�p"}�2��p indicated by changes of time signature).
D % C� BN�Ru�p
%0 Cb �rF�p � Insert a bar rest.
0 T ������p � Type a time signature with the bar duration you want into T L �������p the Rhythm�Time signature window (e.g. for a bar L %D Ch��ҹ�p consisting of two quavers, use 2/8 or 1/4).
D %P C �c���p � Put the time signature at the start of the bar rest.
P %@ C$ 5�\�p � Transcribe the music for that bar.
@ %D B�s"�2-�p � Select the time signature and Delete it.
D �4 B B��R��p
� T T 4 �@ C8� b��r��$ Upbeat barsT � �
@ T ,��y����p Create these in exactly the same way as irregular bars (see T T ���J��q�p above). Once you have created an upbeat bar, you can put T %@ CH)���B�p the desired time signature before it.
@ �4 B �����p
� U U 4 �D C�� ����$ Bar rest formatU � �
D %L B�"��2��p Choose this from the House style�Bar rests menu:
L % C B`�R��p
%L C�b1�rX�p � Normal bar rests - produces the standard symbol.
L T �h���)�p � 1 above bar rests - makes single bar rests appear like a T %< C�������p multirest (for instrumental parts).
< X ֏¤����p � Breve bar rests - draws a breve rest, for long bars (e.g. in X %, C�>�u���p Renaissance music).
, T T{G�n�p � No bar rests - leaves all empty bars entirely blank; used T �L B�q"�2?�p in contemporary music.
� � � � L � � �8 Bd� g>����03 Beams �
� � 8 �4 B G �W0�p
� V V V 4 �@ C� g��w�$ Contents V � � �
@ %$ C,� ������p Normal use
$ %$ B�� �|����p Beam keys
$ % B �M��t�p
P �`� ��E�p See manual for: adjusting beam angles; beams between P %< CA���p keyboard staves; accelerando beams.
< % B '��7��p
�4 B G��W��p
� W W W 4 �@ C6� gc�w��$ Normal useW � � �
@ T j��4��[�p By default, Sibelius beams together all successive notes a T T �����,�p quaver and shorter. It uses a complex rule to determine the T T �p�����p beam position and angle, so you don�t need to be able to T %, B�2�����p drag beams around.
, % B y���p
�4 B 'J�7q�p
� X X 4 , .5G�WB�$ Beam keys (F1 with , �D C�� g��w�$ Shift and Ctrl)X � �
D T �������p These keys adjust how notes are beamed. You can also use T %D Bv�������p them to put beams over barlines and rests.
D % C �_�׆�p
%T BB��0��W�p The keys operate on the selected note, grace-note or rest :
T % C �)�p
T ��'��7��p � F1 beams to the next note or rest and detaches any beams T %8 C�G��W��p from the previous note or rest.
8 %P C�&gu�w��p � Shift-F1 beams to the notes or rests on either side.
P %T C�[�F��m�p � Ctrl-F1 separates the note or rest from its neighbours.
T T 6����>�p � Ctrl-Shift-F1 links together two beamed groups of notes T P �Q�����p with a single �primary� beam; this is used to subdivide P �P C^������p large groups of short notes.
� � � P �
� �< B� g>����03 Bracketsts �
� � < �4 B G �W0�p
� � Y Y 4 �@ B� g��w�$ ContentstsY � �
@ %, C&������p Adjusting brackets
, % B �|����p
%0 C�n�M��t�p See manual for: braces.
0 % B � ��E�p
�4 B ���p
� Z Z Z 4 �H C�#'��7��$ Adjusting bracketsZ � � �
H T �sG��W��p � Ensure all staves around the bracket you want to adjust T %( Ch� gc�w��p are visible.
( T ؍�4��[�p � Select a stave and choose Selection�Top of/Bottom of/No T %$ B�| ���,�p bracket.
$ % C �����p
%< B������p To join several brackets together :
< % C y���p
%T C�['J�7q�p � Do Selection�No bracket to each stave of the brackets.
T P �)G�WB�p � Select the top stave of the new bracket and choose P %4 C �g��w�p Selection�Top of bracket.
4 P �f������p � Select the bottom stave of the new bracket and choose P �P Bj�������p Selection�Bottom of bracket.
� � � � P � � �8 Bn� �\H�03 Clefs �
� � 8 �4 B ������p
� [ [ [ 4 �@ C� �� ��$ Contents [ � � �
@ %( Cp� ,o�<��p Automatic clefs
( %0 C�bL@�\g�p Inserting a clef change
0 %0 BZ^l�|8�p Deleting a clef change
0 % B ���� �p
�4 B ������p
� \ \ \ 4 �D C�� ̄�ܫ�$ Automatic clefs\ � � �
D L ���U��|�p The clefs at the start of every system are drawn L %4 B� '� N�p automatically by Sibelius.
4 % B ,��< �p
�4 B L��\��p
� ] ] 4 �L Cgl��|��$ Inserting a clef change] � � �
L P �L�k����p � Choose the clef from the Symbols�Clefs window (the P %@ CZD�<��c�p standard clefs are along the top row).
@ L �
�
��4�p � Put it down onto a stave by clicking Adjust. The L P �G�����p automatic clefs at the start of subsequent systems will P %, B�: �� ��p change accordingly.
, % C ,��<��p
P DOLR�\y�p Alternatively, you can select and copy an existing clef P X ��l#�|J�p change. You can�t select the automatic clefs at the start of X %$ Bz� �����p systems.
$ % B ������p
�4 B ̖�ܽ�p
� � ^ ^ 4 �L C�`�g����$ Deleting a clef change^ � �
L %4 B�� 9� `�p Select it and press Delete.
4 % C ,
�<1�p
X >�L��\�p To delete a �null clef� - the one consisting of a bit of empty X T Xwl��|��p stave - copy a different clef change on top of it and press T �< B�o �}����p Delete.
n � t a � � < � � �< B�O �\H�03 Dimensions �
�� � � < �4 B ������p
� 4 _ _ 4 �< C� �� ��$ Contents
_ � � � < %( CR� ,o�<��p Reformatting
( %, C�SL@�\g�p Changing dimensions
, %$ C�� l�|8�p Page sizes
$ % C2� ���� �p Margins
%$ B�� ������p Stave sizes
$ % B ̄�ܫ�p
�4 B �U��|�p
� ` ` ` 4 �D C,� '� N�$ Reformattingng` � �
D P f,��< �p Because Sibelius can reformat your score instantly, you P L �/L��\��p can adjust the page dimensions even when you have L T ��l��|��p finished transcribing all the music. This means you can try T T �d�k����p printing a score on different sizes or shapes of paper, or T T �_�<��c�p with different stave-sizes, to see which looks best. This T T ���
��4�p also affects the amount of music per page and the number T T &������p of pages in the score. Consequently, you can also make the T %H B@� �� ��p score fit onto any number of pages you want.
H % B ,��<��p
�4 B LR�\y�p
� a a a 4 �H C�Sl#�|J�$ Changing dimensionsa han � �
H H �������p � Choose Score�Dimensions... to pop up the page H %, C\C������p dimensions window.
, T �~̖�ܽ�p � You can then adjust the page size, page shape and stave T %T Cʇ�g����p size, as detailed below. All dimensions are in millimetres.
T T H� 9� `�p � Click on OK. The score will be instantly reformatted with T %, B@,
�<1�p the new dimensions.
, % B L��\�p
�4 B l��|��p
� � b b 4 �@ Bԣ �}����$ Page sizesb �� � �
@ % CTj �N��u�p Either:
P �A� ��F�p � Type the new width and height directly into the two P %@ BR)���p boxes at the top left of the window.
@ % C4 �� �p Or:
%8 B��,���<���p � Choose an A4 or A3 button.
8 % B Ld��\���p
�4 B l5��|\��p
� c c c 4 �< Cb� ����-��$ Marginsc t�� � �
< P >A�������p The top, bottom, left and right margin sizes are in the P P �̨�����p boxes at the top right. Music can go right up to the P %4 Bb��y������p margins, but not outside.
4 % C K�� r��p
P �c, ��<C��p If you are transcribing music examples or anything else P T L�\��p which has very short systems, set a normal page width and T B�� �
� T �U�� ��p a large right margin to allow lots of white space on the T %T C&h���!ݾ�p right of the paper, rather than using a very narrow page.
T % B 1���A���p
�4 B QX��a��p
� d d 4 �@ B*� q)���P��$ Stave sizes
� d � � @ % C �����!��p
T Έ�˽���p The stave size, specified at the bottom left of the window, T X n�ќ���ý�p is the distance from the centre of the top line to the centre X %X CP��m�����p of the bottom line. Everything in a score is proportional to
X X ܉?��!f��p the stave size - notes, clefs, text etc. Because of this, you X P
M1��A7��p can make a score fit into a certain number of pages by P %4 BsQ�a��p adjusting the stave size.
4 % C q����ټ�p
T �d��������p The Rastral stave size buttons (0 to 8) produce standard T T ��T���{��p sizes used by some music engravers. The default stave size T �L C`]�%���L��p is number 4 (6.7 mm).
� � � � L � � �8 B �ž� ��03 Files �
�� � � 8 �4 B ��������p
� e e 4 �@ C� �a������$ Contentstse � �
@ %0 C�=�2���Y��p Starting a new score
0 %( B�� ���+��p Saving a score
( % B ս�!���p
P &@1���Aͽ�p See manual for: opening/closing a score; file lengths; P %@ C`CQw��a���p compatibility. See also Save graphic.
@ % B qH���o��p
�4 B ����@��p
� ���f f 4 �L CDB�����$ Starting a new score f a n � �
L %H C��ѻ����p � If you are already editing a score, close it.
H %P C ����p � Click Select on the Sibelius icon on the icon bar.
P % B ^��!���p
�4 B 1/��AV��p
� g g 4 %( B � Q ��a'��$ Saving a score
( �4 B qѻ�����$
�g h h 4 �L CLv�����ɻ�$ Under an existing nameh � �
L %L C0�s������p � Click Menu and move past the Score�Save� arrow.
L %< B2��D���k��p � Click Select on the OK button.
< % C ���=��p
%4 B ��!��p Alternatively, type Ctrl-W.
4 �4 B 1���Aߺ�p
� i i 4 �H C,(Q���a���$ Under a new namemei � �
H %T C�~qZ������p � Open the directory window you want the file to go into.
T P �o�+���R��p � Click Menu on the Sibelius window and move past the P %, C������#��p Score�Save� arrow.
, T $�����p � If you don�t want your score to be called MusicFile, type T %( C�� �ƹ�p in a filename.
( �l C29p��!���p � Drag the music file icon into the directory window.
� � � l � � �8 BN� V����ϵ�03 Fonts �
�� � � 8 �4 B 6T��F{��p
� j j 4 �@ C� V%��fL��$ Contents j � � �
@ %$ C~� v���� ��p Text fonts
$ %( C�� �Ǵ���p Loading !Fonts
( %( B�� ����ƿ��p Changing fonts
( % B �i��搴�p
%H B��:��b��p See manual for: Opus Text character set; match-
H %@ C�H ��&3��p ing fonts. See also Text, Keypresses.
@ �4 B 6ݳ�F��p
� k k 4 �@ B� V���fճ�$ Text fonts k C�� � �
@ X ��v������p The fonts used by the various text styles default to styles of X P L�P���w��p Trinity. The fonts can be changed (see Changing font, P % B>v �!���H��p below).
% B �����p
P >A�ò��p When you type text into Sibelius, you can use certain P T j����&���p music symbols which aren�t available in any normal font. T L 6f��F���p For these symbols, Sibelius uses its own specially- L P eV7��f^��p designed font called Sibelius Tempo, and automatically P %P C,5v���/��p changes back to the main font for normal characters.
P �4 B �ٱ�� ��p
� l l 4 �D B�� �����ѱ�$ Loading !Fonts l � �
D L �{��梱�p You will have to do this before using the overview L T �k�L��t��p window, printing or saving a page as a graphic. Sibelius T %D B�{ ��&E��p will remind you to do it when necessary.
D % B 6�F��p
P |]V���f�p To load !Fonts, simply open a directory window with a P %L BJ�v�������p !Fonts icon on it, and double-click on the icon.
L �4 B �b������p
� m m 4 �D B�� �3���Z��$ Changing fonts m � �
D T �����+��p You can change the font of any text style by going into its T T �p�կ����p Font List menu, which lies to the right of the arrow after T X �����&ί�p the text style�s size. The current font for the text style will X %L B��6x��F���p be ticked. You can then choose a different font.
L % B VI��fp��p
T .�v���A��p Choosing a different font changes the font not only of text T X �����p you will type in the future, but also of all text already typed X %, B:� ������p in in that style.
, % B ֍��洮�p
P �I�^�����p Although it changes how text appears in the overview P P �G0��&W��p window and when printed, it does not change the font P P &@6��F(��p displayed in the editing window, which (for speed) is P �T Cd�Vҭ�f���p always one of the Trinity fonts.
� � � T � � �< B�8V����ϵ�03 Formatting �
�� � � < �4 B 6T��F{��p
� n n 4 �@ C� V%��fL��$ Contents n � � �
@ %$ C�� v���� ��p Definition
$ %$ B� �Ǵ���p Particulars
$ % B ����ƿ��p
%0 C�J�i��搴�p See also Attachment.
0 % B �:��b��p
�4 B ��&3��p
� o o 4 �@ Cp� 6ݳ�F��$ Definitiono � �
@ P tBV���fճ�p Formatting music means laying it out tidily on pages. P T ��v������p Sibelius reformats the entire score whenever you change it T T ���P���w��p in any way, so you can always see it as it will appear when T %0 B�#�!���H��p finally printed out.
0 % C �����p
L � �ò��p As you change a score, the music shifts about quite L T �p���&���p considerably in order to keep each page well laid-out. In T P �H6f��F���p fact, any bar can end up anywhere on a system, if you P %L BX V7��f^��p make enough changes to music earlier in the score.
L % C v���/��p
P j�ٱ�� ��p For this reason, you are not allowed to put text (or P X �x�����ѱ�p anything else) to the left of the first bar on a system or to X X z��{��梱�p the right of the last one; not only is it poor notation, but it X X $��L��t��p is never clear what should be done with the text if the first X P e ��&E��p or last bar of the system moves somewhere else. This is P T �z6�F��p why Sibelius itself handles instrument names, cautionary T X ��V���f�p time signatures and the other markings at the left and right X %$ Bȯ v�������p of systems.
$ % B �b������p
�4 B �3���Z��p
� p p 4 �@ C�� ����+��$ Particularsp � �
@ T f�կ����p Sibelius does all of the following whenever it reformats T %( Bj� ���&ί�p your score :
( % C 6x��F���p
T ^�VI��fp��p � Works out how many bars will fit on each system, taking T %4 C��v���A��p note of any system breaks.
4 X �}�����p � Spreads out the notes and rests in these bars to fill up to X %0 Cn^������p the right-hand margin.
0 T �c֍��洮�p � Puts beams, articulation marks, accidentals etc. on the T %D C�b�^�����p notes using elaborate positioning rules.
D %4 CB�0��&W��p � Removes unused staves.
4 P �e6��F(��p � Works out how many systems fit on each page, taking P %4 C�|Vҭ�f���p note of any page breaks.
4 P bTv����ʭ�p � Puts in automatic instrument names, player numbers, P %P Cp �t������p clefs and key signatures at the start of each system.
P B^ � � P �i;l��K���p � Adds cautionary time signatures, clef changes and key P %8 C4�[=��kd��p changes at the ends of systems.
8 P �u{���5��p � Adds cautionary markings like (8) where they continue P �L B(h�߫����p from an earlier system.
o � ier � � L � � �< B�K�L��K���03 GraceNotes �
� � < �4 B ����>��p
� ���q q 4 �@ C� �� ��$ Contents q ��� � �
@ %$ C�� ���+�p Definition
$ %0 C@P;���K���p Creating a grace-note
0 %0 B�p[\��k���p Modifying a grace-note
0 % B {-���T��p
P 3�����%��p See manual for : attachment of grace-notes. See also P %, C�"�Ϫ����p Special noteheads.
, �4 B ۠���Ǫ�p
� r r 4 �@ Bp� �q�� ���$ Definitionr �� � �
@ T P�C��+j��p Grace-notes are small notes which are played very quickly, T T |�;��K;��p being �crushed� into the previous or following note. Hence, T %T B�x[�k ��p unlike cue-notes, they do not use up any rhythm in a bar.
T % B {����ݩ�p
P �E��������p Grace-notes with a diagonal line through the stem are P H ���X�����p called �acciaccaturas�; ones without lines are H %, C� �)���P��p �appoggiaturas�.
, �4 B ���� "��p
� s s 4 �L B0[̨�+�$ Creating a grace-note�s ing � �
L %D B��;���KĨ�p � Choose Rhythm�Acciaccatura/Appoggiatura.
D %X C�[n��k���p � Position by clicking Adjust (or Alt-Adjust for 2nd voice).
X % B {?���f��p
P u����7��p Grace-notes appear as quavers by default. Further grace- P T �y�����p notes can be placed on either side of an existing one, and T %D B�k۲���٧�p they will be automatically beamed to it.
D �4 B ���� ���p
� �t t 4 �H B�pU��+|��$ Modifying a grace-note
t a � � H T ƕ;&��KM��p The following operations work for grace-notes in the same T %4 B��[���k ��p way as for normal notes :
4 % B {Ȧ���p
%@ B:-��������p � Dragging left, right, up and down.
@ %4 B���j��ˑ��p � Accidental function keys.
4 %< B\�;���b��p � Articulation mark function keys.
< L �
� �� 4��p � Note-value function keys up to a minim (but not L P �bޥ�+��p semibreve, breve or the rhythmic dot, since grace-notes P %0 B@;���K֥�p shouldn�t use them).
0 %0 B�Y[���k���p � Beam function keys.
0 %@ B D{Q���x��p � Copying with Adjust or Alt-Adjust.
@ % B �"���I��p
T �������p Special noteheads and irrational rhythms cannot be used on T T t�Ĥ���p grace-notes. Grace-notes cannot be made into chords - if T %P B�{���� ���p you want double grace-notes, you should use two voices.
P % B g��+���p
�d B�;8��K_��p Grace-notes can be removed by pressing Delete.
� � � � d � � �< B�0����V��03 Instrument �
� � < �4 B �ۢ����p
� tu u 4 �@ B� �����Ӣ�$ Contents u � �
@ %0 C�_�}����p The Instruments menu
0 %4 C\��N���u��p Creating a new instrument
4 %0 C f ��G��p Deleting an instrument
0 %, Cr �0��p Instrument order
, %0 C�y@¡�P�p Instrument name format
0 %4 C��`���p���p Changing an instrument name
4 %0 B�T�d������p Indenting first system
0 % B �5���\��p
L �����-��p See manual for: doubling instruments; variants of L T *��נ��p instruments; saving choices of instruments as style sheets; T P L ���Р�p reasons for changing instrument names; showing total P T �p z��0���p number of players. See also Percussion, Players, Special T %0 C�9@K��Pr��p instruments, Staves.
0 �4 B ` ��pC��p
� v v 4 �L B0[�����$ The Instruments menu��v nst � �
L P �S������p This menu shows you at the top which instruments are P %, B'�����p used in your score.
, % B �`���p
H � 2��Y��p The Woodwind, Brass, Percussion, Singers and H P �a ��0*��p Keyboards/Strings submenus are only used for creating P T n�@Ԟ�P���p new instruments. Do not use them to get a new stave for an T %< B `���p̞�p existing instrument. (See Staves).
< �4 B �v������p
� w w 4 ( �� �G���n��$ Creating a new ( �@ B � ����?��$ instrumentw ��� � �
@ %8 B�������p � Go into the Instruments menu.
8 L Q ����p � Choose the instrument(s) you want from Woodwind, L T �� ���0���p Brass, Percussion, Singers or Keyboards/strings. The most T %@ B�_@]��P���p common instruments are shown in red.
@ T J{`.��pU��p � You can create several instruments at once by choosing T %L B�������&��p them with Adjust, using Select for the final one.
L P to�М�����p � Having chosen your instrument(s), the copying pointer P T ������Ȝ�p will appear. Click Adjust on a system and a stave for each T P �R�r���p instrument chosen will appear with its normal clef and P X ,� D��k��p transposition. This stave doesn�t have to be the first stave X %0 BlQ ��0<��p the instrument(s) use.
0 �4 B @�P
��p
� x x 4 �L C<h`���pޛ�$ Deleting an instrumentx ing � �
L P �q��������p � Choose it from the Instruments menu (but not from the P %8 C��Y������p Woodwind, Brass etc. submenus).
8 %( Bb� �*���Q��p � Press Delete.
( �4 C ���"��p
� y y 4 B� � y �H C� �/���V��$ Instrument order y � �
H X hv ��(��p If the Instruments�Use standard order option is on, as it is X T � Ң�0���p by default, Sibelius ensures that newly-created instruments T H ��@���Pʢ�p go in the standard position down the system. H P �o`t��p���p Consequently, it doesn�t matter where in the system you P %D Bv��E���l��p click Adjust when you create instruments.
D % C ����=��p
T ������p However, for certain scores (see manual) you will want to T T
�ม��ߡ�p switch the standard order off. Sibelius will then put newly- T T �� ������p created instruments in the position down the system where T T
f [��0���p you click Adjust. Thereafter, they will always appear in T %$ B�� @,��PS��p that order.
$ �4 C `���p$��p
� z z 4 �L C�y������$ Instrument name formatz ume � �
L P �������Ơ�p The House style�Instrument names menu gives a choice of P L l �p��З��p formats in which the automatic names to the left of L %, B4�A���h��p systems appear :
, % C ��:��p
%4 C� �0 ��p � Full names throughout.
4 T 4�@���Pܟ�p � Names abbreviated after start - the most frequently-used T %@ C�V`���p���p setting, and the one chosen by default.
@ T �i�W���~��p � Names at start only - often used for string quartets and T P �<�(���O��p other music in which all instruments appear on every P % CHv ����� ��p system.
%P C"��ʞ���p � No names - common in piano music and music examples.
P X ����p � 12/14 centre/right - the size and position of the names. If X T �� m��0���p using size 12, you may want to change the names to capital T %0 C"(@>��Pe��p letters (see below).
0 �4 B `��p6��p
� { { 4 0 �{�����$ Changing an instrument 0 �< C�T �����؝�$ name { �� � �
< X :�������p � Click Select on the name written to the left of one of the X %@ C@�S���z��p systems, to make a caret appear in it.
@ %L B� %��L��p � Edit it just like other text (see Keypresses).
L % C ���0 ��p
P 0h@ǜ�P�p The name will change wherever it appears in the music, P %P BZu`���p���p not just on the system where you make the modification.
P % C �i������p
X ��:���a��p If you are using the �Names abbreviated after start� format, X P fi� ���2��p you will have to change both the instrument�s full name P T �l�ܛ����p (on the first system) and its abbreviation (on subsequent T %$ C|� ���՛�p systems).
$ �4 B ��0���p
� | | 4 �L C^P@P��Pw��$ Indenting first system| tin � �
L P 0@`!��pH��p You can indent the first system of music by choosing P T �����p either the �Names abbreviated after start� or the �Names at T B�S � � P �G����p start only� format and typing spaces before the widest P T �x�ę���p name on the first system. If you want no name to appear, T T ��ŕ��ռ��p as in some piano pieces and instrumental parts, use �Names T �d C���f������p at start only� and replace the name with spaces.
� � � d � � �< B�Eԙ����03 Irrationaln �
� � < �4 B %���5ƙ�p
� � } } 4 �@ C� Ep��U���$ Contentsts} � �
@ %@ C�{eA��uh��p Creating a one-number irrational rhythm
@ %4 C������9��p Dragging the number/bracket
4 %, C�:���
��p Removing a bracket
, %4 BZ�Ŵ���ۘ�p Copying irrational rhythms
4 %8 B�兘�����p Deleting irrational rhythms
8 % B W��~��p
P Y%(��5O��p See manual for: two-number irrational rhythms; Carter P X @gE���U ��p notation; irrationals within irrationals; irrationals across X %$ Cp� eʗ�u�p barlines.
$ �4 B ������p
� ~ ~ 4 0 �n�l������$ Creating a one-number 0 �H Bb�=���d��$ irrational rhythm�~ rra � �
H X �����5��p � Put down the first note only of the irrational rhythm, with X %8 B8����p the unit length you require.
8 P �e%���5ؖ�p � Move into the Rhythm�Irrational window, and type the P %< B�+E���U���p number (from 2 to 63) into the box.
< P �ieS��uz��p � Choose �x� format (or No numbers if you don�t want a P %0 BJP�$���K��p number to be drawn).
0 T
������ ��p � Choose Bracket if you want the irrational rhythm notes to T %( B>� �ƕ���p be bracketed.
( %( B�� 嗕�����p � Click on OK.
( T i�����p � Click Adjust just to the left of the first note of the T P �T%:��5a��p irrational rhythm, and at the height above or below the P T .�E ��U2��p stave you want the number to go at. (Use Alt-Adjust if the T %L B�eܔ�u��p irrational rhythm is to go into the second voice).
L % B �����Ԕ�p
T vw�~������p Ctrl-I produces the last irrational rhythm you chose from T %( Bp� �O���v��p the menu again.
( �4 B � ���G��p
� 4 , `]���$ Dragging the number/ , �< C&u %�5�$ bracket 0�� � �
< L �aE���U���p You can move the number and bracket up and down by L T �ee��u���p pressing Select on the number and dragging. (Press Select T T �c�6���]��p on the middle of the bracket if there is no number.) The T T vw����.��p tips of the bracket automatically point upwards when the T %D B���ؒ����p bracket goes below the middle of a stave.
D % C 婒��В�p
P �V{�����p You can adjust the angle of the bracket and number by P %T Cs%L��5s��p pressing Select on either tip of the bracket and dragging.
T �4 B E ��UD��p
� � � 4 �H Cl8e�u��$ Removing a bracket� emo � �
H �p CT{������p � Click on one of the tips of the bracket and press Delete.
� � � p & � � , &*���:ސ�$ Copying irrational , �< C�} J���Z���$ rhythms� ��� � �
< %L C<jY��z���p � Select an irrational rhythm�s bracket or number.
L T ��*���Q��p � Copy the irrational rhythm with Adjust as if you had just T %4 C~������"��p chosen it from the menu.
4 �4 C �̏���p
� � � 4 , @(ꝏ��ď�$ Deleting irrational , �< C�}
o�����$ rhythms� ܅� � �
< X �*@��:g��p � Select an irrational rhythm�s number, or the middle of the X %8 C��J��Z8��p bracket if there is no number.
8 %( Bb� j�z ��p � Press Delete.
( % C �����ڎ�p
X ����������p The irrational rhythm will be replaced with rests - the notes X %L B��U���|��p can�t be kept, otherwise the bar wouldn�t add up.
L % C �&���M��p
X ֊
��� ��p If there is neither a bracket nor a number, you can�t delete X X �*ɍ�:�p the irrational rhythm directtly as there is nothing to select. X P ~ J���Z���p Instead, either extend a note before the irrational to P T �njk��z���p swallow it up, or erase the whole bar by double-clicking T �X CHB�<���c��p Select on the stave and pressing F12.
� pr � � X � �< B4@ꗐ�:ސ�03 Keypresses �
�� � � < �4 B �b��ډ��p
� � � 4 �@ C� �3���Z��$ Contents � ��� � �
@ % C�e
��,��p Delete
% C�1 *֏�:���p Alt
% C�< J���ZΏ�p Ctrl
% CTj jx��z���p Return
%( CF� �I���p��p Function keys
( % C�< ����A��p Tab
% C�K �����p Print
%( Bf� 꼎���p Editing text
( % B
������p
T �*_��:���p See manual for: smart quotes; accents; fingerings. See also T %( C�� J0��ZW��p Fonts, Text.
( �4 B j��z(��p
� � � 4 �< C�e �ҍ�����$ Delete� @�� � �
< P �:�����ʍ�p This deletes the selected object. When editing text, it P %H C���t��ڛ��p deletes the character to the left of the caret.
H �4 B �E���l��p
� ���� � 4 �8 C�-
��>��$ Alt� ��� � �
8 T V[*�:��p Alt with Adjust is used to copy notes, chords, rests and T X ġJ���Z�p irrational rhythms into the second voice. It can also be used X %D C�j���z���p to type in special characters (see manual).
D �4 B �[������p
� ɂ�� � 4 �< C�> �,���S��$ Ctrl � ��� � �
< T �����$��p � Ctrl with some letters is a shortcut way of choosing from T P N6������p the menu; e.g. Ctrl-S (written ^S on the Lines menu) P %( C��
���Nj�p chooses a slur.
( L �*q��:���p � Ctrl with some characters produces special music L P \(JB��Zi��p symbols when editing certain text styles; e.g. Ctrl-F P %8 C��j��z:��p produces the �forte� symbol.
8 T ���� ��p � Ctrl-X does the same as Delete. Ctrl-C does the same as T %P B�/�����܊�p clicking Adjust. Ctrl-Z deselects the selected object.
P % C ʆ��ڭ��p
%L B���W���~��p Ctrl also forces contraints on some operations :
L % C
)��P��p
%T C0�*���:!��p � Ctrl-Adjust makes a note or chord copy to the same pitch.
T P �hJˉ�Z�p � When dragging slurs, ties and phrase-marks, Ctrl keep P %8 C��j���zÉ�p the arch in the exact centre.
8 T ��m������p � Ctrl prevents the right-hand end of lines from moving up T %L Cx��>���e��p or down when dragging. Useful for creating ties.
L �4 B� ����6��p
� }�� � 4 �< CTj �����$ Return� u� � �
< T �x
���و�p When editing text, starts a new piece of text down a line. T �X Crw*���:���p When in windows, chooses OK or Print.
� � � X B*u � �L C*u�z��ߡ��$ Function keys (F1-F12)� � �
L L � �K���r��p Used (with or without Shift and Ctrl) to modify the L %0 CA �� D��p selected note or rest.
0 �4 B /�?��p
� � � 4 �8 C�< O���_�$ Tab� �< � �
8 P ءo������p When in windows, moves to the next box. Shift-Tab moves P %0 CP6�a������p to the previous box.
0 �4 B �2���Y��p
� � � 4 �< CPP ����*��$ Print � q|� � �
< %4 Cp��ԅ�����p Pops up the Print window.
4 �4 B ��� ͅ�p
� � � 4 �D C6� /w��?���$ Editing text� � � �
D T @�OH��_o��p When editing text, various special keys are available. (See T T H�o��@��p manual for a complete list). Some only work in certain text T % B�b �����p styles.
% B ������p
%8 F�pό��߳��p KEYu ACT�n ACTION
8 % B �]������p
%P F{v/�� V��p ReturnSg Sta�n Start new text down a line
P %@ Fߕ/ ��?'��p F2-F4Ac9 Acc�n Accidentals
@ %H F�Oу�_���p F6-F11Nkj Note symbols and rhythmic dot
H %D F�o���Ƀ�p Ctrl-M�7 �m��n �m� as in �mp�
D %L F���s������p Ctrl-F�9 �f��n �f� as in �ff�, �sfz�
L %D FO��D���k��p Ctrl-P�9 �p��n �p� as in �pp�
D %L F�U����<��p spaceNe� New�n New word (in underlay)
L �h G ���
��p -Ne�a New�n New syllable (in underlay)
� � � h � �@ B���[��ߡ��03 KeySignature �
� � @ �4 B o&��M��p
� � � 4 �@ B� ����� ��$ Contents � � �
@ %4 CB��Ȇ���p Automatic key signatures
4 %$ C�� ϙ�����p Key changes
$ %0 B r�j������p Transposing intruments
0 % B <�� c��p
P �^/
��?4��p See manual for: cautionary key signatures; omitted key P %< C�Oޅ�_��p signatures. See also Atonal music.
< �4 B o���օ�p
� � � 4 , "A��������$ Using automatic key , �@ CƢ �Q���x��$ signatures � �{� � �
@ T ���"���I��p The key signatures which appear at the start of each system T T g����p are automatic. They are adjusted to suit the current clef, T P Zuń� �p transposed for transposing instruments and omitted from P P 2M/���?���p those instruments which don�t usually have them (e.g. P L � Og��_���p Timpani). You needn�t concern yourself with these L T �co8��_��p automatic key signatures at all - Sibelius knows exactly T %8 CJ�� ���0��p where and how to put them in.
8 �4 C �ڃ����p
� � � 4 �@ C�� ϫ���҃�$ Key changes� @z� � �
@ P �p�|������p The only key signatures you have to worry about are the P T "gN�� u��p one at the start plus any key changes which occur in the T % Bg / ��?F��p music.
% C O�_��p
T ��o����p To put a key change into the music or to set the key at the T %0 B�/��������p start of your score :
0 % C �c������p
%@ C�}�4���[��p � Go into the Symbols�Key change menu.
@ T ������,��p � Either choose C maj/A min, or type the number of sharps T %T Ct�ׁ� ���p or flats you want within Flats or Sharps and press Return.
T T �Z/���?ρ�p � Click Adjust at the start of a system, over a barline or T %D B��Oy��_���p between two notes in the middle of a bar.
D % C oJ��q��p
P �X����B��p The key change appears in all staves, adjusted for each P %@ B,'�����p instrument�s clef and transposition.
@ % C Ͻ����p
L �V�����p Key changes can be copied and deleted. However, you L X ��`�� ���p can�t select the automatic key signatures at the start of each X %P Cn\/1��?X��p system as there is nothing useful you could do to them.
P �4 C O��_)��p
� � � 4 �L C`vo����$ Instrument Transposing� ume � �
L P �0������p The key you specify is at concert pitch. If the House P T ��u����p style�Layout�Transposing score option is on, key signatures T �` C���F��m�p are transposed for transposing instruments.
� � � ` � �8 B<� 4 ~��e~�03 Lines �
� � 8 �4 B �}�$~�p
� � ine� � 4 �@ C� 4�}�D�}�$ Contentst�� � � �
@ %( C � T�}�d�}�p Creating a line
( %( C� t]}���}�p Dragging lines
( %( B � �.}��U}�p Copying lines
( %( B�� ��|��&}�p Deleting lines
( % B ��|��|�p
L ��|��|�p See manual for: lines split across systems; slur L T t�s|�$�|�p shouldering; multi-arc phrase-marks; house style options; T L �4D|�Dk|�p dashed lines; beam line; repeat bar lines. See also L %@ C�cT|�d<|�p Attachment, Stave & system markings.
@ �4 B t�{��
|�p
� � � 4 �D C�� ��{���{�$ Creating a line� � �
D %L C�#��{�į{�p � Choose the one you want from the Lines window.
L %P CNT�Y{��{�p � Press Adjust where you want the left-hand end to go.
P P ^�*{�R{�p � Drag to where you want the right-hand end to go, and P %$ B4v �z�$#{�p release.
$ % C 4�z�D�z�p
P 6�T�z�d�z�p Holding down Ctrl while dragging out the right-hand end P P etoz���z�p ensures it doesn�t move up or down, which is useful for P %( C�� �@z��gz�p creating ties.
( �4 B �z��8z�p
� � � 4 �D Cx� ��y�� z�$ Dragging lines� � �
D P �;�y��y�p You can select either end of a line and drag it around P %4 B��y�$�y�p independently of the other.
4 % C 4Vy�D}y�p
T jjT'y�dNy�p If you select the middle of a line, you can drag it up and T P �ct�x�� y�p down (though not left and right). Once positioned on or P X ����x���x�p near a stave, a line remains attached to that stave and can�t X T ���x��x�p be dragged away. To move it to another stave, copy it with T %8 B���kx��x�p Adjust and delete the original.
8 % C �<x�dx�p
T hvx�$5x�p If you drag the middle of a slur, you can adjust its height T T d�4�w�Dx�p and shape. Sibelius censors the shape as you drag to ensure T %T C�lT�w�d�w�p that the slur will always look good when finally printed.
T �4 B t�w���w�p
� � � 4 �D C�� �Rw��yw�$ Copying lines � � �
D X P��#w��Jw�p Select the line to be copied, then copy it using Adjust as if X P :h��v��w�p the original had been chosen from the Lines menu. (See P P �m��v��v�p manual about the effects of the Align when copying and P %4 C~��v�$�v�p Copy entire lines options).
4 �4 B 4hv�D�v�p
� � � � 4 �D B� T9v�d`v�$ Deleting lines� � � �
D �T B�t
v��1v�p Select the line and press Delete.
� � � � T � �< B`4 ~��e~�03 Messages �
� � < �4 B �}�$~�p
� � � � 4 �@ C� 4�}�D�}�$ Contents � � � �
@ % B�n T�}�d�}�p Causes
�4 B t]}���}�p
� � � 4 �< C�p �.}��U}�$ Causes� �s� � �
< %< B� ��|��&}�p Sibelius pops up message boxes :
< % C ��|��|�p
T �f�|��|�p � When you try to do something illegal, such as create a T T R�s|�$�|�p time signature with 7 on the bottom. Read the message and T %8 B(�4D|�Dk|�p click on OK (or press Return).
8 % C T|�d<|�p
T ,�t�{��
|�p � When you are about to do something potentially drastic, T T �z��{���{�p such as delete several bars from your score. Click on OK T %L B&��{�į{�p to go ahead, or on Cancel to abandon the operation.
L % C �Y{��{�p
P 2k�*{�R{�p � When Sibelius wants you to do something like insert a P %8 B<��z�$#{�p particular disc into the drive.
8 % C 4�z�D�z�p
X �fT�z�d�z�p � If Sibelius finds a fault in its software. It will pop up a X P �:toz���z�p box saying e.g. �An internal error has occurred (code P P 4A�@z��gz�p 01234567)�. Such messages are unlikely to indicate a P T ^��z��8z�p serious problem, so if you click on OK you should be able T �X C�-��y�� z�p to continue editing music as before.
� � � X � �8 Bd� ��t�))u�03 Mouses �
� � 8 �4 B ��t���t�p
� � � � 4 �@ C� �~t��t�$ Contents � k� � �
@ % Cx_ �Ot� wt�p Select
% B"[ !t�)Ht�p Menu
% C�q 9�s�It�p Adjust
�4 B Y�s�i�s�p
� 1j�� � 4 �< CH] y�s���s�$ Select� )j� � �
< X �|�es���s�p This is used to select objects, to position the caret in text, X P .��6s��]s�p and to choose items off menus and windows. Because this P T ^��s��.s�p is the most frequently used mouse button, the word �click� T %L B8��r� s�p means click Select if no other button is specified.
L % C �r�)�r�p
P Y9{r�I�r�p You can push the paper around by pressing Select on a P �< B��YLr�isr�p blank patch and dragging.
� < �( B �r��Dr� "
� � ( �H Cj+9�q�I r�$ The selected object� � �
H %H B�Y�q�i�q�p A few objects are selected in special ways :
H % C y�q���q�p
%H C��Xq��q�p � Notes: click on the notehead (not the stem).
H %H C���)q��Pq�p � Whole chords: double-click on any notehead.
H T :��p��!q�p � Automatic accidentals, articulation marks, beams, stems T T �^��p� �p�p and dots: these cannot be selected directly - you should T T �a�p�)�p�p select the note they belong to and adjust them using the T %( CT� 9np�I�p�p function keys.
( P �JY?p�ifp�p � Bar of music on one stave: double-click on the stave P T �yp��7p�p itself; you can extend the selected passage by doing Shift- T %0 C�T��o��p�p Select on another bar.
0 T ,���o���o�p � Bar of music down the whole system: triple-click on the T P � كo��o�p stave itself; again, Shift-Select extends the selected P %$ C@� �To� |o�p passage.
$ X �&o�)Mo�p � Multirests: click on the multirest symbol itself rather than X %, B�!9�n�I o�p the number above.
, % C Y�n�i�n�p
P �/y�n���n�p Clicking Select briefly on the paper or typing Ctrl-Z P %8 B��jn���n�p deselects the selected object.
8 �4 B �;n��bn�p
� � � 4 �< C�X � n��3n�$ Menu � zd� � �
< P ����m� n�p This simply pops up the Sibelius menu. Menu options are P T ȓ�m�)�m�p normally chosen with Select, though choosing with Adjust T P "N9�m�I�m�p keeps the menu on the screen so you can make further P %$ B�~ YQm�ixm�p choices.
$ % C y"m��Im�p
P e��l��m�p Choosing a menu name rather than going into the menu P %L C8��l���l�p itself generally chooses the top item of the menu.
L �T � P �Tu�))u�p When editing most text styles, Menu produces a list of P T ��9�t�I�t�p useful words appropriate to that style; choosing one types T % B�G Y�t�i�t�p it in.
�4 B yut���t�p
� � � 4 �< C�c �Ft��mt�$ Adjust� �j� � �
< %< B ��t��>t�p This copies the selected object.
< % C ��s��t�p
P tQ��s� �s�p Alt-Adjust copies notes, chords, rests, grace-notes and P %D Brw�s�)�s�p irrational rhythms into the second voice.
D % C 9\s�I�s�p
P �SY-s�iTs�p Ctrl-Adjust (or Ctrl-Alt-Adjust) makes a note or chord P �L BJiy�r��%s�p copy to the same pitch.
� � � L � �< B0 ~�k���k�03 Multirests �
� � < �4 B ^qk�n�k�p
� � � � 4 �@ C� ~Bk��ik�$ Contentsts� � �
@ %0 C�:�k��:k�p Inserting a multirest
0 %D CXi��j�� k�p Turning a multirest into a note or chord
D %0 B�Vj���j�p Modifying a multirest
0 % B ��j��j�p
%D CV� Xj�.j�p See manual for: H-bars. See also Bar rests.
D �4 B >)j�NPj�p
� �`�� � 4 �L C?^�i�n!j�$ Inserting a multirest
� a � �
L %H C:�~�i���i�p � Go into the Rhythm�Bar rests�Multirest menu.
H %L C����i���i�p � Type the number of bars you want into the box.
L %( C�� �mi�Δi�p � Press Return.
( T j�>i��ei�p � Point to the barline where you want the multirest to be T %4 C��i�7i�p inserted, and click Adjust.
4 �4 B �h�.i�p
� N_�� � 4 4 jv>�h�N�h�$ Turning a multirest into 4 �D C�� ^�h�n�h�$ a note or chord� no � �
D P z ~Th��{h�p Select the multirest and press one of the note-value P X ���%h��Lh�p function keys. The first bar of the multirest will turn into a X T ~Q��g�� h�p bar starting with a note, with the remaining bars of the T %0 BZ6��g���g�p multirest following.
0 % C ��g��g�p
T ^] jg�.�g�p Alternatively, you can copy a note, chord or rest onto a T %$ C�� >;g�Nbg�p multirest.
$ �4 B ^ g�n3g�p
� � � 4 �L B�R~�f��g�$ Modifying a multirest�� yin � �
L P L��f���f�p Multirests can be copied with Adjust and deleted with P % B�o �f�Φf�p Delete.
% C �Pf��wf�p
X �x�!f�If�p If you want to adjust a multirest�s duration or split it into X T \� �e�.f�p two shorter ones, simply Delete it and get the multirest(s) T �L Cԉ>�e�N�e�p you want from the menu.
� Y\� � � L ! � �D B.�~�k���k�03 Notes and chords
� � ote � � D �4 B ^qk�n�k�p
� � � 4 �@ C� ~Bk��ik�$ Contents � � � �
@ %( C�� �k��:k�p Creating a note
( %, CZ��j�� k�p Creating a chord
, %4 C�j���j�p Copying notes and chords
4 %4 B����j��j�p Dragging a note or chord
4 %0 C�W Xj�.j�p Adjusting note-values
0 %, B�,>)j�NPj�p Deleting noteheads
, % B ^�i�n!j�p
P �|~�i���i�p See manual for: centred semibreves; Renaissance breves. P T ڕ��i���i�p See also Accidentals, Articulation marks, Beams, Spacing, T %@ Cd]�mi�Δi�p Special noteheads, Stems and Tremeli.
@ �4 B �>i��ei�p
� � � 4 �D C<� �i�7i�$ Creating a note� � �
D %@ C,, �h�.i�p � Click Select on a rest or multirest.
@ %H B��>�h�N�h�p � Press F5-F10, Shift-F4, Ctrl-F4 or Shift-F10.
H % C ^�h�n�h�p
T ��~Th��{h�p The note will appear on the middle stave-line, followed by T %L Cگ�%h��Lh�p rests to fill up the bar to its correct duration.
L �4 B ��g�� h�p
� � � 4 �H C
��g���g�$ Creating a chord^�� rea � �
H P ~y��g��g�p (Here, �chord� means two or more noteheads specifically P P L jg�.�g�p on the same stem - noteheads in different voices or on P %T B�p>;g�Nbg�p different staves never count as being in the same chord).
T % C ^ g�n3g�p
%T C�e~�f��g�p � Click Select on the note you want to turn into a chord.
T T �h��f���f�p � Click Adjust (or Alt-Adjust in the second voice) at the T %< C��f�Φf�p desired pitch of the new notehead.
< %L Bd�Pf��wf�p � Further noteheads can be added in the same way.
L % C �!f�If�p
T :� �e�.f�p You must copy from the note you want to turn into a chord T P 4(>�e�N�e�p - if you copy a notehead from anywhere else, it will P T Y^�e�n�e�p overwrite the note copied onto rather than turn it into a T % C�b ~fe���e�p chord.
�4 B �7e��^e�p
� � � 4 , �$�e��/e�$ Copying notes and , �< CTj ��d�� e�$ chords � G[� � �
< %X C��d��d�p � Select an existing note, or double-click Select on a chord.
X X ښ |d�.�d�p � Position the pointer over a rest, note or chord, at the pitch X X ��>Md�Ntd�p you want the note/chord to go at. (For a chord, point to the X %H C�^ d�nEd�p pitch you want the lowest notehead to go at).
H %P Bl"~�c��d�p � Click Adjust (or Alt-Adjust for the second voice).
P % C ��c���c�p
T `���c�θc�p If you copy one note or chord onto another, the old one is T B�� $" � %8 B��c�b�s�b�p replaced with the one copied.
8 % C �Zb���b�p
P ��+b��Rb�p If you select just one notehead of a chord, just that P %4 B�}�a��#b�p notehead will be copied.
4 % C ��a���a�p
X R��a��a�p Copying a note or chord copies its articulation marks, dots, X %P Cv#pa�3�a�p notehead type, tremeli etc. but not its accidentals.
P �4 B CAa�Sha�p
� � � 4 , @ca�s9a�$ Copying to the same , �< C N ��`��
a�$ pitch � QW� � �
< T ���`���`�p If you hold down Ctrl while copying, the pitch of the note T %0 Cn^Å`�Ӭ`�p or chord is copied too.
0 �4 B �V`��}`�p
� �V�� � 4 , �.(`�O`�$ Dragging a note or , �< C"[ #�_�3 `�$ chord � �V� � �
< T <�C�_�S�_�p You can drag noteheads up and down to adjust their pitch. T T 8tc�_�s�_�p Selecting a whole chord by double-clicking on any of its T %P B�R�l_���_�p noteheads lets you drag the whole chord up and down.
P % C �=_��d_�p
T $t�_��5_�p Notes and chords can be dragged left and right, in which T T V���^��_�p case everything else in any instrument which is at the same T P t)�^��^�p vertical position will drag too, to maintain rhythmic P %$ B� #�^�3�^�p alignment.
$ �4 C CS^�Sz^�p
� � � 4 �L C�Sc$^�sK^�$ Adjusting note-values�� tin � �
L T zx��]�� ^�p A note or chord�s note-value can be adjusted by pressing T P �d��]���]�p the note-value function keys. Extending a note or chord P P �;×]�Ӿ]�p causes some subsequent notes, chords and rests to be P %T C(��h]��]�p �swallowed up�, so the bar remains at the correct duration.
T �4 B :]�a]�p
� � � 4 �@ Cl� # ]�32]�$ Rhythmic dots
� � � @ T fiC�\�S]�p F11 adds a dot to a note or chord. Pressing it again adds T P rc�\�s�\�p another, up to a maximum of three. To remove any dots, P %< C�#�~\���\�p simply re-press the note-value key.
< �4 B �O\��v\�p
� �R�� � 4 �H C�.� \��G\�$ Deleting noteheads� ing � �
H P �W��[��\�p To remove a notehead from a chord, select it and press P % B�o �[��[�p Delete.
% C #�[�3�[�p
T ��Ce[�S�[�p Notes cannot be deleted as such, since this would stop the T P �c6[�s][�p bar from adding up; the way to remove an unwanted note P �X C���[��.[�p is to turn it into a rest with F12.
� re � � X (# � �@ Bq#jb�s�b�03 Page number
q � 3 � � � @ �4 B 5b�\b�p
� � � 4 �@ B� #b�3-b�$ Contents � �X� � �
@ %$ Cz� C�a�S�a�p Options
$ �4 B c�a�s�a�p
� � � 4 �< C�{ �ya���a�$ Options� �W� � �
< P H��Ja��qa�p The format of automatic page numbers is controlled from P %< Bl7�a��Ba�p the House style�Page numbers menu.
< �4 B ��`��a�p
� � � 4 �< Cx_ �`��`�$ Pages � +W� � �
< T jQ#�`�3�`�p The first three options specify which pages, if any, are T P JvC``�S�`�p numbered. �Number from 2nd page� is normal for scores P %4 B�`c1`�sX`�p with a titled first page.
4 �4 B �`��)`�p
� � � 4 �< C�> ��_���_�$ Size � AV� � �
< %$ B�� ä_���_�p 10 or 12.
$ �4 B �u_��_�p
� � � 4 �H C�0G_�n_�$ Horizontal position� ori � �
H P �a#_�3?_�p Edge, Centre or Right. Edge is normal for double-sided P %@ C�_C�^�S_�p music. Centre is generally undesirable.
@ �4 B c�^�s�^�p
� (U�� � 4 �H C���^���^�$ Vertical position�� cal � �
H %( Bx� �\^���^�p Top or bottom.
( �4 B �-^��T^�p
� � � 4 �< C�I �]��%^�$ Font � �T� � �
< T p��]��]�p The font always matches that chosen for the Technique�10/ T %D Ct�#�]�3�]�p 12 text styles (Trinity Medium by default).
D �4 B Cr]�S�]�p
� �S�� � 4 �H C�"cC]�sj]�$ First page number�� pa � �
H H ,��]��;]�p Page 1 is always a right-hand page (by age-old H T �{��\�� ]�p convention), so if you want a score to start on a left-hand T �h Cz ö\���\�p page you should change the first page number to 2.
i � num � � h ,$ � �D BƧ�-Y�tY�03 Part Extracting
P� � Ext � � D �4 B ��X�� Y�p
� �O�� � 4 �@ C� ��X���X�$ Contents � �O� � �
@ %( C&� �X���X�p How to extract
( %@ B�lX��X�p Setting the style of extracted parts
@ %( B�� (=X�8dX�p Transposition
( % B HX�X5X�p
T <�h�W�xX�p See manual for: what extraction involves; spacing; special T %L C8��W���W�p barlines; extracting individual players; messages.
L �4 B ��W���W�p
� � � 4 �D C0� �RW��yW�$ How to extract� � �
D P �d�#W��JW�p � Choose one or more instruments from the Instruments P P L[�V� W�p menu, using the Adjust button for every one. All of the P %L CL(�V�8�V�p instruments you choose will go into a single part.
L %8 Bl�H�V�X�V�p � Choose Score�Extract part.
8 �4 C hhV�x�V�p
� � � 4 0 � �9V��`V�$ Setting the style of 0 �D Cn� �
V��1V�$ extracted parts� � �
D T �z��U��V�p Parts are respaced according to the width of note spacing T P �l�U���U�p on the House style�Spacing menu, so you can control the P T l�~U��U�p spacing of the entire part by choosing Close/Normal/Wide T T Fu(OU�8vU�p notes before you extract. Most other options (such as the T T �mH U�XGU�p page dimensions) are kept the same as for the full score, T %D B�h�T�xU�p but you can change them after you extract.
D % C ��T���T�p
T ����T���T�p There is an easy way of getting a consistent style for your T X �l�dT�؋T�p parts which differs from the style of the full score. First, X T L��5T��\T�p make sure you have saved the full score. Then choose the T P �VT�.T�p page dimensions, note spacing, bar number format etc. P T fi(�S�8�S�p which you want for all the parts. Save this modified full T P �JH�S�X�S�p score under a different filename, e.g. �ForParts�. Then P P �hzS�x�S�p extract parts from this new score; you can delete it P T |��KS��rS�p afterwards. The parts will all have the new style you have T % B>v � S��CS�p chosen.
% C ��R��S�p
T ��R���R�p You won�t need to adjust the most important options such T T ���R��R�p as the name format, as Sibelius sets these up for you while T %( C�� (aR�8�R�p it extracts.
( �4 B H2R�XYR�p
� � � 4 �D C� hR�x*R�$ Transposition � � �
D H ���Q���Q�p Before extracting, check that the House style� H X ���Q���Q�p Layout�Transposing score option is correct (i.e. that it is off X \ ��vQ�؝Q�p if your music is written at sounding pitch). If it is off, parts \ T 8��GQ��nQ�p for transposing instruments will become transposed. Also, T T piQ�@Q�p if your music is in C major or A minor make sure that it T B�! 0% � %P B�=MY�tY�p shouldn�t be set as atonal instead (see Atonal music).
P % C ( Y�8EY�p
P �=H�X�XY�p Notes and chords aren�t the only things which can be P T 8�h�X�x�X�p transposed when extracting: transposition also shifts some T T �q��X���X�p lines up or down if they are meant to be above, below or T %0 B�X�bX���X�p beside a specific note.
0 % C �3X��ZX�p
P *Z�X��+X�p Some transfers, such as those for microtones and small P T ���W��W�p accidentals, may be incorrect in a transposed part because T T |l(�W�8�W�p the note they are referring to may have been transposed. T T �}HxW�X�W�p For instance, a B quarter-flat transposed up a tone should T P �ahIW�xpW�p become a C quarter-sharp. Since Sibelius doesn�t know P X �{�W��AW�p why you are using a particular transfer, it can�t substitute X H ��V��W�p another one when transposing. Obviously, normal H T �ȼV���V�p accidentals on notes will be transposed correctly, which is T P p��V���V�p why you should use them whenever possible in preference P �@ Bj� _V��V�p to transfers.
� � � @ 4& � �< B�� m�O��7P�03 Passageses �
� � < �4 B M�O�]�O�p
� � � � 4 �@ C� m�O�}�O�$ Contentsts� � �
@ %4 Cʉ�^O���O�p Selecting a stave passage
4 %4 B��/O��VO�p Selecting a system passage
4 %4 C��� O��'O�p Copying a stave passage
4 %4 C6���N���N�p Copying a system passage
4 %, B�
�N� �N�p Erasing a passage
, %4 B�-tN�=�N�p Deleting a system passage
4 % B MEN�]lN�p
%4 Cj�mN�}=N�p See manual for: messages.
4 �4 B ��M��N�p
� � � 4 , ���M���M�$ Selecting a stave , �< C�} ͉M�ݰM�$ passage� �C� � �
< X ���ZM���M�p � Double-click Select on an empty bit of stave in the first X %D C�
,M� SM�p bar of the passage. The bar will turn pink.
D P R-�L�=$M�p � If you want the passage to be longer than one bar, do P %H CF�M�L�]�L�p Shift-Select on the last bar of the passage.
H �4 B m�L�}�L�p
� � � 4 , h �pL���L�$ Selecting a system , �< C�} �AL��hL�$ passage� �B� � �
< X 8y�L��9L�p � Triple-click Select on any empty bit of stave in the first X T ����K��
L�p bar of the passage. The bar will turn pink, down all staves T %( C��
�K� �K�p in the system.
( P R-�K�=�K�p � If you want the passage to be longer than one bar, do P %H CF�MWK�]~K�p Shift-Select on the last bar of the passage.
H �4 B m(K�}OK�p
� � � 4 ( �� ��J�� K�$ Copying a stave ( �< C�} ��J���J�$ passage� 8A� � �
< T 2�͛J���J�p Click Adjust on the bar rest where the copy of the passage T P �-�lJ���J�p is to begin. There must be enough bar rests to fit the P P �<
>J� eJ�p passage in - Sibelius will refuse to overwrite existing P %T B:�-J�=6J�p music; nor can you copy a stave passage onto a multirest.
T % C M�I�]J�p
X `�m�I�}�I�p All stave markings are copied - not just notes and rests, but X T BB��I���I�p lines, text (except tempo and title text), transfers, clef T %( B� �SI��zI�p changes etc.
( �4 C �$I��KI�p
� � � 4 , ��H�� I�$ Copying a system , �< C�}
�H� �H�$ passage� 4?� � �
< T ��-�H�=�H�p Click Adjust on the barline where the copy of the passage T P x*MiH�]�H�p is to go. Unlike copying a stave passage, the system P T &�m:H�}aH�p passage is inserted at the barline - you don�t need any bar T %4 B�|� H��2H�p rests to be there already.
4 % C ��G��H�p
Zu 8' � P Zu�P��7P�p All markings are copied, including system markings like P %< B����O��P�p special barlines and tempo text.
< �4 C �O���O�p
� � � 4 �H B�
�O� �O�$ Erasing a passage�� ras � �
H T �o-UO�=|O�p Having selected a passage of either kind, press F12. The T X ��M&O�]MO�p passage will turn into bar rests, though markings other than X %0 C�Gm�N�} O�p notes are left behind.
0 �4 B ��N���N�p
� � � 4 , ���N���N�$ Deleting a system , �< C�} �jN�ݑN�$ passage� �D� � �
< T ^]�;N��bN�p Press Delete. The whole passage is cut irretrievably, so T T �z
N� 4N�p Sibelius warns you before deleting several bars. Note the T P xR-�M�=N�p difference from pressing F12 - the bars themselves are P �X CM�M�]�M�p deleted, not just the notes in them.
� not � � X <( � �< B�0�F�b�F�03 Percussion �
=� � � < �4 B �F��F�p
� � � 4 �@ C� QF�"xF�$ Contents4�� � � �
@ %, B~2"F�BIF�p Percussion staves
, % B R�E�bF�p
%@ C�;r�E���E�p See manual for: notating percussion.
@ �4 B ��E���E�p
� � � 4 �H C��fE�E�$ Percussion staves�� erc � �
H L �#�7E��^E�p When you choose a percussion instrument from the L X "��E�0E�p Instruments�Percussion menu, it will be given a 1-, 2-, 3- or X T Z�D�"E�p 5-line stave as appropriate. Staves with fewer than five T T `�2�D�B�D�p lines work just the same as normal ones, except that leger T P �0R|D�b�D�p lines are not drawn. Notes and rests are edited in the P �@ BF� rMD��tD�p normal way.
d � orm � � @ @) � �8 B � �F�b�F�03 Players �
=� � � 8 �4 B �F��F�p
� =�� � 4 �@ C� QF�"xF�$ Contents*�� � � �
@ %, C~2"F�BIF�p Changing players
, % C�. R�E�bF�p a 2
%( BT� r�E���E�p Abbreviations
( %( B���E���E�p Roman numerals
( % B �fE�E�p
T :��7E��^E�p See manual for: two voices; chords; copying staves; hiding T T �m�E�0E�p redundant player text; showing total players at start. See T %D C|^�D�"E�p also Instruments, Part extraction, Text.
D �4 B 2�D�B�D�p
� � � 4 �H C�R|D�b�D�$ Changing players:�� han � �
H %< C� rMD��tD�p � Go into the Text�Players window.
< %P C�� D��ED�p � Select the bullets of the players who are playing.
P %( C�� ��C��D�p � Click on OK.
( %@ B�I�C���C�p � Position the text by clicking Adjust.
@ % C �C��C�p
P LcC�"�C�p When you click Select on player text the whole text is P T
24C�B[C�p highlighted without a caret appearing. You can�t edit text T T �xRC�b,C�p in the Players style because of its special format, but you T T R�r�B���B�p can copy, drag and Delete it like other text. Similarly you T P 3��B���B�p can�t edit the automatic player numbers at the left of P P L�xB�B�p systems: they simply reflect the players current on the P % C<i �IB��pB�p staves.
�4 B �B�BB�p
� �8�� � 4 �8 C�0 �A�"B�$ a 2� Y8� � �
8 T �a2�A�B�A�p If all the players of a woodwind or brass instrument are T X �yR�A�b�A�p playing a passage in unison, it is normal to write �a 2�, �a X T hDr_A���A�p 3� etc. instead of �1.2.�, �1.2.3.� etc. When the Unison T X �|�0A��WA�p switch is selected for a piece of player text, Sibelius does X %, B� �A��(A�p this automatically.
, �4 B ��@��@�p
� � � 4 �D C.� �@��@�$ Abbreviations � � �
D T "�u@�"�@�p Sibelius writes longish runs of consecutive player numbers T X �z2F@�Bm@�p as (say) �1-4� rather than �1.2.3.4� for clarity. Similarly it X T ƕR@�b>@�p writes more complicated selections as �1.2.5-8�, �1-4.8-12� T %$ B~� r�?��@�p and so on.
$ �4 C ��?���?�p
� � � 4 �D C� ��?�±?�$ Roman numerals� � �
D P �z�[?��?�p Switching House style�Players�Roman numerals on makes P �\ C�S�,?�T?�p all player numbers show as e.g. �I.II.�.
� � � \ D* � �D B֣�x=��=�03 Printer Drivers
s
� � � D �4 B �C=��j=�p
� � � � 4 �@ C� �=��;=�$ Contentsts� � �
@ %( C � ��<�� =�p Introduction
( %< C�/��<��<�p Loading a RISC OS 2 printer driver
< %@ C.M�<�'�<�p Setting up a RISC OS 2 printer driver
@ %, B�!7Y<�G�<�p PostScript printers
, % B W*<�gQ<�p
P Xw�;��"<�p See Printing. See also manual for : Qume CrystalPrint; P %0 C�b��;���;�p DeskJet; DeskJet Plus.
0 �4 B ��;���;�p
� � � 4 �D CP� �n;��;�$ Introduction� � � �
D %P B:O�?;�g;�p You have to load a printer driver before you can print.
P % C ;�'8;�p
P �b7�:�G ;�p If you have RISC OS 3, use the printer drivers supplied P L fPW�:�g�:�p with your computer and refer to your RISC OS 3 User L T "�w�:���:�p Guide for how to use them. Do not use the printer drivers T %D B�G�U:��|:�p on disc 2. IGNORE THE REST OF THIS SECTION.
D % C �&:��M:�p
%T CPu�9�� :�p If you have RISC OS 2, use the printer drivers on disc 2.
T �4 B ��9��9�p
� � � 4 , �R�9�'�9�$ Loading a RISC OS 2 , �D C�� 7k9�G�9�$ printer driver� � �
D P *ZW<9�gc9�p Double-click on the icon of the driver which suits your P %$ B�| w
9��49�p printer :
$ % C ��8��9�p
%< C ��8���8�p � !PrinterDM: dot-matrix printers.
< L +׀8��8�p � !PrinterLJ: Hewlett Packard LaserJet, DeskJet and L %4 C���Q8�y8�p compatible laser printers.
4 %@ C�>#8�'J8�p � !PrinterIx: Integrex colour printers.
@ %8 C �7�7�G8�p � !SibPS: PostScript printers.
8 �4 C W�7�g�7�p
� � � 4 0 �mw�7���7�$ Setting up a RISC OS 2 0 �D C�� �g7���7�$ printer driver� � �
D T d��87��_7�p Each printer driver handles more than one type of printer. T %0 B�>� 7��07�p To change the type :
0 % C ��6�7�p
X x��6�'�6�p � Click Select on the printer icon (on the icon bar) to open X %8 C��7}6�G�6�p the printer selection window.
8 P �?WN6�gu6�p � Click Select on the printer type to cycle through the P T ��w 6��F6�p various ones available. Many printer drivers also allow you T %H Br���5��6�p to adjust the printing resolution in this way.
H % C ��5���5�p
T vwג5��5�p You can save the setting by clicking Menu on the printer T �X C�a�c5��5�p driver icon and choosing Save choices.
� � � X B� H+ � �@ C� ��=��=�$ Paper sizes� � �
@ T �pi=�'�=�p In the printer driver�s Page size menu you can adjust the T T ��7:=�Ga=�p paper size. This should always match the paper you have in T T �yW =�g2=�p the printer, but it needn�t necessarily match the page size T %P C>Zw�<��=�p you choose in Sibelius�s Score�Dimensions... window.
P �4 B ��<���<�p
� � � 4 �< Cb� �~<�ǥ<�$ Margins� � �
< T j��O<��v<�p You shouldn�t need to adjust these as they should already T T Jv� <�H<�p be correct for your printer, unless it is a Hewlett Packard T %@ BXP�;�'<�p Deskjet or DeskJet Plus (see manual).
@ % C 7�;�G�;�p
L p7W�;�g�;�p The paper margins have nothing to do with the score L %D B��we;���;�p margins in Sibelius�s Dimensions window.
D �4 B �6;��];�p
� � � 4 �H C�b�;��.;�$ Monochrome graphics� � �
H T ����:��:�p This switch on the printer selection window makes printing T T z���:��:�p black-and-white graphics much faster. Since music is only T T Lt{:�'�:�p printed in black and white, you might as well switch this T %$ Bp� 7L:�Gs:�p option on.
$ �4 B W :�gD:�p
� � � 4 �L C�Gw�9��:�$ Text printing optionsn� � �
L P �.��9���9�p These are ignored by Sibelius. To print in landscape P T j���9�Ƿ9�p format, select the Sideways on paper switch on Sibelius�s T %( B^� �a9��9�p Print window.
( �4 C �29�Z9�p
� � � 4 �H C�#9�'+9�$ Postscript printers� ost � �
H T �n7�8�G�8�p PostScript printers do not contain the special Opus fonts T P V[W�8�g�8�p used to print music symbols. Hence you should use the P T 8tww8���8�p special printer driver !SibPS, which sends the printer the T T �w�H8��o8�p fonts at the start of printing. You should also use it when T T �o�8��@8�p printing files saved from Sibelius into other applications T �H B3��7��8�p using Save graphic.
� � � H L, � �< B�� \<4���4�03 Printingng �
� � < �4 B <4�L.4�p
� � � � 4 �@ C� \�3�l�3�$ Contentsts� � �
@ %( C�� |�3���3�p Before printing
( %$ C�} �z3���3�p Printing
$ %, C�.�K3��r3�p Cancelling printing
, % B�{ � 3��C3�p Options
% B ��2� 3�p
T �� �2�,�2�p See manual for: crop marks; collating; Linotronic printers; T %< CF <�2�L�2�p messages. See also Printer drivers.
< �4 B \a2�l�2�p
� �(�� � 4 �D C�� |22��Y2�$ Before printing� efo � �
D %@ B"'�2��*2�p Before printing, check four things :
@ % C ��1��1�p
P z#ܥ1���1�p � That you have located a !Fonts application. If you P T �a�v1� �1�p haven�t, Sibelius will ask you to, so find the !Fonts you T %T C~ H1�,o1�p installed the Opus fonts into and double-click on its icon.
T X (�<1�L@1�p � That you have loaded a printer driver. See Printer drivers X %( C� \�0�l1�p for details.
( P <|�0���0�p � Ensure that the printer type, paper size and print P %@ C�0��0���0�p resolution are set as you want them.
@ X l��]0�̄0�p � If your printer is not a PostScript one, ensure that there is X L 8[�.0��U0�p enough memory in the font cache (roughly 100-200K). L T ���/� '0�p After printing, you can reduce the font cache again if you T %, C� �/�,�/�p need the memory.
, �4 B <�/�L�/�p
� � � 4 �@ C<� \s/�l�/�$ Printing � &� � �
@ X ��|D/��k/�p Choose Score�Print... or press the Print key. Set the various X %< C��/��</�p options below, then click on print.
< �4 B ��.��
/�p
� T%�� � 4 �H C 3ܷ.���.�$ Cancelling printing� lli � �
H %L C� ��.� �.�p To cancel printing once you�ve started, press Esc.
L �4 B Z.�,�.�p
� � � 4 �< C�{ <+.�LR.�$ Options� �$� � �
< %< BV\�-�l#.�p A full list is given in the manual.
< �4 B |�-���-�p
� � � 4 �@ C�� ��-���-�$ From & To � 3$� � �
@ T ���o-�̖-�p If you leave the �From� box empty, Sibelius will print from T X ء�@-��g-�p the start. If you leave the �to� box empty, Sibelius will print X T b��-� 9-�p to the end. If you leave both boxes empty, the whole score T %, B�� �,�,
-�p will be printed.
, �4 B <�,�L�,�p
� � � 4 �< C�T \�,�l�,�$ Scalel� � �
< %D B2�|V,��},�p To print an A3 page on A4 paper, use 70%.
D �4 B �',��N,�p
� � � 4 B ' P- � �H B '�[4���4�$ Sideways on paper � � �
H P 8�,4��S4�p This rotates the page by 90� for printing music in P T r�3��$4�p landscape format. It is switched on automatically if your T %8 C.���3� �3�p page is wider than its height.
8 �4 B �3�,�3�p
� � � 4 �H C*<q3�L�3�$ Force even lineses� � �
H T $�\B3�li3�p Ensures stave-lines come out a constant thickness even on T %4 B�n|3��:3�p low-resolution printers.
4 �4 B ��2�� 3�p
� � � 4 �D Cx� ��2���2�$ Double-sideded� � �
D %P B�E܆2��2�p To print on both sides of the paper, do the following :
P % C �W2� 2�p
T �Y )2�,P2�p � Select �Double-sided, front� and print the score. Only T %< C�=<�1�L!2�p odd-numbered pages will be printed.
< T �p\�1�l�1�p � Feed the pages back into the printer with the other side T T �}|�1���1�p up. If the first page of your score is even-numbered - that T X �a�m1���1�p is, if it is a left-hand page - you should feed it one extra X T "g�>1��e1�p blank sheet at the start, since the first page doesn�t have T %8 C���1��61�p anything printed on the front.
8 �d BN���0� 1�p � Select �Double-sided, back� and print again.
� d T. �D Bx� +�QF+�03 Rehearsal Marks
� 3 � D �4 B ��*���*�p
4 � � 4 �@ C� �*��*�$ Contents � 8!�
@ %4 C��!m*�1�*�p Creating rehearsal marks
4 %4 C��A>*�Qe*�p Dragging rehearsal marks
4 %4 C��a*�q6*�p Deleting rehearsal marks
4 % B�p ��)��*�p Format
% B ��)���)�p
T �|��)�ѩ)�p See manual for: font; restarting rehearsal marks. See also T %4 C,��S)��z)�p Stave and system markings.
4 �4 B %)�L)�p
� � 4 , f*!�(�1 )�$ Creating rehearsal , �< Cx_ A�(�Q�(�$ marks � 4 �
< %P C�sa�(�q�(�p � Choose Symbol�Rehearsal mark�Normal, or type Ctrl-R.
P %T Bfn�i(���(�p � Point the copying pointer at a barline and click Adjust.
T % C �:(��a(�p
T X�� (��2(�p As you add further rehearsal marks, Sibelius always keeps T %@ B,h��'��(�p them lettered or numbered in sequence.
@ % C �'��'�p
L �9!'�1�'�p Rehearsal marks can be copied in the normal way by L %, C�� AP'�Qw'�p clicking Adjust.
, �4 B a!'�qH'�p
� � 4 , h7��&��'�$ Dragging rehearsal , �< Cx_ ��&���&�$ marks � 1 �
< T ��&�ѻ&�p Rehearsal marks drag vertically just like text in the Tempo T T A�e&��&�p styles: if there are is a duplicate rehearsal mark in the T T ؈7&�^&�p middle of the system, dragging the upper mark drags both T P L!&�1/&�p simultaneously. However, if you drag the lower one it P %@ B�_A�%�Q &�p moves independently of the upper one.
@ % C a�%�q�%�p
T >��{%���%�p Rehearsal marks can also be dragged left and right to hop T %0 C M�L%��s%�p them from bar to bar.
0 �4 B � %��D%�p
� � 4 , &��$��%�$ Deleting rehearsal , �< Cx_ �$��$�$ marks � -�
< P j)!�$�1�$�p As with text in the Tempo styles, deleting the upper P T hAb$�Q�$�p rehearsal mark of a pair deletes both, whereas the lower T %8 B��a3$�qZ$�p one can be deleted on its own.
8 % C �$��+$�p
P �:��#���#�p Once the lower one is deleted, you can get it back by P P DO��#���#�p deleting the upper one too and putting a new rehearsal P %0 B�m�w#��#�p mark down in its place.
0 % B I#�p#�p
% C !#�1A#�p
�4 B A�"�Q#�p
��� � 4 C0u X/ � �< C0u A +�QF+�$ Format �
< P ga�*�q+�p You can choose the format in which all rehearsal marks P P Jv��*���*�p appear from the House style� Rehearsal marks menu. The P %$ Bf� ��*���*�p choice is :
$ % C �c*�ъ*�p
%0 C�W�4*��[*�p � A B C... Z AA BB...
0 %0 C\H*�-*�p � A B C... Z A1 B1...
0 %( C(� !�)�1�)�p � 1 2 3 4...
( X �A�)�Q�)�p � Display in a large box the bar number the mark is at, e.g. X %( BP� ay)�q�)�p 7 19 31 37...
( % C �J)��q)�p
P Z�)��B)�p The format changes for all existing rehearsal marks, so P T ����(��)�p after changing to the third format the sequence Y Z AA BB T %4 B���(���(�p would become 25 26 27 28.
4 % C �(��(�p
T $�!`(�1�(�p You can change which mark appears first by typing it into T �P B �A1(�QX(�p the First rehearsal mark box.
P \0 �8 B^� ��!�� "�03 Restst
8 �4 B ��!���!�p
� � � 4 �@ C� �_!���!�$ Contentsts�
@ %( C�� �0!��W!�p Creating rests
( %( C�� �!��(!�p Dragging rests
( %( BF� � �� �p Function keys
( % B &� �6� �p
T <�Fu �V� �p See manual for: beat groups; deleting rests; messages. See T %4 C4�fF �vm �p also Bar rests, Multirests.
4 �4 B � ��> �p
��� � 4 �D Cv� �� �� �$ Creating rests� rea
D %4 B�ƹ ��� �p Do one of the following :
4 % C � ��� �p
%8 C��\ �� �p � Select a note and press F12.
8 T �Y&- �6T �p � Select an existing rest or multirest, press a note-value T X L�F� �V% �p function key to create a note of the duration you want, then X %@ C�;f� �v� �p press F12 to turn the note into a rest.
@ X D��� ��� �p � Select an existing rest and copy it by clicking Adjust (or X %D Bh��q ��� �p Alt-Adjust to copy into the second voice).
D % C �B ��i �p
T l^� ��: �p You won�t often need to create rests as Sibelius creates T T H�� � �p most of them itself when you modify a note-value, in order T %< C��&� �6� �p to keep the bar duration correct.
< �4 B F� �V� �p
� � 4 �D Cx� fX �v �$ Dragging rests�
D X n��) ��P �p You can drag rests up and down and left and right, just like X T "g�� ��! �p notes. Apart from in exceptional circumstances, the rest T T Zu�� ��� �p position when in one voice is absolutely standard. So for T P :'� ��� �p music in one voice you shouldn�t adjust the vertical P %H B`�n �� �p position of rests without a very good reason.
H % C &? �6f �p
P �HF �V7 �p However, in two voices you should adjust the vertical P %T C�af��v �p position as necessary to allow room for the other voice.
T �4 C ������p
� � 4 �D C � ������$ Function keys �
D T �m�T��{�p Many of the function keys operate on rests as well as on T T Zu�%��L�p notes - the beams keys (F1 plus Shift and Ctrl), the note- T T
�� �p value keys, dot (F11), pause (Ctrl-F9) and bar rest (Shift- T P �V&��6��p F12). When you apply a note-value key to a rest it will P �\ C�UF��V��p create a note of the specified duration.
\ `1 �@ B�|��!�� "�03 Save Graphic
c @ �4 B ��!���!�p
� � � 4 �@ C� �_!���!�$ Contentsts�
@ %( C � �0!��W!�p Introduction
( %4 Bx��!��(!�p Saving a page as a graphic
4 % B � �� �p
P ^v&� �6� �p See manual for: saving to Draw/Impression; crop marks; P P 65Fu �V� �p graphics format; scores incorporating graphic pages; P %$ CN� fF �vm �p examples.
$ �4 B � ��> �p
� � 4 �D CP� �� �� �$ Introduction� �
D X �ƹ ��� �p Sibelius can save a page as a picture (or �graphic�), either X T �G� ��� �p to disk or to other applications. This gives Sibelius an T %@ B�:\ �� �p enormous flexibility, since you can :
@ % C &- �6T �p
P �fF� �V% �p � Embed music in other documents, e.g. music books or P P <�f� �v� �p programme notes. All music examples in the manual were P P � �� ��� �p saved directly from Sibelius into Impression II - no P %< CR��q ��� �p scissors and glue were required!
< T l�B ��i �p � Alter a score in a graphics editor such as Draw, so you T P �V� ��: �p can add symbols which Sibelius doesn�t have or adjust P T Ԗ� � �p markings for special purposes. You can even colour scores T P �p&� �6� �p in, which is required in a small number of contemporary P % Cbk F� �V� �p pieces.
T ]fX �v �p � Cut up, stretch and colour music to incorporate it into T %8 Cp��) ��P �p posters and other design work.
8 �4 C �� ��! �p
� � 4 , '�� ��� �$ Saving a page as a , �< C�y � ��� �$ graphic�
�
< X ��n �� �p � Click on the toggle size icon at the top right of the editin X %D C&? �6f �p window, so that you can see the desktop.
D %X C�F �V7 �p � If you have not already done so, locate a !Fonts directory.
X %8 C �f��v �p � Go into Score�Save graphic.
8 %T C��������p � Type the number of the page you want into the Page box.
T T �p������p � If you are saving to disk, type a filename into the other T % C\D �T��{�p box.
X 0��%��L�p � Drag the file icon into another application window or into X �H B�9�� �p a directory window.
H d2 �8 B�� K�����03 Spacing
8 �4 B +R�;y�p
� � � 4 �@ C� K#�[J�$ Contentsts�
@ %, C,(k��{�p Horizontal spacing
, %< C�������p Changing the default note spacing
< %, B� ������p Vertical spacing
, % B �g�ێ�p
%T CPu�8��_�p See manual for: widening bar rests. See also Formatting.
T �4 B
�1�p
� � 4 �H C�,+��;�$ Horizontal spacing� ori
H P ?K��[��p The horizontal spacing of music is determined by the P X 6�k}�{��p rhythm of the notes within it. Sibelius gives notes a default X P �F�N��u�p spacing which depends on their note-values and other P T g� ��F�p features such as accidentals to the left of them. You can T T �b�����p adjust this spacing manually by dragging notes, rests or T %4 B Y�����p barlines left and right.
4 % C ����p
T ��+d�;��p Additionally, you can change the default spacing Sibelius T P RAK5�[\�p gives to notes by choosing House style�Spacing�Close/ P P x�k�{-�p Normal/Wide notes. This only affects new notes you add, P T ��������p not ones already in the score. You can switch on wide note T T t������p spacing before transcribing a passage of very fast music, T P �q�y�۠�p where the notes would otherwise be rather cramped, and P T F��J��q�p switch it off for subsequent bars. This saves you having to T %H B&� �C�p increase the spacing manually, note by note.
H % C +��;�p
T K��[��p These options also affects how parts will be spaced when T %D C�`k��{��p they are extracted - see Part extraction.
D �4 B �`����p
� � 4 �H C&�1��X�$ Vertical spacing �� ert
H T Е���)�p The vertical spacing of staves depends on how many fit on T T �x������p a particular page. Sibelius normally fits as many systems T P �: ����p onto a page as it can, and then spreads the staves and P X x�+v�;��p systems out to fill the page down to the bottom. If there are X X �zKG�[n�p very few staves, Sibelius instead puts all the staves at the X %H B®k�{?�p top of the page, leaving a gap at the bottom.
H % C �����p
T �z������p You can adjust the vertical spacing by pressing Select on T �h C� ˋ�۲�p an empty bit of a stave and dragging it up or down.
g i h h3 �H B�,K�����03 Special Instruments
� al H �4 B +R�;y�p
� � 4 �@ C� K#�[J�$ Contents � ��
@ %, CDBk��{�p Unusual instruments
, % B�a ������p Organ
% B ������p
P nC�g�ێ�p See manual for: doubling instruments; Harp. See also P %8 C"��8��_�p Instruments, Special scores.
8 �4 B
�1�p
� � 4 �H CtD+��;�$ Unusual instruments� nus
H H l�K��[��p Although Sibelius�s Instruments menu is fairly H T P�k}�{��p comprehensive, you may occasionally need to create a new T T 8t�N��u�p instrument. This is done by creating a similar predefined T %< B�#� ��F�p instrument and changing the name.
< % C �����p
%H C������p The instrument you base the new one on should :
H %@ C�K ����p � be from the same orchestral section.
@ %8 B�+d�;��p � have the same transposition.
8 % C K5�[\�p
P .tk�{-�p You will probably want to switch off Use standard order P %4 C�`������p first (see Instruments).
4 �4 B ������p
� � 4 �< C�e �y�۠�$ Organ � �
�
< T ��J��q�p Organ pedals are chosen as a separate instrument from the T %L B:� �C�p manuals, so that they are not all braced together.
L % C +��;�p
P �oK��[��p The manuals are �Keyboard/strings�Organ: manuals�; the P �T B��k��{��p pedals are �Ped.: Organ pedals�.
T l4
�@ B���J�@��03 Special Notes
@ �4 B ���<�p
� � � 4 �@ C� ��� �$ Contentss�
@ %( C � �� ��p Introduction
( %( C�� 0��@��p Cross notehead
( %$ C4� PZ�`��p Cue-note
$ %, C,(p+��R�p Diamond notehead
, %( B � ��
��#�p Headless note
( % B ��
���
�p
P @vО
���
�p See manual for: other special noteheads. See also Grace- P %< C &�o
� �
�p notes, Notes and chords, Transfers.
< �4 B A
� h
�p
��� � 4 �D CP� 0
�@9
�$ Introduction�� ntr
D T v�P� �`
�p The keys Shift- and Ctrl-F11/F12 give the selected note or T %L B~ p� ��� �p chord four special noteheads. The keys are toggles.
L % C �� ��� �p
T ��V ��} �p When you copy notes special noteheads are copied too, so T T Jv�' ��N �p when transcribing a passage of (say) cue-notes, you only T %D C�p� � �p need to press Shift-F12 for the first one.
D �4 B � � � �p
� � 4 0 �V0� �@� �$ Cross notehead (Ctrl- 0 �< C�K Pl �`� �$ F11) � ��
< T �kp= ��d �p This indicates a note of uncertain pitch, sometimes used T P �a� ��5 �p for untuned percussion instruments. When pressed on a P T �{��
�� �p chord, Ctrl-F11 makes all the noteheads in the chord into T %$ B�z а
���
�p crosses.
$ % C �
� �
�p
P �VS
� z
�p If you don�t want all of a chord�s noteheads to become P T �n0$
�@K
�p crosses, you can use the cross notehead on the Transfers T P �bP� �`
�p window. Alternatively, you can split the chord between P %$ C� p� ��� �p two voices.
$ �4 B �� ��� �p
�� � 4 �L C�F�h ��� �$ Cue-note (Shift-F12) � (Sh
L P �#�9 ��` �p A cue-note is a small note, typically used in cues in P T Έ�
� 2 �p instrumental parts or for editorial additions. Unlike grace- T %L B`��� �p notes, cue-notes take up rhythmic space in a bar.
L % C 0��@��p
L
P~�`��p When pressed on a chord, Shift-F12 makes all the L L �pO��v�p noteheads in the chord become small. As for cross L T Ĉ� ��G�p noteheads, you can use a transfer if you want just some of T P �l�����p a chord�s noteheads to become cue-notes. Alternatively, P %D Cz�������p you can split the chord between two voices.
D % B �� ��p
% C e� ��p
�4 B 06�@]�p
��� � 4 \* p5 � , \*0j�@��$ Diamond notehead , �@ C�� P;�`b�$ (Shift-F11)� l�
@ X x�p ��3�p This indicates a note which is fingered but not played. It is X T P������p usually used on stringed instruments to notate a harmonic, T X ��������p but is also used (e.g. by Schoenberg) to indicate piano keys X T 4�����p depressed silently. On a chord, you can make all noteheads T P �I�P� x�p or just the top notehead into a diamond, depending on P P @"� I�p whether you select just the top notehead or the whole P % C�b 0�
�@�p chord.
�4 B P�
�`�
�p
� � 4 , �>p�
���
�$ Headless note (Ctrl- , �< C�K �f
���
�$ F12) � ��
< T `��7
��^
�p This is sometimes used, like the cross note-head, to mean a T T 4s�
��/
�p note of indefinite pitch. Stravinsky and Lutoslawski also T T �:�� �
�p use it to indicate a repetition of the preceding note or T % B�b � � � �p chord.
% C 0| �@� �p
T ��PM �`t �p Headless notes are selected and dragged by clicking where T �l C�.p ��E �p the notehead should be (i.e. to one side of the stem).
e o l t6 �@ B����T�03 Special Scores
3 �
@ �4 B u��� �p
� � 4 �@ C� ������$ Contentsts�
@ %( C�� �{��p Music examples
( %, C��L��s�p Piano four hands
, %, C�� �E�p Very long scores
, %( Bj� ��%�p Choral music
( % B 5��E��p
P �}U��e��p See manual for: several movements/pieces; double choir; P T ��ub����p two orchestras; incipits; Lutoslawski-like scores. See also T %< C8�3��Z�p Save graphic, Special instruments.
< �4 B ���+�p
� � 4 �D C�� �����$ Music examples�
D P �S�����p If you want to embed short fragments of music in text, P T ��x�%��p such as in a music textbook, you should export them from T T �y5I�Ep�p Sibelius into a document processor (such as Impression). T T ��U�eA�p This is explained in Save graphic. You will often need to T %< B�#u����p set up various options beforehand :
< % C ������p
H �$���Ŵ�p � Page numbers: music examples seldom have page H %D Cx��^���p numbers, so switch them off if they are on.
D T �~�/�W�p � Name format: if the music example is for no instrument T %T CDh�%(�p in particular, choose House style �Instruments�No names.
T L L.5��E��p � Narrow staves: short music examples can be much L T ƕU��e��p narrower than the page they appear on. Don�t try to do this T P �ut����p by decreasing the page width in the Dimensions window - P T X�E��l�p Sibelius won�t allow this if the page gets very narrow. T X �m���=�p Instead, set a large right margin, so there is lots of white X %< C���� ���p space to the right of the staves.
< X ��� �� �p � Excerpts: if you are using an excerpt from the middle of a X T �� �%� �p score which includes bar numbers and/or rehearsal marks, T P �15[ �E� �p set up the first bar number and rehearsal mark of the P %H BN�U, �eS �p excerpt within the relevant House style menus.
H % C u����$ �p
T ���������p The StyleSheet directory on disk 2 includes a MusicExamp T %@ C�:�������p style sheet with these options preset.
@ �4 C �p����p
� � 4 �H CJ�A��i��$ Piano four hands��� ian
H T ����%:��p Scores for four hands at one piano used to be printed with T T ��5�E ��p the music for the left-hand pianist on each left-hand page, T T ��U���e��p and the right-hand pianist�s music on the right-hand page. T P Tvu�������p The left-hand and right-hand pages must end at the same P P HZ�W���~��p point so page-turning will work; sometimes the system P %D C,��(���O��p breaks correspond to make rehearsal easier.
D % B ���� ��p
B�� x7
T ,g�-��T�p You can use the old-fashioned notation in either of the T %0 B�J���&�p two following ways :
0 % C ��%��p
T &m5��E��p � Create two scores, one for each pianist. Make the page T P hDUr�e��p breaks (and system breaks, if you like) correspond by P T @guC��j�p inserting breaks at the appropriate points. Print out both T P �.���;�p scores and interleave the pages. If page numbers are P P �I���� �p switched on, the pages will be numbered 1,1,2,2,3,3... P P �ն����p (which may be what you want). Bar numbers and rehearsal P %@ C6O�����p marks will be correct for each pianist.
@ X ��Y�%��p � Alternatively, create a single score in which you alternate X P �,5*�EQ�p pages of music for each pianist, with page-breaks in P T J�U��e"�p between. The pages will be numbered 1,2,3,4... as normal. T T L�u�����p You mustn�t use automatic bar numbers or rehearsal marks T P \i������p with this method, as they won�t correspond between the P %, B�� �n�ŕ�p two piano parts.
, % C �?��f�p
P �G��8�p Whichever method you use, be careful not to alter the P T �l��% �p spacing of the score too much after transcribing it or the T %0 B6A5��E��p layout will be spoilt.
0 �4 C U��e��p
� � 4 �H C�uU��|�$ Very long scores��� ery
H T �&��M�p Scores which are too long to fit onto your computer or onto T X ����� �p a single floppy disk can be transcribed in several sections, X T p_������p each saved as a separate file. The first bar number, first T P �m�����p page number and first rehearsal mark can be adjusted so P T �ak�%��p that the bars, pages and rehearsal marks of each section T %< CB5<�Ec�p follow on from the previous one.
< �4 B U
�e4�p
� � 4 �D C�� u� ���$ Choral music� �
D P j��� ��� �p When singers divide, you can number them 1 and 2 using P X ���� �ŧ �p the Players text style (see Players); the names to the left of X %T B���Q ��x �p each system will automatically be numbered the same way.
T % C �" �J �p
T x��% �p Alternatively, you can write Dec., Can. and Full in one of T T Bt5��E�p the Technique text styles; this won�t be duplicated to the T T ��U���e���p left of the system. You should put system breaks wherever T T eug������p a choral stave splits from one stave to two or joins back T T V��8���_��p from two to one stave; see System and page breaks for an T %( B� � ���0��p explanation.
( % C ������p
T �������p In some choral music, the names only appear to the left of T T *Z}��%���p the system at the start, but they are written above some T T �5N��Eu��p later staves where necessary to show who is singing what. T �p C �U ��eF��p See manual for details on this and scores for double choir.
do p |8 �8 Bث :�����03 Speed
� 8 �4 B ���*��p
� � 4 �@ C� :n��J���$ Contents � 1�
@ % C�� Z?��jf��p Copying
% CTj z���7��p Menus
%$ B�} �����p Printing
$ % B �������p
T ��ڃ����p See manual for: extending the score; stave size; staves and T %( C� �T��
|��p instruments.
( �4 B &��*M��p
� � 4 �< Cb� :���J ��$ Copying� d�
< L v Z��j�p Always try to use Adjust to copy objects instead of L X X�z�������p creating them from scratch. In particular, try to copy notes X P |S�j������p and chords which are already on the screen rather than P %, C�#�;���b��p creating new ones.
, % C � ���3��p
T d����
��p When copying a repeated note or chord, use Ctrl-Adjust to T %0 CJi���*��p copy to the same pitch.
0 �4 B :���J���p
��� � 4 �< C$h ZQ��jx��$ Menus � ��
< P �_z"���I��p Most of the menus have been designed so that the most P T ֔����p important item is at the top. A quick way to choose the top T %H B�������p item is just to choose the menu name itself.
H % C ڕ����p
T ҉�f��
���p There are various keyboard �shortcuts� for choosing items T P ,�8��*_��p off the menu without using the mouse. See Keypresses in P %$ BD� : ��J0��p the manual.
$ % C Z��j��p
T �z������p When entering text in many styles, Menu pops up a list of T %H Cz��|������p useful words. Choosing one types it in for you.
H �4 B �M���t��p
��� � 4 �@ C<� � ���E��$ Printing� �
@ T ���
��p � For non-PostScript printers, set up the font cache with a T %H C�����*�p reasonable amount of memory (at least 100K).
H %@ C�@:���J���p � Use low resolution for draft copies.
@ L Zc��j���p � RISC OS 2 with non-PostScript printers: set the L P ��z4���[��p Monochrome graphics option on the printer driver. Avoid P T P�����,��p using the �Sideways on paper� option on the Print window T %< C�������p as printing can become very slow.
< L �ڧ�����p � RISC OS 3 with PostScript printers: try doing a L L �b�x��
���p permanent download of the Opus fonts (see RISC OS 3 L �@ B�� J��*q��p User Guide).
@ �9 �8 B�� :�����03 Staves
8 �4 B ���*��p
� � � 4 �@ C� :n��J���$ Contentsts�
@ %4 C�Z?��jf��p Adding a stave to a system
4 %0 C0tz���7��p Multi-stave instruments
0 %( C� �����p Dragging staves
( %( B�� �������p Deleting staves
( % B ڃ����p
X ��T��
|��p See manual for: 1-, 2- and 3-line staves; stave sizes; small X %D CB�&��*M��p staves. See also Dimensions, Instruments.
D �4 B :���J ��p
� � 4 , �-Z��j�$ Adding a stave to a , �< C$h z�������$ system � �
< L �D�j������p Staves with no music on are omitted from systems by L %$ B>v �;���b��p default.
$ % C � ���3��p
T z����
��p You can add a particular instrument�s stave to a system by T T �R���*��p selecting it another stave of that instrument elsewhere, T T �|:���J���p pointing to the appropriate system and clicking Adjust. It T T ΈZQ��jx��p doesn�t matter precisely where you click - Sibelius knows T T xkz"���I��p the correct instrument order and so will ensure the stave T %4 B�b����p goes in the right place.
4 % C �����p
P Kڕ����p Alternatively, you can choose from the list of existing P T ��f��
���p instruments at the top of the Instruments menu and copy in T P e8��*_��p the same way. This is not recommended for multi-stave P P �J: ��J0��p instruments, as for them you often require a particular P %< B� Z��j��p stave to be put down (see below).
< �4 C z������p
� � 4 �L C r�|������$ Multi-stave instruments� -st
L P rD�M���t��p You can add several staves to the same instrument by P P pP� ���E��p copying further staves of the instrument onto a system P %0 B�e��
��p which already has one.
0 % C ���*�p
%D B��:���J���p Any instrument can have up to 128 staves.
D �4 B Zc��j���p
� � 4 , v8z4���[��$ Copying the correct , �< CFP ����,��$ stave � s�
< X l�������p Each stave of a multi-stave instrument behaves like a little X X 4�ڧ�����p instrument in its own right: it runs right through the score, X P ��x��
���p even though it may only appear on some systems, and has P L �J��*q��p its own clef and its own music. Music written on a L P �J:��JB��p particular stave can never hop onto other staves of the P %8 B��Z��j��p instrument of its own accord.
8 % C z����p
B�� �: P �w ��/��p This means that when you want to put a stave of a multi- P T �x?��O��p stave instrument onto a system, you have to be careful to T %T BD�_W�o~�p copy from the stave you want the music to continue onto.
T % C (�O�p
T 4s��� �p This is particularly obvious in piano music, where to put T P Zu������p the right hand�s stave onto a system you must copy from P T �nߛ����p one of the right hand�s existing staves. Choosing a stave T P *s�l���p from the Instruments menu will not necessarily give you P %, B�- >�/e�p the stave you want.
, % C ?�O6�p
T �_��o�p Copying from the correct stave also matters when different T X ������p players of an instrument are on different staves, e.g. Flute 1 X T �d����p and Flute 2 have a stave each. If you want to continue a T P �m�S��z�p Flute 1 phrase on a new system you must copy Flute 1�s P T ���$��K�p stave from the previous system, or the phrase may not join T %8 C����� �p up if the score is reformatted.
8 �4 B ��/��p
4�� � 4 �D C&?��O��$ Dragging staves� rag
D T ��_i�o��p You can drag staves up and down to adjust the space above T T f:�a�p them. If necessary, Sibelius will squash the other staves T %H Cj�� �2�p together slightly to allow room as you do this.
H �4 C �����p
� � 4 �D C�� ߭����$ Deleting staves�
D X ޖ�~���p If a stave only contains bar rests, you can select it and then X T f P�/w�p Delete it. This only makes the stave disappear from this T X r�?!�OH�p particular system, though it is still present internally and it X %@ B\B_��o�p may still be visible on other systems.
@ % C ����p
T J������p Sibelius won�t stop you deleting a stave with just text on; T P �z�e�ό�p however, the text won�t disappear permanently - you can P %H BF��6��]�p retrieve it by putting the stave back again.
H % C ��/�p
T �U ��/ �p You can�t, of course, delete the only stave in a system, T T H�?��O��p since there has to be at least one stave to show how many T X ��_{�o��p bars there are. If you want actually to cut all the bars which X T FuL�s�p are on the stave, you should select it as a system passage T �\ C`�� �D�p and press Delete; see Passage operations.
�� \ �; �@ B�|ߕ�/��03 Stave System
3 � @ �4 B �`�χ�p
� � 4 �@ C� �1��X�$ Contents � ��
@ %( C�� ��*�p Stave markings
( %( C2 ��/��p System markings
( %4 CR�?��O��p Differences in behaviour
4 %0 Bp�_v�o��p Double system markings
0 % B G�n�p
P L[��?�p See manual for: hand pointer; position of lower system P %8 C�������p markings. See also Attachment.
8 �4 B ߺ����p
4 �D C�� �����$ Stave markings
D P hD ]�/��p Stave markings are those which are only relevant to a P T �z?.�OU�p particular instrument, and are drawn on or near one of its T T �S_��o&�p staves - for instance, notes, chords, rests, clef changes, T %D C�y���p transfers and most types of line and text.
D �4 B �����p
4 �D C��r�ϙ�$ System markings
D L x*�C��j�p System markings are those which apply to all of the L X ����<�p instruments, such as tempo text, title text, rehearsal marks, X P L ��/
�p key changes, time signatures and some lines. Many of P T ��?��O��p these (such as rehearsal marks) are drawn at the top of the T %P C4Z_��o��p system, and sometimes duplicated lower down as well.
P �4 C Y���p
4 �L C�W�*�Q�$ Behaviour differences� iou
L T ������"�p The difference between stave and system markings is made T T 0�������p clear on the Text and Lines menus - above the dotted line T %H B�������p are stave markings, below it system markings.
H % C o�/��p
P �_?@�Og�p The main reason you should not confuse the two is that P L �_�o8�p stave and system markings are extracted into parts L T zx�� �p differently. When you extract a part, it contains the stave T T Pu�����p markings for only the instrument extracted, but all of the T L p���ϫ�p system markings. This is how titles, tempo marks, L %T B�X�U��|�p rehearsal marks and so on appear in all extracted parts.
T % C �&�N�p
T �� ��/ �p If you use a stave marking instead of a system marking (or T %P C^D?��O��p vice versa), the marking will be extracted incorrectly.
P �4 C _��o��p
4 , RCk���$ Using double system , �@ Cd� �<�c�$ markings ��
@ L � �
��4�p If you switch the House style�General�Single system L T ء�����p markings option off, some system markings will appear not T X �������p only at the top of systems but also at a suitable place in the X L ' ��/��p middle. Tempo text and rehearsal marks can appear L B�n �< %0 B�n�x�ԟ�p duplicated on a system.
0 % C �I��p�p
P �p�B�p The two markings mimic each other; for instance, if you P X ��$��4�p edit one piece of tempo text, a caret will appear in the other X P fD��T��p and both will change simultaneously. To drag or delete P %L BPd��t��p both markings, do the operation to the upper one.
L % C �_���p
T ���0�W�p If in unusual circumstances you want two particular marks T X d����(�p to be different distances from their respective staves, or if X T �������p you want to remove just the lower mark, drag or delete the T �T B�
����p lower mark rather than the upper.
the T �= �8 B� �Y�ԟ�03 Stems
� 8 �4 B d$�tK�p
�� 4 �@ C� ��� �$ Contents <�
@ %4 CL������p Changing stem directions
4 %0 B�kė�Ծ�p Adjusting stem-lengths
0 % B �h���p
P �x:�a�p See manual for: Sung middle-line stems up; Stems up on P %8 Cμ$ �42�p 1-line staves; stem transfers.
8 �4 B D��T�p
4 , �$d��t��$ Changing the stem , �@ C@� �~���$ directions �
@ %D B��O�v�p Select a note or chord and press Ctrl-F10.
D % C � ��G�p
T ������p To change the direction of all stems along a beam, do Ctrl- T %4 C&�����p F10 to the first note only.
4 �4 B $��4��p
� 4 �L C�dDe�T��$ Adjusting stem-lengths st
L %< C:d6�t]�p Select a note or chord, and press :
< % C ��.�p
%D Cbn�����p � Ctrl-Shift-F2 to make the stem longer,
D %< C| ĩ����p � Ctrl-Shift-F3 to make it shorter,
< %T C�A�z���p � Ctrl-Shift-F4 to return the stem to its default length.
T % C L�s�p
P 8t$ �4D�p The stem can be made any length by pressing Ctrl-Shift- P T ��D��T�p F2/F3 repeatedly. You can even make a stemless note this T P fd��t��p way. For beamed notes, you may have to press the keys P �d C�������p repeatedly before a visible effect is produced.
d �> �@ B`>) �yc�03 Style Sheet
t
@ �4 B ���p
� 4 �@ C� )��9��$ Contentsts
@ %0 C<OI��Y��p Creating a style sheet
0 %< CN(i[�y��p Style sheets containing instruments
< %, B('�,�S�p Style sheet options
, % B ����$�p
%@ CT6�����p See manual for: sample style sheets.
@ �4 B �����p
4 �L C�V q���$ Creating a style-sheet ing
L %0 C"-)B�9i�p � Start a new score.
0 X h�I�Y:�p � Set up the options listed below to suit a particular type of X % C0\ i��y �p score.
T �u������p � Save the file under a suitable name without putting any T %$ C>� ������p music in.
$ T �d�W��~�p � Later, when you want to transcribe a score in the style T T �z�(��O�p defined by the style sheet, reopen the file and the options T P ~8 ��!�p will all be set up as before. Make sure that when you P T �m)��9��p resave the score you give it a new filename, otherwise it T %8 C.�I��Y��p will replace the style sheet.
8 �4 B im�y��p
4 0 f�>��e�$ Style sheets containing 0 �@ CN� ���6�$ instruments ��
@ P �U�����p You can make a more elaborate style sheet by creating P X ������p several instruments before you save it. This is particularly X T t ����p useful for orchestras, because although they have a large T P )T�9{�p number of instruments the actual selection is fairly P P �xI%�YL�p standard. You can delete any instruments you don�t need P %, B�� i��y �p after reloading.
, % C ������p
P K������p Style sheets containing instruments are also useful for P T ��i�ِ�p including unusual instruments which aren�t predefined, or T %@ C(g�:��a�p instrument names in foreign languages.
@ �4 B �3�p
4 �L C�8)��9�$ STtyle sheet options�
e s
L %4 C�sI��Y��p � Text fonts - see Fonts.
4 %H C\�i�y��p � Symbols�Key change�Atonal - see Atonal music.
H %T C���P��w�p � Instruments�Woodwind/Brass... menus - see Instruments.
T %H C���!��H�p � Score�Dimensions... window - see Dimensions.
H T x�����p � House style�General menu: Transposing score - see Part T P �p������p extraction and Key signatures. Single system markings - P L �+ ����p see Stave and system markings. System separators - L T �l)f�9��p displays a thick double line between systems, to make it T P
I7�Y^�p more obvious in large scores when more than one system P L ji�y/�p appears on a page. Sibelius switches the option on L B3 �? P �Ji<�yc�p automatically when you create ten staves, but you can P P �X�
�4�p switch it off again. Renaissance breves - see Notes and P T ������p chords. Align when copying - see Alignment. Smart quotes T T L�ɯ����p - see Keypresses. Repel text from margins - see Text. Sung T P �<����p middle-line stems up - see Stems. Stems up on 1-line P P T] R�y�p staves - see Stems. Modern brackets - see Brackets and P % C�m )#�9J�p braces.
%H C��I��Y�p � House style�Music designs menu - see Fonts.
H X &�i��y��p � House style�Paper colour menu - controls the colour of the X %< C ������p paper as it appears when editing.
< �h C8�g����p � Other House style menus - see topic of same name.
h �@ �@ BVi��� '�03 System Page
e
@ �4 B ������p
� 4 �@ C� �|�ޣ�$ Contentsts
@ %8 CB��M��t�p Forcing a system or page break
8 %$ C�� � F�p Page breaks
$ %( B�� .��>�p System breaks
( % B N��^��p
�4 B n��~��p
4 , �9�c����$ Forcing a system or , �@ C�� �4��[�$ page break
@ P �o���,�p You can force systems and pages to break wherever you P T
�������p like, but you should only do this for a good reason because T T t��� ��p Sibelius may have to use non-ideal spacing on the system T %T B�V.y�>��p or page in order to get it to break where you want it to.
T % C NJ�^q�p
T :mn�~B�p � Select the barline you want to break at, or a note in the T %( C�� �����p bar before it.
( P �c������p � Choose Selection�System break/Page break. The menu P X ЕΎ��p option will have a tick next to it if you have already forced X %8 B���_����p a system or page break there.
8 % C 1� X�p
X :�.�>)�p The music will spread out so it ends at the specified point - X P |]N��^��p more specifically, Sibelius spreads out the two systems P X �n��~��p leading up to the break. Thereafter, the bar ending with the X T �p�u����p break will always go at the end of a system or page until T P �T�F��m�p you remove the break by re-choosing Selection�System P %, C����>�p break/Page break.
, �4 B �����p
4 �@ C.� �� ��$ Page breaks
N�
@ %D B�S.��>��p It is a good idea to force page breaks :
D % C N\�^��p
T 0mn-�~T�p � in extracted parts so that the performer doesn�t have to T %< C�����%�p turn the page when he is playing,
< P �N������p � at the end of sections (movements, songs, or pieces), P X �x����p especially when the next section has title text at the start. X \ :��q����p This will ensure that the title text remains at the start of the \ %( CF� C� j�p new section.
( �4 B .�>;�p
4 �D Cb� N��^ �$ System breaks
D P l^n��~��p There is an automatic system break at the very end of a P %L BD�������p score. It is a good idea to force system breaks :
L % C �X���p
X x�)��P�p � at the end of smallish sections of music (e.g. at a repeat X %$ C@� ���!�p barline).
$ T x�� ��p � at the end of big sections (e.g. movements) in extracted T B�� �A X :� � '�p parts, especially when the next section has title text at the X T �}.��>��p start. When extracting, Sibelius turns all page breaks into T T �pN��^��p system breaks for you, so you don�t get huge gaps in the T % C�F ns�~��p part.
T ���D��k�p � where singers or strings divide onto two staves or rejoin T P �`���<�p onto one, so you don�t get sequences of bar rests which P %4 C������
�p aren�t performed by anyone.
4 H ������p � sometimes where the performer changes between H �\ Bx]�� ��p doubling instruments; see Instruments.
\ �B �8 B� s�����03 Textxt
8 �4 B So�c��p
� 4 �@ C� s@��g�$ Contentsts
@ %$ CZ� ���8�p Text styles
$ %( C�� ���� �p Creating text
( %( Cx� ӳ����p Modifying text
( %( C�� ����p Dragging text
( %( C�� V�#}�p Copying text
( %( B�� 3'�CN�p Deleting text
( % B S��c �p
T Xhs�����p See manual for: text positions; details of specific styles; T T �^������p text sizes; fonts; stave and system text; text applying to T P �_�k��p more than one stave; Repel text from margins. See also P %P C�I�<��c�p Fonts, Players, Stave and system markings, Underlay.
P �4 B �
�5�p
4 �@ Cԣ ��#�$ Text styles s�
@ %D B@h3��C��p Each text style specifies the following :
D % C S��c��p
%4 C�fsR��y�p � the text font and size.
4 %8 CX��#��J�p � where the text can appear.
8 %T Cx������p � whether the text is a stave marking or a system marking.
T %H B�������p � which special music characters can be used.
H % C ����p
X z�h�#��p Each piece of text you type is in a single style. If you need X %T C�y39�C`�p to mix styles you should use more than one piece of text.
T �4 B S
�c1�p
4 �D C� s����$ Creating text
D T l^������p The Players and Underlay styles create text in a special T T �y�}�ä�p way; but to create a piece of text using one of the normal T %$ B�m �N��u�p styles :
$ % C � �G�p
%P CD��#�p � Go into the Text menu and choose one of the styles.
P P �W3��C��p � Click Adjust where you want the text to go. For most P %P C�S��c��p styles, this will be the left-hand side of the text.
P T
ksd����p � The caret will appear, and you can start typing. Return T T 4��5��\�p starts a new piece of text down a line. See Keypresses for T %, C�!���-�p other special keys.
, T �������p � When you have finished typing in text you can get rid of T %P BX6����p the caret by selecting another object or typing Ctrl-Z
P % C z�#��p
%H B*�3K�Cr�p There are five quicker ways to create text :
H % C S �cC�p
H ��s����p � Ctrl-E and Ctrl-T choose the Expression and H %0 Cv8������p Technique�12 styles.
0 P �Z���ö�p � Clicking Menu while editing text produces a menu of P B� �C T Ρ������p useful words; choosing one types it in for you. (See manual T %, C�� Ӕ���p for subtleties).
, P 8�e���p � Instead of choosing the top item of a menu you can P T F�7�#^�p choose the menu name itself: to get the Text�Tempo�14 you T %8 C<�3�C/�p can choose just Text� Tempo.
8 X 8�S��c �p � You can �copy� the caret itself to start a new piece of text. X P �Fs�����p Find some text on the screen which is in the style you P T f�{����p require, click Select on it to make the caret appear, then T T R��L��s�p click Adjust somewhere else to start some new text in the T %$ C�� � ��D�p same style.
$ T ������p � Since some pieces of text (e.g. dynamics) are used many T T d���#��p times, you can just create them once and copy them around T %$ C�� 3��C��p the score.
$ �4 B Sb�c��p
4 �D C�� s3��Z�$ Modifying text
D T �^���+�p To change some existing text, click Select on it and the T X ������p caret will reappear for you to type at. Text is edited in just X %8 C��Ӧ����p the same way as it is typed in.
8 �4 C �w���p
4 �D C� I�#p�$ Dragging text
D %X C|�3�CA�p Double-click Select on the text (to select all of it) and drag.
X �4 B S��c�p
Y�� 4 �D C�� s�����$ Copying text�� opy
D X >�������p Double-click Select on the text (to select all of it) and copy X T ,��^��p it with Adjust. If House style�General�Align when copying T X ��/��V�p is on, text copied roughly in a rom or column will snap into X %< C6� �(�p exact alignment with the original.
< �4 B ��#��p
4 �D C�� 3��C��$ Deleting text
D T �zSt�c��p Either delete it character by character, or double-click on T %H B�~sE��l�p the text (to select it all) and press Delete.
H % C ���=�p
T H������p Player text can be deleted by single-clicking and pressing T �< B�o Ӹ����p Delete.
< �D �@ B��h�h��03 Time Signature
@ �4 B �2�Z�p
� 4 �@ C� �(+�$ Contentsts
@ %4 Cԉ8��H��p Creating a time signature
4 %4 B~�X��h��p Modifying time signatures
4 % B xw����p
T j��H��o�p See manual for: beat groups; C and split-C; cautionary/big/ T %@ C0Z���@�p conflicting/compound time signatures.
@ �4 B �����p
4 ( <� �����$ Creating a time ( �@ C�� ��(��$ signature !��
@ %H C�8^�H��p � Move into the Rhythm�Time signature window.
H T ��X/�hV�p � Type in the numbers for the top and bottom. The top can T %8 C\�x ��'�p go up to 31, the bottom to 64.
8 %H C��������p � Click on OK. The copying pointer will appear.
H T �L������p � Point to the start of a bar and click Adjust. The time T %T CNh�s���p signature will be drawn on all the staves on the system.
T �4 B �D�l�p
4 , �
�(=�$ Modifying a time , �@ C�� 8�H�$ signature {��
@ P �0X���h��p You can put one time signature on top of another, to P T �nx�������p replace it. You can also Delete time signatures and copy T T T��Z������p them with Adjust. Time signatures can�t be dragged, since T �p C�x�+���R��p Sibelius always positions them in exactly the right place.
��� p �E �< B� h�h��03 Transfers
�� < �4 B �2�Z�p
4 �@ C� �(+�$ Contents ǻ�
@ %, C�"8��H��p Creating a transfer
, %, B^7X��h��p Modifying transfers
, % B xw����p
%D C��H��o�p See manual for: uses of specific transfers.
D �4 B ���@�p
��� 4 �H C�-�����$ Creating a transfer ing
H P �y�����p Choose one off the large Symbols�Transfers window, and P %8 B����(��p position it by clicking Adjust.
8 % C 8^�H��p
P .[X/�hV�p Don�t use a transfer where one of Sibelius�s automated P T �{x ��'�p markings will do, because transfers override the standard T X ��������p positioning rules and so behave less intelligently than other X %$ B(� ������p markings.
$ �4 C �s���p
4 �H CB5�D�l�$ Modifying transfers odi
H L �"�(=�p Transfers can be dragged, copied (with Adjust) and L �< B@� 8�H�p Deleted.
< �F �8 B�� �+��
r��03 Tremeli
! ! 8 �4 B ����� ��p
� ! 4 �@ C� �ǻ���$ Contentsts ! !
@ %, C� ݘ����p One-note tremeli
, %, CN�i��
���p Two-note tremeli
, �4 B ;��-b��p
! 4 �H C� = ��M3��$ One-note tremeli�� ne- ! !
H %4 C8�]ݺ�m��p ��Select the note or chord.
4 P *}����պ�p ��Press Ctrl-Shift-F5 to F8 to add up to four tremelo P P �;�������p strokes to the stem. You can even add four strokes to P %4 B��P���w��p semihemidemisemiquavers.
4 % C �!���H��p
P tQ��
��p The tremelo keys act as toggles, so press the same key P %8 C � �-�p again to remove the tremelo.
8 �4 B =���M���p
! 4 �H C ]f��m���$ Two-note tremeli�� wo- ! !
H T Ɓ}7���^��p ��Create two consecutive notes or chords, each of half the T T Dh����/��p total duration of the tremelo (they can be dotted notes if T %$ C�� �ٸ�� ��p you like).
$ X :�ݪ���Ѹ�p ��Select the first note and press one of the keys Ctrl-Shift- X %$ B�� �{��
���p F9 to F12.
$ % C M��-t��p
T H�= ��ME��p The keys are toggles, so pressing them again removes the T %$ B� ]�m��p tremelo.
$ % C }�����p
T ����������p Two-note tremeli can go across barlines, if the bars are on T �D B� �b��͉��p the same system.
! " " D �G " �< B��+��
r��03 Underlayay "
# # < �4 B ����� ��p
# 4 �@ B� �ǻ���$ Contents � # #
@ %, C�ݘ����p Creating underlay
, %, B|�i��
���p Editing underlay
, % B ;��-b��p
T T�= ��M3��p See manual for: example; positioning; non-breaking space T %T C��]ݺ�m��p and hyphen; stem directions; choral music. See also Text.
T �4 B }����պ�p
# 4 �H C� �������$ Creating underlay� rea # #
H T �d�P���w��p � Transcribe the notes for the passage you want to write T %, B�
�!���H��p underlay against.
, % C ��
��p
%D Bց Ĺ�-�p � Choose one of the Text�Underlay styles.
D % C =���M���p
P T!]f��m���p � Click Adjust beneath the first note of the passage. P X x�}7���^��p Sibelius will position the caret at a standard distance below X %$ B�� ����/��p the stave.
$ % C �ٸ�� ��p
%0 B�Aݪ���Ѹ�p � Start typing words.
0 % C �{��
���p
T P� M��-t��p To advance to a new syllable, press �-� once for each note T X V�= ��ME��p the current syllable lasts for. So after a four-note syllable, X P ��]�m��p type ����. This does not specify the number of hyphens P %P Bb }�����p that will appear - that depends on the note-spacing.
P % C ��������p
P �a�b��͉��p To advance to a new word, press the space bar once for P %D BZ�3���Z��p each note the current syllable lasts for.
D % C ���
,��p
T �~ ֶ�-���p � When you reach a rest, click Adjust below the first note T %8 C�=���Mζ�p of the next phrase to continue.
8 �4 C ]x��m���p
# ! ! 4 �H C�}I���p��$ Editing underlay��! dit # #
H %X B������A��p Underlay is edited just like other text, a syllable at a time.
X % C �����p
T qݼ����p Additionally, you can adjust the length of lyric lines and T T ����
���p lines of hyphens by pressing Select on the right-hand end T T j� _��-���p and dragging. For lines of hyphens you may have to click T T �x=0��MW��p somewhat to the right of the last visible hyphen (because T �` CB�]��m(��p the line can extend invisibly beyond this).
# be $ $ ` �H $ �8 BB� b��5��03 Voices $
� % % 8 �4 B B���R�p
% " " 4 �@ C� b���r���$ Contents��" % % %
@ %8 CX��\������p Transcribing a two-voice bar
8 %4 B��-���T��p Removing the second voice
4 % B ����%��p
X H��ϱ��p See manual for: bars partially in two voices; rests; crossing X %P Ct8���ȱ�p voices; semibreves and breves; three or more voices.
P �4 B "r��2���p
% # # 4 , �8BC��Rj��$ Transcribing a two- , �@ Cr� b��r;��$ voice bar # ��� % %
@ P PH��� ��p � Transcribe the first voice as normal. Ignore the stem P %$ Cԣ �����ݰ�p directions.
$ X H���Ү��p � Put the first note or rest of the second voice in by copying X %< C��X�����p an existing one using Alt-Adjust.
< T �g*��Q��p � Transcribe the rest of the second voice, but hold down T %8 C2�"���2"��p Alt whenever pressing Adjust.
8 �4 B B̯�R�p
% $ $ 4 , �Kb���rį�$ Removing the second , �< ClR �n������$ voice $ ܥ� % %
< %0 C��?���f��p � Select a bar rest.
0 %L Cf����7��p � Copy it onto the offending bar using Alt- Adjust.
L %0 Bz>�����p � Delete the bar rest.
0 % C ���ڮ�p
T @�"���2���p You can�t remove just the first voice from a two-voice bar T T *ZBU��R|��p - instead, delete both voices (by double-clicking on the T T �cb&��rM��p stave and pressing Delete) and start transcribing the bar T �< B`^ ����� ��p again.
an % the & & < �I & �8 B�
b��5��03 Windows &
�� ' ' 8 �4 B B���R�p
' % % 4 �@ C� b���r���$ Contents��% ' ' '
@ %( C�� �\������p Editing window
( %( C�!�-���T��p Overview window
( �4 B ����%��p
' l��& & 4 �D C^� �ϱ��$ Editing window& dit ' '
D %4 B����ȱ�p To make editing very fast :
4 % C "r��2���p
L +BC��Rj��p � the editing window occupies the whole screen in a L %4 C�b��r;��p specially fast screen mode.
4 %D C�g��� ��p � editing is done at a fixed zoom factor.
D T �r�����ݰ�p � changing default text styles doesn�t change them in the T L LB��Ү��p editing window (though they change on the overview L %$ C�� �X�����p window).
$ %D C�h*��Q��p � rare characters are displayed as a box.
D %P B�M"���2"��p � keyboard braces are only drawn at approximate size.
P % C B̯�R�p
P ,gb���rį�p With some monitor types you can vary the screen mode P T ���n������p used while editing, by clicking Menu on the Sibelius icon T %T C"��?���f��p on the icon bar and choosing from the Editing mode menu.
T �4 B ����7��p
' ' ' 4 �D C�����$ Overview window' ' '
D T �|���ڮ�p Select and Adjust zoom in or out. These are preferable to T P �n"���2���p using the 33%, 100%, 250% and Fit buttons as the latter P L LBBU��R|��p may make stave-lines unevenly spaced due to limited L %, B�b&��rM��p screen resolution.
, % C ����� ��p
T b��ȭ���p To make the window redraw fairly fast, you should set the T P ������p font cache on the Task display (chosen from the menu on P P $3�j���p the rightmost icon on the icon bar) to at least 100K - P %4 B<�<��c��p preferably more like 200K.
4 % C "
��24��p
P �qBެ�R��p If you close the overview window, you can bring it back P T ʇb���r֬�p by clicking Menu on the Sibelius icon on the icon bar and T �< C����������p choosing Show overview.
' < % B �I���x�� "
�J yV4p -( R ����~��� " �
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000003a0 65 2d 63 6c 69 63 6b 69 6e 67 20 53 65 6c 65 63 |e-clicking Selec|
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000003c0 05 50 00 00 03 b6 55 03 2e 65 fc ff 3e 8c fc ff |.P....U..e..>...|
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000003e0 61 6e 20 61 63 63 69 64 65 6e 74 61 6c 20 74 6f |an accidental to|
000003f0 20 65 76 65 72 79 20 6e 6f 74 65 20 6f 66 20 74 | every note of t|
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00000410 25 20 00 00 42 84 53 00 4e 36 fc ff 5e 5d fc ff |% ..B.S.N6..^]..|
00000420 70 1c 00 00 6f 6e 63 65 2e 0d 00 00 00 20 00 00 |p...once..... ..|
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00000450 07 00 00 00 10 30 01 00 10 30 01 00 00 00 00 00 |.....0...0......|
00000460 00 34 00 00 a5 48 00 00 43 8a 79 01 8e d8 fb ff |.4...H..C.y.....|
00000470 9e ff fb ff 24 1d 00 02 52 65 6d 6f 76 69 6e 67 |....$...Removing|
00000480 20 61 6e 20 61 63 63 69 64 65 6e 74 61 6c 0d 08 | an accidental..|
00000490 10 30 01 00 00 00 00 00 07 00 00 00 0c be 00 00 |.0..............|
000004a0 0c be 00 00 00 00 00 00 00 48 00 00 25 3c 00 00 |.........H..%<..|
000004b0 43 22 d2 01 ae a9 fb ff be d0 fb ff 70 1c 00 02 |C"..........p...|
000004c0 8f 20 53 65 6c 65 63 74 20 74 68 65 20 6e 6f 74 |. Select the not|
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000004e0 05 0d 00 00 00 3c 00 00 25 54 00 00 43 38 60 03 |.....<..%T..C8`.|
000004f0 ce 7a fb ff de a1 fb ff 70 1c 00 02 8f 20 52 65 |.z......p.... Re|
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00000520 20 6b 65 79 20 74 6f 20 74 6f 67 67 6c 65 20 69 | key to toggle i|
00000530 74 20 6f 66 66 2e 0d 00 00 54 00 00 a5 34 00 00 |t off....T...4..|
00000540 43 00 00 00 ee 4b fb ff fe 72 fb ff 70 1c 00 02 |C....K...r..p...|
00000550 0d 08 08 00 0c be 00 00 00 00 00 00 07 00 00 00 |................|
00000560 10 31 01 00 10 31 01 00 00 00 00 00 00 34 00 00 |.1...1.......4..|
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000005b0 0d 00 00 00 00 48 00 00 05 54 00 00 02 e4 7c 03 |.....H...T....|.|
000005c0 2e ee fa ff 3e 15 fb ff 70 1c 00 02 46 6f 72 20 |....>...p...For |
000005d0 61 63 63 69 64 65 6e 74 61 6c 73 20 69 6e 20 62 |accidentals in b|
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00000680 00 10 00 00 02 18 00 00 a4 01 00 00 00 00 00 00 |................|
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000006c0 00 00 00 00 0d 07 ed ff 10 32 01 00 10 32 01 00 |.........2...2..|
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00000750 20 61 6c 69 67 6e 6d 65 6e 74 0d 00 00 2c 00 00 | alignment...,..|
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000007a0 0d 00 00 00 00 1c 00 00 25 30 00 00 43 e6 4a 01 |........%0..C.J.|
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00000820 00 00 00 00 00 34 00 00 a5 48 00 00 43 8e 39 01 |.....4...H..C.9.|
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00000850 10 33 01 00 00 00 00 00 07 1d 00 f2 0c c0 00 00 |.3..............|
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00000a30 65 63 69 73 65 20 00 00 00 54 00 00 25 2c 00 00 |ecise ...T..%,..|
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00000a70 d3 dd f2 ff e3 04 f3 ff 70 1c 00 02 0d 05 05 05 |........p.......|
00000a80 00 1c 00 00 25 3c 00 00 42 58 e2 01 f3 ae f2 ff |....%<..BX......|
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00000aa0 20 74 68 65 20 6f 62 6a 65 63 74 20 74 6f 20 62 | the object to b|
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00000ac0 05 54 00 00 00 fc 82 03 13 80 f2 ff 23 a7 f2 ff |.T..........#...|
00000ad0 70 1c 00 02 8f 20 4d 6f 76 65 20 74 68 65 20 70 |p.... Move the p|
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00000af0 79 6f 75 20 77 61 6e 74 20 74 6f 20 63 6f 70 79 |you want to copy|
00000b00 20 74 6f 2c 20 72 6f 75 67 68 6c 79 20 00 00 00 | to, roughly ...|
00000b10 00 54 00 00 25 50 00 00 42 b4 20 03 33 51 f2 ff |.T..%P..B. .3Q..|
00000b20 43 78 f2 ff 70 1c 00 00 69 6e 20 6c 69 6e 65 20 |Cx..p...in line |
00000b30 28 68 6f 72 69 7a 6f 6e 74 61 6c 6c 79 20 6f 72 |(horizontally or|
00000b40 20 76 65 72 74 69 63 61 6c 6c 79 29 20 77 69 74 | vertically) wit|
00000b50 68 20 74 68 65 20 6f 72 69 67 69 6e 61 6c 2e 0d |h the original..|
00000b60 00 50 00 00 25 54 00 00 42 b0 7e 03 53 22 f2 ff |.P..%T..B.~.S"..|
00000b70 63 49 f2 ff 70 1c 00 02 8f 20 43 6c 69 63 6b 20 |cI..p.... Click |
00000b80 41 64 6a 75 73 74 2e 20 54 68 65 20 63 6f 70 79 |Adjust. The copy|
00000b90 20 77 69 6c 6c 20 90 73 6e 61 70 91 20 69 6e 74 | will .snap. int|
00000ba0 6f 20 65 78 61 63 74 20 61 6c 69 67 6e 6d 65 6e |o exact alignmen|
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00003b40 10 4f 01 00 10 4f 01 00 00 00 00 00 00 34 00 00 |.O...O.......4..|
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00003c60 0d 00 00 00 00 1c 00 00 05 54 00 00 03 70 78 03 |.........T...px.|
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00004980 a5 4c 00 00 42 f6 71 01 22 18 d3 ff 32 3f d3 ff |.L..B.q."...2?..|
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000049c0 0b d0 00 00 00 00 00 00 00 4c 00 00 01 10 00 00 |.........L......|
000049d0 00 00 00 00 00 00 00 00 00 10 00 00 02 18 00 00 |................|
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00007270 70 1c 00 02 8f 20 49 66 20 79 6f 75 20 64 6f 6e |p.... If you don|
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00007500 26 33 b4 ff 70 1c 00 02 20 69 6e 67 20 66 6f 6e |&3..p... ing fon|
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00007610 70 1c 00 00 54 72 69 6e 69 74 79 2e 20 54 68 65 |p...Trinity. The|
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00007690 00 3e 41 03 f6 c3 b2 ff 06 eb b2 ff 70 1c 00 02 |.>A.........p...|
000076a0 57 68 65 6e 20 79 6f 75 20 74 79 70 65 20 74 65 |When you type te|
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00007740 70 1c 00 00 46 6f 72 20 74 68 65 73 65 20 73 79 |p...For these sy|
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000078a0 e6 a2 b1 ff 70 1c 00 02 59 6f 75 20 77 69 6c 6c |....p...You will|
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0000c230 44 65 6c 65 74 65 08 08 10 84 01 00 00 00 00 00 |Delete..........|
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0000c250 0d 00 00 00 00 3c 00 00 05 50 00 00 03 b8 3a 03 |.....<...P....:.|
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0000c360 03 56 5b 03 2a e8 8c ff 3a 0f 8d ff 70 1c 00 02 |.V[.*...:...p...|
0000c370 41 6c 74 20 77 69 74 68 20 41 64 6a 75 73 74 20 |Alt with Adjust |
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0000c710 70 1c 00 02 0d 00 00 00 00 1c 00 00 25 4c 00 00 |p...........%L..|
0000c720 42 ae e0 02 ea 57 8a ff fa 7e 8a ff 70 1c 00 02 |B....W...~..p...|
0000c730 43 74 72 6c 20 61 6c 73 6f 20 66 6f 72 63 65 73 |Ctrl also forces|
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0000c900 a5 34 00 00 42 88 13 00 ca 0f 89 ff da 36 89 ff |.4..B........6..|
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0000c920 07 7d 7f ff 10 87 01 00 10 87 01 00 00 00 00 00 |.}..............|
0000c930 00 34 00 00 a5 3c 00 00 43 54 6a 00 ea e0 88 ff |.4...<..CTj.....|
0000c940 fa 07 89 ff 24 1d 00 02 52 65 74 75 72 6e 08 08 |....$...Return..|
0000c950 10 87 01 00 00 00 00 00 07 75 7f ff 0c e5 00 00 |.........u......|
0000c960 0c e5 00 00 00 00 00 00 0d 00 00 00 00 3c 00 00 |.............<..|
0000c970 05 54 00 00 03 84 78 03 0a b2 88 ff 1a d9 88 ff |.T....x.........|
0000c980 70 1c 00 02 57 68 65 6e 20 65 64 69 74 69 6e 67 |p...When editing|
0000c990 20 74 65 78 74 2c 20 73 74 61 72 74 73 20 61 20 | text, starts a |
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0000c9f0 20 4f 4b 20 6f 72 20 50 72 69 6e 74 2e 0d 08 08 | OK or Print....|
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0000ca10 10 88 01 00 00 00 00 00 00 58 00 00 01 10 00 00 |.........X......|
0000ca20 42 2a 75 01 00 00 00 00 00 10 00 00 02 18 00 00 |B*u.............|
0000ca30 04 1a 00 00 00 00 00 00 10 88 01 00 00 00 00 00 |................|
0000ca40 00 18 00 00 a5 4c 00 00 43 2a 75 01 cf 7a 87 ff |.....L..C*u..z..|
0000ca50 df a1 87 ff 24 1d 00 02 46 75 6e 63 74 69 6f 6e |....$...Function|
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0000ca70 10 88 01 00 00 00 00 00 07 00 00 00 0c e5 00 00 |................|
0000ca80 0c e5 00 00 00 00 00 00 0d 00 00 00 00 4c 00 00 |.............L..|
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0000cb40 a5 38 00 00 43 c8 3c 00 4f bf 86 ff 5f e6 86 ff |.8..C.<.O..._...|
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0000cc50 07 71 7c ff 0c e5 00 00 0c e5 00 00 00 00 00 00 |.q|.............|
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0000cce0 24 1d 00 02 45 64 69 74 69 6e 67 20 74 65 78 74 |$...Editing text|
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0000cd00 0c e5 00 00 0c e5 00 00 00 00 00 00 0d 00 00 00 |................|
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0000cd50 61 72 65 20 61 76 61 69 6c 61 62 6c 65 2e 20 28 |are available. (|
0000cd60 53 65 65 20 00 54 00 00 05 54 00 00 03 48 9b 03 |See .T...T...H..|
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0000ce50 46 7b 76 02 0f 2f 84 ff 1f 56 84 ff 70 1c 00 02 |F{v../...V..p...|
0000ce60 52 65 74 75 72 6e 12 53 67 04 00 00 00 00 00 00 |Return.Sg.......|
0000ce70 12 53 74 61 ba 6e 00 00 00 00 00 00 53 74 61 72 |.Sta.n......Star|
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0000cf40 37 02 00 00 00 00 00 00 12 90 6d 91 ba 6e 00 00 |7.........m..n..|
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0000d050 ff 0d 83 ff 70 1c 00 02 2d 12 4e 65 b9 61 00 00 |....p...-.Ne.a..|
0000d060 00 00 00 00 12 4e 65 77 ba 6e 00 00 00 00 00 00 |.....New.n......|
0000d070 4e 65 77 20 73 79 6c 6c 61 62 6c 65 20 28 69 6e |New syllable (in|
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0000d090 0c e5 00 00 00 00 00 00 07 00 00 00 0b e6 00 00 |................|
0000d0a0 0b e6 00 00 00 00 00 00 00 68 00 00 01 10 00 00 |.........h......|
0000d0b0 00 00 00 00 00 00 00 00 00 10 00 00 02 18 00 00 |................|
0000d0c0 08 1b 00 00 00 00 00 00 0b e6 00 00 00 00 00 00 |................|
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0000d130 00 00 00 00 07 00 00 00 10 8c 01 00 10 8c 01 00 |................|
0000d140 00 00 00 00 00 34 00 00 a5 40 00 00 42 e8 8a 00 |.....4...@..B...|
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0000d170 07 00 00 00 0c e7 00 00 0c e7 00 00 00 00 00 00 |................|
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0000d1c0 43 aa c8 00 cf 99 86 ff df c0 86 ff 70 1c 00 02 |C...........p...|
0000d1d0 4b 65 79 20 63 68 61 6e 67 65 73 0d 00 24 00 00 |Key changes..$..|
0000d1e0 25 30 00 00 42 00 72 01 ef 6a 86 ff ff 91 86 ff |%0..B.r..j......|
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0000d200 69 6e 74 72 75 6d 65 6e 74 73 0d 00 00 30 00 00 |intruments...0..|
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0000d230 00 80 5e 03 2f 0d 86 ff 3f 34 86 ff 70 1c 00 02 |..^./...?4..p...|
0000d240 53 65 65 20 6d 61 6e 75 61 6c 20 66 6f 72 3a 20 |See manual for: |
0000d250 63 61 75 74 69 6f 6e 61 72 79 20 6b 65 79 20 73 |cautionary key s|
0000d260 69 67 6e 61 74 75 72 65 73 3b 20 6f 6d 69 74 74 |ignatures; omitt|
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0000d280 43 fa 17 02 4f de 85 ff 5f 05 86 ff 70 1c 00 00 |C...O..._...p...|
0000d290 73 69 67 6e 61 74 75 72 65 73 2e 20 53 65 65 20 |signatures. See |
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0000d2d0 0c e7 00 00 00 00 00 00 07 00 00 00 10 8d 01 00 |................|
0000d2e0 10 8d 01 00 00 00 00 00 00 34 00 00 05 2c 00 00 |.........4...,..|
0000d2f0 00 22 41 01 8f 80 85 ff 9f a7 85 ff 24 1d 00 02 |."A.........$...|
0000d300 55 73 69 6e 67 20 61 75 74 6f 6d 61 74 69 63 20 |Using automatic |
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0000d320 af 51 85 ff bf 78 85 ff 24 1d 00 00 73 69 67 6e |.Q...x..$...sign|
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0000d340 07 e6 7b ff 0c e7 00 00 0c e7 00 00 00 00 00 00 |..{.............|
0000d350 0d 00 00 00 00 40 00 00 05 54 00 00 03 98 a0 03 |.....@...T......|
0000d360 cf 22 85 ff df 49 85 ff 70 1c 00 02 54 68 65 20 |."...I..p...The |
0000d370 6b 65 79 20 73 69 67 6e 61 74 75 72 65 73 20 77 |key signatures w|
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0000d460 70 1c 00 00 74 68 6f 73 65 20 69 6e 73 74 72 75 |p...those instru|
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0000d520 2d 20 53 69 62 65 6c 69 75 73 20 6b 6e 6f 77 73 |- Sibelius knows|
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0000d540 25 38 00 00 43 4a dc 01 8f 09 84 ff 9f 30 84 ff |%8..CJ.......0..|
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0000d580 af da 83 ff bf 01 84 ff 70 1c 00 02 0d 08 08 00 |........p.......|
0000d590 0c e7 00 00 00 00 00 00 07 00 00 00 10 8e 01 00 |................|
0000d5a0 10 8e 01 00 00 00 00 00 00 34 00 00 a5 40 00 00 |.........4...@..|
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0000d5e0 00 00 00 00 0d 00 00 00 00 40 00 00 05 50 00 00 |.........@...P..|
0000d5f0 03 e6 70 03 ef 7c 83 ff ff a3 83 ff 70 1c 00 02 |..p..|......p...|
0000d600 54 68 65 20 6f 6e 6c 79 20 6b 65 79 20 73 69 67 |The only key sig|
0000d610 6e 61 74 75 72 65 73 20 79 6f 75 20 68 61 76 65 |natures you have|
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0000ddd0 53 65 65 20 6d 61 6e 75 61 6c 20 66 6f 72 3a 20 |See manual for: |
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00012380 03 3c 8e 03 68 df 57 ff 78 06 58 ff 70 1c 00 02 |.<..h.W.x.X.p...|
00012390 53 65 65 20 6d 61 6e 75 61 6c 20 66 6f 72 3a 20 |See manual for: |
000123a0 77 68 61 74 20 65 78 74 72 61 63 74 69 6f 6e 20 |what extraction |
000123b0 69 6e 76 6f 6c 76 65 73 3b 20 73 70 61 63 69 6e |involves; spacin|
000123c0 67 3b 20 73 70 65 63 69 61 6c 20 00 00 54 00 00 |g; special ..T..|
000123d0 25 4c 00 00 43 38 01 03 88 b0 57 ff 98 d7 57 ff |%L..C8....W...W.|
000123e0 70 1c 00 00 62 61 72 6c 69 6e 65 73 3b 20 65 78 |p...barlines; ex|
000123f0 74 72 61 63 74 69 6e 67 20 69 6e 64 69 76 69 64 |tracting individ|
00012400 75 61 6c 20 70 6c 61 79 65 72 73 3b 20 6d 65 73 |ual players; mes|
00012410 73 61 67 65 73 2e 0d 00 00 4c 00 00 a5 34 00 00 |sages....L...4..|
00012420 42 00 00 00 a8 81 57 ff b8 a8 57 ff 70 1c 00 02 |B.....W...W.p...|
00012430 0d 08 08 00 0c f5 00 00 00 00 00 00 07 00 00 00 |................|
00012440 10 b3 01 00 10 b3 01 00 00 00 00 00 00 34 00 00 |.............4..|
00012450 a5 44 00 00 43 30 e8 00 c8 52 57 ff d8 79 57 ff |.D..C0...RW..yW.|
00012460 24 1d 00 02 48 6f 77 20 74 6f 20 65 78 74 72 61 |$...How to extra|
00012470 63 74 08 08 10 b3 01 00 00 00 00 00 07 1d 00 02 |ct..............|
00012480 0c f5 00 00 0c f5 00 00 00 00 00 00 0d 00 00 00 |................|
00012490 00 44 00 00 05 50 00 00 03 a2 64 03 e8 23 57 ff |.D...P....d..#W.|
000124a0 f8 4a 57 ff 70 1c 00 02 8f 20 43 68 6f 6f 73 65 |.JW.p.... Choose|
000124b0 20 6f 6e 65 20 6f 72 20 6d 6f 72 65 20 69 6e 73 | one or more ins|
000124c0 74 72 75 6d 65 6e 74 73 20 66 72 6f 6d 20 74 68 |truments from th|
000124d0 65 20 49 6e 73 74 72 75 6d 65 6e 74 73 20 00 00 |e Instruments ..|
000124e0 00 50 00 00 05 50 00 00 03 4c 5b 03 08 f5 56 ff |.P...P...L[...V.|
000124f0 18 1c 57 ff 70 1c 00 00 6d 65 6e 75 2c 20 75 73 |..W.p...menu, us|
00012500 69 6e 67 20 74 68 65 20 41 64 6a 75 73 74 20 62 |ing the Adjust b|
00012510 75 74 74 6f 6e 20 66 6f 72 20 65 76 65 72 79 20 |utton for every |
00012520 6f 6e 65 2e 20 41 6c 6c 20 6f 66 20 74 68 65 20 |one. All of the |
00012530 00 50 00 00 25 4c 00 00 43 4c 01 03 28 c6 56 ff |.P..%L..CL..(.V.|
00012540 38 ed 56 ff 70 1c 00 00 69 6e 73 74 72 75 6d 65 |8.V.p...instrume|
00012550 6e 74 73 20 79 6f 75 20 63 68 6f 6f 73 65 20 77 |nts you choose w|
00012560 69 6c 6c 20 67 6f 20 69 6e 74 6f 20 61 20 73 69 |ill go into a si|
00012570 6e 67 6c 65 20 70 61 72 74 2e 0d 00 00 4c 00 00 |ngle part....L..|
00012580 25 38 00 00 42 6c b0 01 48 97 56 ff 58 be 56 ff |%8..Bl..H.V.X.V.|
00012590 70 1c 00 02 8f 20 43 68 6f 6f 73 65 20 53 63 6f |p.... Choose Sco|
000125a0 72 65 89 45 78 74 72 61 63 74 20 70 61 72 74 2e |re.Extract part.|
000125b0 0d 00 00 00 00 38 00 00 a5 34 00 00 43 00 00 00 |.....8...4..C...|
000125c0 68 68 56 ff 78 8f 56 ff 70 1c 00 02 0d 08 08 00 |hhV.x.V.p.......|
000125d0 0c f5 00 00 00 00 00 00 07 00 00 00 10 b4 01 00 |................|
000125e0 10 b4 01 00 00 00 00 00 00 34 00 00 05 30 00 00 |.........4...0..|
000125f0 02 8a 1f 01 88 39 56 ff 98 60 56 ff 24 1d 00 02 |.....9V..`V.$...|
00012600 53 65 74 74 69 6e 67 20 74 68 65 20 73 74 79 6c |Setting the styl|
00012610 65 20 6f 66 20 00 00 00 00 30 00 00 a5 44 00 00 |e of ....0...D..|
00012620 43 6e eb 00 a8 0a 56 ff b8 31 56 ff 24 1d 00 00 |Cn....V..1V.$...|
00012630 65 78 74 72 61 63 74 65 64 20 70 61 72 74 73 08 |extracted parts.|
00012640 10 b4 01 00 00 00 00 00 07 1d 00 00 0c f5 00 00 |................|
00012650 0c f5 00 00 00 00 00 00 0d 00 00 00 00 44 00 00 |.............D..|
00012660 05 54 00 00 03 a0 7a 03 c8 db 55 ff d8 02 56 ff |.T....z...U...V.|
00012670 70 1c 00 02 50 61 72 74 73 20 61 72 65 20 72 65 |p...Parts are re|
00012680 73 70 61 63 65 64 20 61 63 63 6f 72 64 69 6e 67 |spaced according|
00012690 20 74 6f 20 74 68 65 20 77 69 64 74 68 20 6f 66 | to the width of|
000126a0 20 6e 6f 74 65 20 73 70 61 63 69 6e 67 20 00 00 | note spacing ..|
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000126c0 f8 d3 55 ff 70 1c 00 00 6f 6e 20 74 68 65 20 48 |..U.p...on the H|
000126d0 6f 75 73 65 20 73 74 79 6c 65 89 53 70 61 63 69 |ouse style.Spaci|
000126e0 6e 67 20 6d 65 6e 75 2c 20 73 6f 20 79 6f 75 20 |ng menu, so you |
000126f0 63 61 6e 20 63 6f 6e 74 72 6f 6c 20 74 68 65 20 |can control the |
00012700 00 50 00 00 05 54 00 00 00 6c 90 03 08 7e 55 ff |.P...T...l...~U.|
00012710 18 a5 55 ff 70 1c 00 00 73 70 61 63 69 6e 67 20 |..U.p...spacing |
00012720 6f 66 20 74 68 65 20 65 6e 74 69 72 65 20 70 61 |of the entire pa|
00012730 72 74 20 62 79 20 63 68 6f 6f 73 69 6e 67 20 43 |rt by choosing C|
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00012750 20 00 00 00 00 54 00 00 05 54 00 00 03 46 75 03 | ....T...T...Fu.|
00012760 28 4f 55 ff 38 76 55 ff 70 1c 00 00 6e 6f 74 65 |(OU.8vU.p...note|
00012770 73 20 62 65 66 6f 72 65 20 79 6f 75 20 65 78 74 |s before you ext|
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00012790 20 6f 70 74 69 6f 6e 73 20 28 73 75 63 68 20 61 | options (such a|
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00012800 25 44 00 00 42 0e 9a 02 68 f1 54 ff 78 18 55 ff |%D..B...h.T.x.U.|
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00012820 63 68 61 6e 67 65 20 74 68 65 6d 20 61 66 74 65 |change them afte|
00012830 72 20 79 6f 75 20 65 78 74 72 61 63 74 2e 0d 00 |r you extract...|
00012840 00 44 00 00 25 1c 00 00 43 00 00 00 88 c2 54 ff |.D..%...C.....T.|
00012850 98 e9 54 ff 70 1c 00 02 0d 00 00 00 00 1c 00 00 |..T.p...........|
00012860 05 54 00 00 03 86 85 03 a8 93 54 ff b8 ba 54 ff |.T........T...T.|
00012870 70 1c 00 02 54 68 65 72 65 20 69 73 20 61 6e 20 |p...There is an |
00012880 65 61 73 79 20 77 61 79 20 6f 66 20 67 65 74 74 |easy way of gett|
00012890 69 6e 67 20 61 20 63 6f 6e 73 69 73 74 65 6e 74 |ing a consistent|
000128a0 20 73 74 79 6c 65 20 66 6f 72 20 79 6f 75 72 20 | style for your |
000128b0 00 54 00 00 05 58 00 00 03 9a 6c 03 c8 64 54 ff |.T...X....l..dT.|
000128c0 d8 8b 54 ff 70 1c 00 00 70 61 72 74 73 20 77 68 |..T.p...parts wh|
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00012910 03 4c 83 03 e8 35 54 ff f8 5c 54 ff 70 1c 00 00 |.L...5T..\T.p...|
00012920 6d 61 6b 65 20 73 75 72 65 20 79 6f 75 20 68 61 |make sure you ha|
00012930 76 65 20 73 61 76 65 64 20 74 68 65 20 66 75 6c |ve saved the ful|
00012940 6c 20 73 63 6f 72 65 2e 20 54 68 65 6e 20 63 68 |l score. Then ch|
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00012960 05 50 00 00 03 e2 56 03 08 07 54 ff 18 2e 54 ff |.P....V...T...T.|
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000129e0 61 72 74 73 2e 20 53 61 76 65 20 74 68 69 73 20 |arts. Save this |
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00012a00 00 54 00 00 05 50 00 00 00 da 4a 03 48 a9 53 ff |.T...P....J.H.S.|
00012a10 58 d0 53 ff 70 1c 00 00 73 63 6f 72 65 20 75 6e |X.S.p...score un|
00012a20 64 65 72 20 61 20 64 69 66 66 65 72 65 6e 74 20 |der a different |
00012a30 66 69 6c 65 6e 61 6d 65 2c 20 65 2e 67 2e 20 90 |filename, e.g. .|
00012a40 46 6f 72 50 61 72 74 73 91 2e 20 54 68 65 6e 20 |ForParts.. Then |
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00012a70 70 61 72 74 73 20 66 72 6f 6d 20 74 68 69 73 20 |parts from this |
00012a80 6e 65 77 20 73 63 6f 72 65 3b 20 79 6f 75 20 63 |new score; you c|
00012a90 61 6e 20 64 65 6c 65 74 65 20 69 74 20 00 00 00 |an delete it ...|
00012aa0 00 50 00 00 05 54 00 00 03 7c 85 03 88 4b 53 ff |.P...T...|...KS.|
00012ab0 98 72 53 ff 70 1c 00 00 61 66 74 65 72 77 61 72 |.rS.p...afterwar|
00012ac0 64 73 2e 20 54 68 65 20 70 61 72 74 73 20 77 69 |ds. The parts wi|
00012ad0 6c 6c 20 61 6c 6c 20 68 61 76 65 20 74 68 65 20 |ll all have the |
00012ae0 6e 65 77 20 73 74 79 6c 65 20 79 6f 75 20 68 61 |new style you ha|
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00012b00 a8 1c 53 ff b8 43 53 ff 70 1c 00 00 63 68 6f 73 |..S..CS.p...chos|
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00012b20 c8 ed 52 ff d8 14 53 ff 70 1c 00 02 0d 00 00 00 |..R...S.p.......|
00012b30 00 1c 00 00 05 54 00 00 03 04 8a 03 e8 be 52 ff |.....T........R.|
00012b40 f8 e5 52 ff 70 1c 00 02 59 6f 75 20 77 6f 6e 91 |..R.p...You won.|
00012b50 74 20 6e 65 65 64 20 74 6f 20 61 64 6a 75 73 74 |t need to adjust|
00012b60 20 74 68 65 20 6d 6f 73 74 20 69 6d 70 6f 72 74 | the most import|
00012b70 61 6e 74 20 6f 70 74 69 6f 6e 73 20 73 75 63 68 |ant options such|
00012b80 20 00 00 00 00 54 00 00 05 54 00 00 03 84 91 03 | ....T...T......|
00012b90 08 90 52 ff 18 b7 52 ff 70 1c 00 00 61 73 20 74 |..R...R.p...as t|
00012ba0 68 65 20 6e 61 6d 65 20 66 6f 72 6d 61 74 2c 20 |he name format, |
00012bb0 61 73 20 53 69 62 65 6c 69 75 73 20 73 65 74 73 |as Sibelius sets|
00012bc0 20 74 68 65 73 65 20 75 70 20 66 6f 72 20 79 6f | these up for yo|
00012bd0 75 20 77 68 69 6c 65 20 00 54 00 00 25 28 00 00 |u while .T..%(..|
00012be0 43 bc a2 00 28 61 52 ff 38 88 52 ff 70 1c 00 00 |C...(aR.8.R.p...|
00012bf0 69 74 20 65 78 74 72 61 63 74 73 2e 0d 00 00 00 |it extracts.....|
00012c00 00 28 00 00 a5 34 00 00 42 00 00 00 48 32 52 ff |.(...4..B...H2R.|
00012c10 58 59 52 ff 70 1c 00 02 0d 08 08 00 0c f5 00 00 |XYR.p...........|
00012c20 00 00 00 00 07 00 00 00 10 b5 01 00 10 b5 01 00 |................|
00012c30 00 00 00 00 00 34 00 00 a5 44 00 00 43 12 d9 00 |.....4...D..C...|
00012c40 68 03 52 ff 78 2a 52 ff 24 1d 00 02 54 72 61 6e |h.R.x*R.$...Tran|
00012c50 73 70 6f 73 69 74 69 6f 6e 08 08 00 10 b5 01 00 |sposition.......|
00012c60 00 00 00 00 07 1d 00 02 0c f5 00 00 0c f5 00 00 |................|
00012c70 00 00 00 00 0d 00 00 00 00 44 00 00 05 48 00 00 |.........D...H..|
00012c80 03 e0 bd 02 88 d4 51 ff 98 fb 51 ff 70 1c 00 02 |......Q...Q.p...|
00012c90 42 65 66 6f 72 65 20 65 78 74 72 61 63 74 69 6e |Before extractin|
00012ca0 67 2c 20 63 68 65 63 6b 20 74 68 61 74 20 74 68 |g, check that th|
00012cb0 65 20 48 6f 75 73 65 20 73 74 79 6c 65 89 20 00 |e House style. .|
00012cc0 00 48 00 00 05 58 00 00 03 18 99 03 a8 a5 51 ff |.H...X........Q.|
00012cd0 b8 cc 51 ff 70 1c 00 00 4c 61 79 6f 75 74 89 54 |..Q.p...Layout.T|
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00012d20 00 14 98 03 c8 76 51 ff d8 9d 51 ff 70 1c 00 00 |.....vQ...Q.p...|
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00012d50 64 69 6e 67 20 70 69 74 63 68 29 2e 20 49 66 20 |ding pitch). If |
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00012d70 20 00 00 00 00 5c 00 00 05 54 00 00 03 38 8d 03 | ....\...T...8..|
00012d80 e8 47 51 ff f8 6e 51 ff 70 1c 00 00 66 6f 72 20 |.GQ..nQ.p...for |
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00012dc0 41 6c 73 6f 2c 20 00 00 00 54 00 00 05 54 00 00 |Also, ...T...T..|
00012dd0 03 70 69 03 08 19 51 ff 18 40 51 ff 70 1c 00 00 |.pi...Q..@Q.p...|
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00012df0 20 69 6e 20 43 20 6d 61 6a 6f 72 20 6f 72 20 41 | in C major or A|
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00012e20 01 10 00 00 42 b0 21 01 00 00 00 00 00 10 00 00 |....B.!.........|
00012e30 02 18 00 00 30 25 00 00 00 00 00 00 0c f5 00 00 |....0%..........|
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00012e50 08 4d 59 ff 18 74 59 ff 70 1c 00 00 73 68 6f 75 |.MY..tY.p...shou|
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00012ea0 28 1e 59 ff 38 45 59 ff 70 1c 00 02 0d 00 00 00 |(.Y.8EY.p.......|
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00012ec0 58 16 59 ff 70 1c 00 02 4e 6f 74 65 73 20 61 6e |X.Y.p...Notes an|
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00012f00 00 50 00 00 05 54 00 00 03 38 8d 03 68 c0 58 ff |.P...T...8..h.X.|
00012f10 78 e7 58 ff 70 1c 00 00 74 72 61 6e 73 70 6f 73 |x.X.p...transpos|
00012f20 65 64 20 77 68 65 6e 20 65 78 74 72 61 63 74 69 |ed when extracti|
00012f30 6e 67 3a 20 74 72 61 6e 73 70 6f 73 69 74 69 6f |ng: transpositio|
00012f40 6e 20 61 6c 73 6f 20 73 68 69 66 74 73 20 73 6f |n also shifts so|
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00012fb0 42 f6 58 01 a8 62 58 ff b8 89 58 ff 70 1c 00 00 |B.X..bX...X.p...|
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00013020 20 61 73 20 74 68 6f 73 65 20 66 6f 72 20 6d 69 | as those for mi|
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00013050 08 d6 57 ff 18 fd 57 ff 70 1c 00 00 61 63 63 69 |..W...W.p...acci|
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000130d0 61 79 20 68 61 76 65 20 62 65 65 6e 20 74 72 61 |ay have been tra|
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000130f0 05 54 00 00 03 f2 7d 03 48 78 57 ff 58 9f 57 ff |.T....}.HxW.X.W.|
00013100 70 1c 00 00 46 6f 72 20 69 6e 73 74 61 6e 63 65 |p...For instance|
00013110 2c 20 61 20 42 20 71 75 61 72 74 65 72 2d 66 6c |, a B quarter-fl|
00013120 61 74 20 74 72 61 6e 73 70 6f 73 65 64 20 75 70 |at transposed up|
00013130 20 61 20 74 6f 6e 65 20 73 68 6f 75 6c 64 20 00 | a tone should .|
00013140 00 54 00 00 05 50 00 00 03 be 61 03 68 49 57 ff |.T...P....a.hIW.|
00013150 78 70 57 ff 70 1c 00 00 62 65 63 6f 6d 65 20 61 |xpW.p...become a|
00013160 20 43 20 71 75 61 72 74 65 72 2d 73 68 61 72 70 | C quarter-sharp|
00013170 2e 20 53 69 6e 63 65 20 53 69 62 65 6c 69 75 73 |. Since Sibelius|
00013180 20 64 6f 65 73 6e 91 74 20 6b 6e 6f 77 20 00 00 | doesn.t know ..|
00013190 00 50 00 00 05 58 00 00 03 c2 7b 03 88 1a 57 ff |.P...X....{...W.|
000131a0 98 41 57 ff 70 1c 00 00 77 68 79 20 79 6f 75 20 |.AW.p...why you |
000131b0 61 72 65 20 75 73 69 6e 67 20 61 20 70 61 72 74 |are using a part|
000131c0 69 63 75 6c 61 72 20 74 72 61 6e 73 66 65 72 2c |icular transfer,|
000131d0 20 69 74 20 63 61 6e 91 74 20 73 75 62 73 74 69 | it can.t substi|
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00013200 61 6e 6f 74 68 65 72 20 6f 6e 65 20 77 68 65 6e |another one when|
00013210 20 74 72 61 6e 73 70 6f 73 69 6e 67 2e 20 4f 62 | transposing. Ob|
00013220 76 69 6f 75 73 6c 79 2c 20 6e 6f 72 6d 61 6c 20 |viously, normal |
00013230 00 48 00 00 05 54 00 00 03 0c 8c 03 c8 bc 56 ff |.H...T........V.|
00013240 d8 e3 56 ff 70 1c 00 00 61 63 63 69 64 65 6e 74 |..V.p...accident|
00013250 61 6c 73 20 6f 6e 20 6e 6f 74 65 73 20 77 69 6c |als on notes wil|
00013260 6c 20 62 65 20 74 72 61 6e 73 70 6f 73 65 64 20 |l be transposed |
00013270 63 6f 72 72 65 63 74 6c 79 2c 20 77 68 69 63 68 |correctly, which|
00013280 20 69 73 20 00 54 00 00 05 50 00 00 03 70 91 03 | is .T...P...p..|
00013290 e8 8d 56 ff f8 b4 56 ff 70 1c 00 00 77 68 79 20 |..V...V.p...why |
000132a0 79 6f 75 20 73 68 6f 75 6c 64 20 75 73 65 20 74 |you should use t|
000132b0 68 65 6d 20 77 68 65 6e 65 76 65 72 20 70 6f 73 |hem whenever pos|
000132c0 73 69 62 6c 65 20 69 6e 20 70 72 65 66 65 72 65 |sible in prefere|
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00013300 00 00 00 00 07 00 00 00 0b f6 00 00 0b f6 00 00 |................|
00013310 00 00 00 00 00 40 00 00 01 10 00 00 00 00 00 00 |.....@..........|
00013320 00 00 00 00 00 10 00 00 02 18 00 00 34 26 00 00 |............4&..|
00013330 00 00 00 00 0b f6 00 00 00 00 00 00 00 18 00 00 |................|
00013340 a5 3c 00 00 42 f6 f9 00 6d f1 4f ff bd 37 50 ff |.<..B...m.O..7P.|
00013350 30 33 00 02 50 61 73 73 61 67 65 73 08 08 65 73 |03..Passages..es|
00013360 0b f6 00 00 00 00 00 00 0d 07 00 00 0c f7 00 00 |................|
00013370 0c f7 00 00 00 00 00 00 00 3c 00 00 a5 34 00 00 |.........<...4..|
00013380 42 00 00 00 4d bc 4f ff 5d e3 4f ff 70 1c 00 02 |B...M.O.].O.p...|
00013390 0d 08 00 f2 0c f7 00 00 00 00 00 00 07 00 00 00 |................|
000133a0 10 b6 01 00 10 b6 01 00 00 00 00 00 00 34 00 00 |.............4..|
000133b0 a5 40 00 00 43 e8 8a 00 6d 8d 4f ff 7d b4 4f ff |.@..C...m.O.}.O.|
000133c0 24 1d 00 02 43 6f 6e 74 65 6e 74 73 08 08 74 73 |$...Contents..ts|
000133d0 10 b6 01 00 00 00 00 00 07 00 00 00 0c f7 00 00 |................|
000133e0 0c f7 00 00 00 00 00 00 0d 00 00 00 00 40 00 00 |.............@..|
000133f0 25 34 00 00 43 ca 89 01 8d 5e 4f ff 9d 85 4f ff |%4..C....^O...O.|
00013400 70 1c 00 02 53 65 6c 65 63 74 69 6e 67 20 61 20 |p...Selecting a |
00013410 73 74 61 76 65 20 70 61 73 73 61 67 65 0d 00 00 |stave passage...|
00013420 00 34 00 00 25 34 00 00 42 08 a6 01 ad 2f 4f ff |.4..%4..B..../O.|
00013430 bd 56 4f ff 70 1c 00 02 53 65 6c 65 63 74 69 6e |.VO.p...Selectin|
00013440 67 20 61 20 73 79 73 74 65 6d 20 70 61 73 73 61 |g a system passa|
00013450 67 65 0d 00 00 34 00 00 25 34 00 00 43 bc 88 01 |ge...4..%4..C...|
00013460 cd 00 4f ff dd 27 4f ff 70 1c 00 02 20 43 6f 70 |..O..'O.p... Cop|
00013470 79 69 6e 67 20 61 20 73 74 61 76 65 20 70 61 73 |ying a stave pas|
00013480 73 61 67 65 0d 00 00 00 00 34 00 00 25 34 00 00 |sage.....4..%4..|
00013490 43 36 9b 01 ed d1 4e ff fd f8 4e ff 70 1c 00 02 |C6....N...N.p...|
000134a0 43 6f 70 79 69 6e 67 20 61 20 73 79 73 74 65 6d |Copying a system|
000134b0 20 70 61 73 73 61 67 65 0d 00 00 00 00 34 00 00 | passage.....4..|
000134c0 25 2c 00 00 42 b2 15 01 0d a3 4e ff 1d ca 4e ff |%,..B.....N...N.|
000134d0 70 1c 00 02 45 72 61 73 69 6e 67 20 61 20 70 61 |p...Erasing a pa|
000134e0 73 73 61 67 65 0d 00 00 00 2c 00 00 25 34 00 00 |ssage....,..%4..|
000134f0 42 f0 a4 01 2d 74 4e ff 3d 9b 4e ff 70 1c 00 02 |B...-tN.=.N.p...|
00013500 20 44 65 6c 65 74 69 6e 67 20 61 20 73 79 73 74 | Deleting a syst|
00013510 65 6d 20 70 61 73 73 61 67 65 0d 00 00 34 00 00 |em passage...4..|
00013520 25 1c 00 00 42 00 00 00 4d 45 4e ff 5d 6c 4e ff |%...B...MEN.]lN.|
00013530 70 1c 00 02 0d 00 00 00 00 1c 00 00 25 34 00 00 |p...........%4..|
00013540 43 6a 9e 01 6d 16 4e ff 7d 3d 4e ff 70 1c 00 02 |Cj..m.N.}=N.p...|
00013550 53 65 65 20 6d 61 6e 75 61 6c 20 66 6f 72 3a 20 |See manual for: |
00013560 6d 65 73 73 61 67 65 73 2e 0d 00 00 00 34 00 00 |messages.....4..|
00013570 a5 34 00 00 42 00 00 00 8d e7 4d ff 9d 0e 4e ff |.4..B.....M...N.|
00013580 70 1c 00 02 0d 08 08 00 0c f7 00 00 00 00 00 00 |p...............|
00013590 07 00 00 00 10 b7 01 00 10 b7 01 00 00 00 00 00 |................|
000135a0 00 34 00 00 05 2c 00 00 00 8a 06 01 ad b8 4d ff |.4...,........M.|
000135b0 bd df 4d ff 24 1d 00 02 53 65 6c 65 63 74 69 6e |..M.$...Selectin|
000135c0 67 20 61 20 73 74 61 76 65 20 00 00 00 2c 00 00 |g a stave ...,..|
000135d0 a5 3c 00 00 43 dc 7d 00 cd 89 4d ff dd b0 4d ff |.<..C.}...M...M.|
000135e0 24 1d 00 00 70 61 73 73 61 67 65 08 10 b7 01 00 |$...passage.....|
000135f0 00 00 00 00 07 f7 43 ff 0c f7 00 00 0c f7 00 00 |......C.........|
00013600 00 00 00 00 0d 00 00 00 00 3c 00 00 05 58 00 00 |.........<...X..|
00013610 03 fc 82 03 ed 5a 4d ff fd 81 4d ff 70 1c 00 02 |.....ZM...M.p...|
00013620 8f 20 44 6f 75 62 6c 65 2d 63 6c 69 63 6b 20 53 |. Double-click S|
00013630 65 6c 65 63 74 20 6f 6e 20 61 6e 20 65 6d 70 74 |elect on an empt|
00013640 79 20 62 69 74 20 6f 66 20 73 74 61 76 65 20 20 |y bit of stave |
00013650 69 6e 20 74 68 65 20 66 69 72 73 74 20 00 00 00 |in the first ...|
00013660 00 58 00 00 25 44 00 00 43 16 8d 02 0d 2c 4d ff |.X..%D..C....,M.|
00013670 1d 53 4d ff 70 1c 00 00 62 61 72 20 6f 66 20 74 |.SM.p...bar of t|
00013680 68 65 20 70 61 73 73 61 67 65 2e 20 54 68 65 20 |he passage. The |
00013690 62 61 72 20 77 69 6c 6c 20 74 75 72 6e 20 70 69 |bar will turn pi|
000136a0 6e 6b 2e 0d 00 44 00 00 05 50 00 00 03 14 52 03 |nk...D...P....R.|
000136b0 2d fd 4c ff 3d 24 4d ff 70 1c 00 02 8f 20 49 66 |-.L.=$M.p.... If|
000136c0 20 79 6f 75 20 77 61 6e 74 20 74 68 65 20 70 61 | you want the pa|
000136d0 73 73 61 67 65 20 74 6f 20 62 65 20 6c 6f 6e 67 |ssage to be long|
000136e0 65 72 20 74 68 61 6e 20 6f 6e 65 20 62 61 72 2c |er than one bar,|
000136f0 20 64 6f 20 00 50 00 00 25 48 00 00 43 46 8f 02 | do .P..%H..CF..|
00013700 4d ce 4c ff 5d f5 4c ff 70 1c 00 00 53 68 69 66 |M.L.].L.p...Shif|
00013710 74 2d 53 65 6c 65 63 74 20 6f 6e 20 74 68 65 20 |t-Select on the |
00013720 6c 61 73 74 20 62 61 72 20 6f 66 20 74 68 65 20 |last bar of the |
00013730 70 61 73 73 61 67 65 2e 0d 00 00 00 00 48 00 00 |passage......H..|
00013740 a5 34 00 00 42 00 00 00 6d 9f 4c ff 7d c6 4c ff |.4..B...m.L.}.L.|
00013750 70 1c 00 02 0d 08 08 00 0c f7 00 00 00 00 00 00 |p...............|
00013760 07 00 00 00 10 b8 01 00 10 b8 01 00 00 00 00 00 |................|
00013770 00 34 00 00 05 2c 00 00 00 68 1e 01 8d 70 4c ff |.4...,...h...pL.|
00013780 9d 97 4c ff 24 1d 00 02 53 65 6c 65 63 74 69 6e |..L.$...Selectin|
00013790 67 20 61 20 73 79 73 74 65 6d 20 00 00 2c 00 00 |g a system ..,..|
000137a0 a5 3c 00 00 43 dc 7d 00 ad 41 4c ff bd 68 4c ff |.<..C.}..AL..hL.|
000137b0 24 1d 00 00 70 61 73 73 61 67 65 08 10 b8 01 00 |$...passage.....|
000137c0 00 00 00 00 07 af 42 ff 0c f7 00 00 0c f7 00 00 |......B.........|
000137d0 00 00 00 00 0d 00 00 00 00 3c 00 00 05 58 00 00 |.........<...X..|
000137e0 03 38 79 03 cd 12 4c ff dd 39 4c ff 70 1c 00 02 |.8y...L..9L.p...|
000137f0 8f 20 54 72 69 70 6c 65 2d 63 6c 69 63 6b 20 53 |. Triple-click S|
00013800 65 6c 65 63 74 20 6f 6e 20 61 6e 79 20 65 6d 70 |elect on any emp|
00013810 74 79 20 62 69 74 20 6f 66 20 73 74 61 76 65 20 |ty bit of stave |
00013820 69 6e 20 74 68 65 20 66 69 72 73 74 20 00 00 00 |in the first ...|
00013830 00 58 00 00 05 54 00 00 03 b6 87 03 ed e3 4b ff |.X...T........K.|
00013840 fd 0a 4c ff 70 1c 00 00 62 61 72 20 6f 66 20 74 |..L.p...bar of t|
00013850 68 65 20 70 61 73 73 61 67 65 2e 20 54 68 65 20 |he passage. The |
00013860 62 61 72 20 77 69 6c 6c 20 74 75 72 6e 20 70 69 |bar will turn pi|
00013870 6e 6b 2c 20 64 6f 77 6e 20 61 6c 6c 20 73 74 61 |nk, down all sta|
00013880 76 65 73 20 00 54 00 00 25 28 00 00 43 f0 d7 00 |ves .T..%(..C...|
00013890 0d b5 4b ff 1d dc 4b ff 70 1c 00 00 69 6e 20 74 |..K...K.p...in t|
000138a0 68 65 20 73 79 73 74 65 6d 2e 0d 00 00 28 00 00 |he system....(..|
000138b0 05 50 00 00 03 14 52 03 2d 86 4b ff 3d ad 4b ff |.P....R.-.K.=.K.|
000138c0 70 1c 00 02 8f 20 49 66 20 79 6f 75 20 77 61 6e |p.... If you wan|
000138d0 74 20 74 68 65 20 70 61 73 73 61 67 65 20 74 6f |t the passage to|
000138e0 20 62 65 20 6c 6f 6e 67 65 72 20 74 68 61 6e 20 | be longer than |
000138f0 6f 6e 65 20 62 61 72 2c 20 64 6f 20 00 50 00 00 |one bar, do .P..|
00013900 25 48 00 00 43 46 8f 02 4d 57 4b ff 5d 7e 4b ff |%H..CF..MWK.]~K.|
00013910 70 1c 00 00 53 68 69 66 74 2d 53 65 6c 65 63 74 |p...Shift-Select|
00013920 20 6f 6e 20 74 68 65 20 6c 61 73 74 20 62 61 72 | on the last bar|
00013930 20 6f 66 20 74 68 65 20 70 61 73 73 61 67 65 2e | of the passage.|
00013940 0d 00 00 00 00 48 00 00 a5 34 00 00 42 00 00 00 |.....H...4..B...|
00013950 6d 28 4b ff 7d 4f 4b ff 70 1c 00 02 0d 08 08 00 |m(K.}OK.p.......|
00013960 0c f7 00 00 00 00 00 00 07 00 00 00 10 b9 01 00 |................|
00013970 10 b9 01 00 00 00 00 00 00 34 00 00 05 28 00 00 |.........4...(..|
00013980 00 b8 fb 00 8d f9 4a ff 9d 20 4b ff 24 1d 00 02 |......J.. K.$...|
00013990 43 6f 70 79 69 6e 67 20 61 20 73 74 61 76 65 20 |Copying a stave |
000139a0 00 28 00 00 a5 3c 00 00 43 dc 7d 00 ad ca 4a ff |.(...<..C.}...J.|
000139b0 bd f1 4a ff 24 1d 00 00 70 61 73 73 61 67 65 08 |..J.$...passage.|
000139c0 10 b9 01 00 00 00 00 00 07 38 41 ff 0c f7 00 00 |.........8A.....|
000139d0 0c f7 00 00 00 00 00 00 0d 00 00 00 00 3c 00 00 |.............<..|
000139e0 05 54 00 00 03 32 8e 03 cd 9b 4a ff dd c2 4a ff |.T...2....J...J.|
000139f0 70 1c 00 02 43 6c 69 63 6b 20 41 64 6a 75 73 74 |p...Click Adjust|
00013a00 20 6f 6e 20 74 68 65 20 62 61 72 20 72 65 73 74 | on the bar rest|
00013a10 20 77 68 65 72 65 20 74 68 65 20 63 6f 70 79 20 | where the copy |
00013a20 6f 66 20 74 68 65 20 70 61 73 73 61 67 65 20 00 |of the passage .|
00013a30 00 54 00 00 05 50 00 00 03 b6 2d 03 ed 6c 4a ff |.T...P....-..lJ.|
00013a40 fd 93 4a ff 70 1c 00 00 69 73 20 74 6f 20 62 65 |..J.p...is to be|
00013a50 67 69 6e 2e 20 54 68 65 72 65 20 6d 75 73 74 20 |gin. There must |
00013a60 62 65 20 65 6e 6f 75 67 68 20 62 61 72 20 72 65 |be enough bar re|
00013a70 73 74 73 20 74 6f 20 66 69 74 20 74 68 65 20 00 |sts to fit the .|
00013a80 00 50 00 00 05 50 00 00 03 e8 3c 03 0d 3e 4a ff |.P...P....<..>J.|
00013a90 1d 65 4a ff 70 1c 00 00 70 61 73 73 61 67 65 20 |.eJ.p...passage |
00013aa0 69 6e 20 2d 20 53 69 62 65 6c 69 75 73 20 77 69 |in - Sibelius wi|
00013ab0 6c 6c 20 72 65 66 75 73 65 20 74 6f 20 6f 76 65 |ll refuse to ove|
00013ac0 72 77 72 69 74 65 20 65 78 69 73 74 69 6e 67 20 |rwrite existing |
00013ad0 00 50 00 00 25 54 00 00 42 3a 81 03 2d 0f 4a ff |.P..%T..B:..-.J.|
00013ae0 3d 36 4a ff 70 1c 00 00 6d 75 73 69 63 3b 20 6e |=6J.p...music; n|
00013af0 6f 72 20 63 61 6e 20 79 6f 75 20 63 6f 70 79 20 |or can you copy |
00013b00 61 20 73 74 61 76 65 20 70 61 73 73 61 67 65 20 |a stave passage |
00013b10 6f 6e 74 6f 20 61 20 6d 75 6c 74 69 72 65 73 74 |onto a multirest|
00013b20 2e 0d 00 00 00 54 00 00 25 1c 00 00 43 00 00 00 |.....T..%...C...|
00013b30 4d e0 49 ff 5d 07 4a ff 70 1c 00 02 0d 00 00 00 |M.I.].J.p.......|
00013b40 00 1c 00 00 05 58 00 00 03 60 9c 03 6d b1 49 ff |.....X...`..m.I.|
00013b50 7d d8 49 ff 70 1c 00 02 41 6c 6c 20 73 74 61 76 |}.I.p...All stav|
00013b60 65 20 6d 61 72 6b 69 6e 67 73 20 61 72 65 20 63 |e markings are c|
00013b70 6f 70 69 65 64 20 2d 20 6e 6f 74 20 6a 75 73 74 |opied - not just|
00013b80 20 6e 6f 74 65 73 20 61 6e 64 20 72 65 73 74 73 | notes and rests|
00013b90 2c 20 62 75 74 20 00 00 00 58 00 00 05 54 00 00 |, but ...X...T..|
00013ba0 03 42 42 03 8d 82 49 ff 9d a9 49 ff 70 1c 00 00 |.BB...I...I.p...|
00013bb0 6c 69 6e 65 73 2c 20 74 65 78 74 20 28 65 78 63 |lines, text (exc|
00013bc0 65 70 74 20 74 65 6d 70 6f 20 61 6e 64 20 74 69 |ept tempo and ti|
00013bd0 74 6c 65 20 74 65 78 74 29 2c 20 74 72 61 6e 73 |tle text), trans|
00013be0 66 65 72 73 2c 20 63 6c 65 66 20 00 00 54 00 00 |fers, clef ..T..|
00013bf0 25 28 00 00 42 e6 be 00 ad 53 49 ff bd 7a 49 ff |%(..B....SI..zI.|
00013c00 70 1c 00 00 63 68 61 6e 67 65 73 20 65 74 63 2e |p...changes etc.|
00013c10 0d 00 00 00 00 28 00 00 a5 34 00 00 43 00 00 00 |.....(...4..C...|
00013c20 cd 24 49 ff dd 4b 49 ff 70 1c 00 02 0d 08 08 00 |.$I..KI.p.......|
00013c30 0c f7 00 00 00 00 00 00 07 00 00 00 10 ba 01 00 |................|
00013c40 10 ba 01 00 00 00 00 00 00 34 00 00 05 2c 00 00 |.........4...,..|
00013c50 00 96 13 01 ed f5 48 ff fd 1c 49 ff 24 1d 00 02 |......H...I.$...|
00013c60 43 6f 70 79 69 6e 67 20 61 20 73 79 73 74 65 6d |Copying a system|
00013c70 20 00 00 00 00 2c 00 00 a5 3c 00 00 43 dc 7d 00 | ....,...<..C.}.|
00013c80 0d c7 48 ff 1d ee 48 ff 24 1d 00 00 70 61 73 73 |..H...H.$...pass|
00013c90 61 67 65 08 10 ba 01 00 00 00 00 00 07 34 3f ff |age..........4?.|
00013ca0 0c f7 00 00 0c f7 00 00 00 00 00 00 0d 00 00 00 |................|
00013cb0 00 3c 00 00 05 54 00 00 03 9e 86 03 2d 98 48 ff |.<...T......-.H.|
00013cc0 3d bf 48 ff 70 1c 00 02 43 6c 69 63 6b 20 41 64 |=.H.p...Click Ad|
00013cd0 6a 75 73 74 20 6f 6e 20 74 68 65 20 62 61 72 6c |just on the barl|
00013ce0 69 6e 65 20 77 68 65 72 65 20 74 68 65 20 63 6f |ine where the co|
00013cf0 70 79 20 6f 66 20 74 68 65 20 70 61 73 73 61 67 |py of the passag|
00013d00 65 20 00 00 00 54 00 00 05 50 00 00 03 78 2a 03 |e ...T...P...x*.|
00013d10 4d 69 48 ff 5d 90 48 ff 70 1c 00 00 69 73 20 74 |MiH.].H.p...is t|
00013d20 6f 20 67 6f 2e 20 55 6e 6c 69 6b 65 20 63 6f 70 |o go. Unlike cop|
00013d30 79 69 6e 67 20 61 20 73 74 61 76 65 20 70 61 73 |ying a stave pas|
00013d40 73 61 67 65 2c 20 74 68 65 20 73 79 73 74 65 6d |sage, the system|
00013d50 20 00 00 00 00 50 00 00 05 54 00 00 03 26 81 03 | ....P...T...&..|
00013d60 6d 3a 48 ff 7d 61 48 ff 70 1c 00 00 70 61 73 73 |m:H.}aH.p...pass|
00013d70 61 67 65 20 69 73 20 69 6e 73 65 72 74 65 64 20 |age is inserted |
00013d80 61 74 20 74 68 65 20 62 61 72 6c 69 6e 65 20 2d |at the barline -|
00013d90 20 79 6f 75 20 64 6f 6e 91 74 20 6e 65 65 64 20 | you don.t need |
00013da0 61 6e 79 20 62 61 72 20 00 54 00 00 25 34 00 00 |any bar .T..%4..|
00013db0 42 be 7c 01 8d 0b 48 ff 9d 32 48 ff 70 1c 00 00 |B.|...H..2H.p...|
00013dc0 72 65 73 74 73 20 74 6f 20 62 65 20 74 68 65 72 |rests to be ther|
00013dd0 65 20 61 6c 72 65 61 64 79 2e 0d 00 00 34 00 00 |e already....4..|
00013de0 25 1c 00 00 43 00 00 00 ad dc 47 ff bd 03 48 ff |%...C.....G...H.|
00013df0 70 1c 00 02 0d 00 00 00 00 1c 00 00 01 10 00 00 |p...............|
00013e00 00 5a 75 03 00 00 00 00 00 10 00 00 02 18 00 00 |.Zu.............|
00013e10 38 27 00 00 00 00 00 00 0c f7 00 00 00 00 00 00 |8'..............|
00013e20 00 18 00 00 05 50 00 00 00 5a 75 03 ad 10 50 ff |.....P...Zu...P.|
00013e30 bd 37 50 ff 70 1c 00 02 41 6c 6c 20 6d 61 72 6b |.7P.p...All mark|
00013e40 69 6e 67 73 20 61 72 65 20 63 6f 70 69 65 64 2c |ings are copied,|
00013e50 20 69 6e 63 6c 75 64 69 6e 67 20 73 79 73 74 65 | including syste|
00013e60 6d 20 6d 61 72 6b 69 6e 67 73 20 6c 69 6b 65 20 |m markings like |
00013e70 00 50 00 00 25 3c 00 00 42 a2 ed 01 cd e1 4f ff |.P..%<..B.....O.|
00013e80 dd 08 50 ff 70 1c 00 00 73 70 65 63 69 61 6c 20 |..P.p...special |
00013e90 62 61 72 6c 69 6e 65 73 20 61 6e 64 20 74 65 6d |barlines and tem|
00013ea0 70 6f 20 74 65 78 74 2e 0d 00 00 00 00 3c 00 00 |po text......<..|
00013eb0 a5 34 00 00 43 00 00 00 ed b2 4f ff fd d9 4f ff |.4..C.....O...O.|
00013ec0 70 1c 00 02 0d 08 08 00 0c f7 00 00 00 00 00 00 |p...............|
00013ed0 07 00 00 00 10 bb 01 00 10 bb 01 00 00 00 00 00 |................|
00013ee0 00 34 00 00 a5 48 00 00 42 a2 20 01 0d 84 4f ff |.4...H..B. ...O.|
00013ef0 1d ab 4f ff 24 1d 00 02 45 72 61 73 69 6e 67 20 |..O.$...Erasing |
00013f00 61 20 70 61 73 73 61 67 65 08 08 ff 10 bb 01 00 |a passage.......|
00013f10 00 00 00 00 07 72 61 73 0c f7 00 00 0c f7 00 00 |.....ras........|
00013f20 00 00 00 00 0d 00 00 00 00 48 00 00 05 54 00 00 |.........H...T..|
00013f30 03 ce 6f 03 2d 55 4f ff 3d 7c 4f ff 70 1c 00 02 |..o.-UO.=|O.p...|
00013f40 48 61 76 69 6e 67 20 73 65 6c 65 63 74 65 64 20 |Having selected |
00013f50 61 20 70 61 73 73 61 67 65 20 6f 66 20 65 69 74 |a passage of eit|
00013f60 68 65 72 20 6b 69 6e 64 2c 20 70 72 65 73 73 20 |her kind, press |
00013f70 46 31 32 2e 20 54 68 65 20 00 00 00 00 54 00 00 |F12. The ....T..|
00013f80 05 58 00 00 03 90 9e 03 4d 26 4f ff 5d 4d 4f ff |.X......M&O.]MO.|
00013f90 70 1c 00 00 70 61 73 73 61 67 65 20 77 69 6c 6c |p...passage will|
00013fa0 20 74 75 72 6e 20 69 6e 74 6f 20 62 61 72 20 72 | turn into bar r|
00013fb0 65 73 74 73 2c 20 74 68 6f 75 67 68 20 6d 61 72 |ests, though mar|
00013fc0 6b 69 6e 67 73 20 6f 74 68 65 72 20 74 68 61 6e |kings other than|
00013fd0 20 00 00 00 00 58 00 00 25 30 00 00 43 9e 47 01 | ....X..%0..C.G.|
00013fe0 6d f7 4e ff 7d 1e 4f ff 70 1c 00 00 6e 6f 74 65 |m.N.}.O.p...note|
00013ff0 73 20 61 72 65 20 6c 65 66 74 20 62 65 68 69 6e |s are left behin|
00014000 64 2e 0d 00 00 30 00 00 a5 34 00 00 42 00 00 00 |d....0...4..B...|
00014010 8d c8 4e ff 9d ef 4e ff 70 1c 00 02 0d 08 08 00 |..N...N.p.......|
00014020 0c f7 00 00 00 00 00 00 07 00 00 00 10 bc 01 00 |................|
00014030 10 bc 01 00 00 00 00 00 00 34 00 00 05 2c 00 00 |.........4...,..|
00014040 02 bc 15 01 ad 99 4e ff bd c0 4e ff 24 1d 00 02 |......N...N.$...|
00014050 44 65 6c 65 74 69 6e 67 20 61 20 73 79 73 74 65 |Deleting a syste|
00014060 6d 20 00 00 00 2c 00 00 a5 3c 00 00 43 dc 7d 00 |m ...,...<..C.}.|
00014070 cd 6a 4e ff dd 91 4e ff 24 1d 00 00 70 61 73 73 |.jN...N.$...pass|
00014080 61 67 65 08 10 bc 01 00 00 00 00 00 07 d8 44 ff |age...........D.|
00014090 0c f7 00 00 0c f7 00 00 00 00 00 00 0d 00 00 00 |................|
000140a0 00 3c 00 00 05 54 00 00 03 5e 5d 03 ed 3b 4e ff |.<...T...^]..;N.|
000140b0 fd 62 4e ff 70 1c 00 02 50 72 65 73 73 20 44 65 |.bN.p...Press De|
000140c0 6c 65 74 65 2e 20 54 68 65 20 77 68 6f 6c 65 20 |lete. The whole |
000140d0 70 61 73 73 61 67 65 20 69 73 20 63 75 74 20 69 |passage is cut i|
000140e0 72 72 65 74 72 69 65 76 61 62 6c 79 2c 20 73 6f |rretrievably, so|
000140f0 20 00 00 00 00 54 00 00 05 54 00 00 03 aa 7a 03 | ....T...T....z.|
00014100 0d 0d 4e ff 1d 34 4e ff 70 1c 00 00 53 69 62 65 |..N..4N.p...Sibe|
00014110 6c 69 75 73 20 77 61 72 6e 73 20 79 6f 75 20 62 |lius warns you b|
00014120 65 66 6f 72 65 20 64 65 6c 65 74 69 6e 67 20 73 |efore deleting s|
00014130 65 76 65 72 61 6c 20 62 61 72 73 2e 20 4e 6f 74 |everal bars. Not|
00014140 65 20 74 68 65 20 00 00 00 54 00 00 05 50 00 00 |e the ...T...P..|
00014150 03 78 52 03 2d de 4d ff 3d 05 4e ff 70 1c 00 00 |.xR.-.M.=.N.p...|
00014160 64 69 66 66 65 72 65 6e 63 65 20 66 72 6f 6d 20 |difference from |
00014170 70 72 65 73 73 69 6e 67 20 46 31 32 20 2d 20 74 |pressing F12 - t|
00014180 68 65 20 62 61 72 73 20 74 68 65 6d 73 65 6c 76 |he bars themselv|
00014190 65 73 20 61 72 65 20 00 00 50 00 00 a5 58 00 00 |es are ..P...X..|
000141a0 43 04 18 02 4d af 4d ff 5d d6 4d ff 70 1c 00 00 |C...M.M.].M.p...|
000141b0 64 65 6c 65 74 65 64 2c 20 6e 6f 74 20 6a 75 73 |deleted, not jus|
000141c0 74 20 74 68 65 20 6e 6f 74 65 73 20 69 6e 20 74 |t the notes in t|
000141d0 68 65 6d 2e 05 0d 0e 08 0c f7 00 00 00 00 00 00 |hem.............|
000141e0 07 6e 6f 74 0b f8 00 00 0b f8 00 00 00 00 00 00 |.not............|
000141f0 00 58 00 00 01 10 00 00 00 00 00 00 00 00 00 00 |.X..............|
00014200 00 10 00 00 02 18 00 00 3c 28 00 00 00 00 00 00 |........<(......|
00014210 0b f8 00 00 00 00 00 00 00 18 00 00 a5 3c 00 00 |.............<..|
00014220 42 aa 30 01 12 b5 46 ff 62 fb 46 ff 30 33 00 02 |B.0...F.b.F.03..|
00014230 50 65 72 63 75 73 73 69 6f 6e 05 08 0b f8 00 00 |Percussion......|
00014240 00 00 00 00 0d 07 3d ff 0c f9 00 00 0c f9 00 00 |......=.........|
00014250 00 00 00 00 00 3c 00 00 a5 34 00 00 42 00 00 00 |.....<...4..B...|
00014260 f2 7f 46 ff 02 a7 46 ff 70 1c 00 02 0d 08 08 00 |..F...F.p.......|
00014270 0c f9 00 00 00 00 00 00 07 00 00 00 10 bd 01 00 |................|
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00014290 43 e8 8a 00 12 51 46 ff 22 78 46 ff 24 1d 00 02 |C....QF."xF.$...|
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000143c0 0c f9 00 00 00 00 00 00 0d 00 00 00 00 48 00 00 |.............H..|
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00014400 20 69 6e 73 74 72 75 6d 65 6e 74 20 66 72 6f 6d | instrument from|
00014410 20 74 68 65 20 00 00 00 00 4c 00 00 05 58 00 00 | the ....L...X..|
00014420 03 22 99 03 f2 08 45 ff 02 30 45 ff 70 1c 00 00 |."....E..0E.p...|
00014430 49 6e 73 74 72 75 6d 65 6e 74 73 89 50 65 72 63 |Instruments.Perc|
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000144b0 20 66 65 77 65 72 20 74 68 61 6e 20 66 69 76 65 | fewer than five|
000144c0 20 00 00 00 00 54 00 00 05 54 00 00 03 60 83 03 | ....T...T...`..|
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00014570 42 46 c3 00 72 4d 44 ff 82 74 44 ff 70 1c 00 00 |BF..rMD..tD.p...|
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00014610 42 00 00 00 f2 7f 46 ff 02 a7 46 ff 70 1c 00 02 |B.....F...F.p...|
00014620 0d 08 08 00 0c fb 00 00 00 00 00 00 07 1c 3d ff |..............=.|
00014630 10 bf 01 00 10 bf 01 00 00 00 00 00 00 34 00 00 |.............4..|
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00014660 10 bf 01 00 00 00 00 00 07 fb 00 00 0c fb 00 00 |................|
00014670 0c fb 00 00 00 00 00 00 0d 00 00 00 00 40 00 00 |.............@..|
00014680 25 2c 00 00 43 7e 12 01 32 22 46 ff 42 49 46 ff |%,..C~..2"F.BIF.|
00014690 70 1c 00 02 43 68 61 6e 67 69 6e 67 20 70 6c 61 |p...Changing pla|
000146a0 79 65 72 73 0d 00 00 00 00 2c 00 00 25 1c 00 00 |yers.....,..%...|
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00014710 61 6c 73 0d 00 28 00 00 25 1c 00 00 42 00 00 00 |als..(..%...B...|
00014720 b2 66 45 ff c2 8d 45 ff 70 1c 00 02 0d 00 00 00 |.fE...E.p.......|
00014730 00 1c 00 00 05 54 00 00 03 3a 9a 03 d2 37 45 ff |.....T...:...7E.|
00014740 e2 5e 45 ff 70 1c 00 02 53 65 65 20 6d 61 6e 75 |.^E.p...See manu|
00014750 61 6c 20 66 6f 72 3a 20 74 77 6f 20 76 6f 69 63 |al for: two voic|
00014760 65 73 3b 20 63 68 6f 72 64 73 3b 20 63 6f 70 79 |es; chords; copy|
00014770 69 6e 67 20 73 74 61 76 65 73 3b 20 68 69 64 69 |ing staves; hidi|
00014780 6e 67 20 00 00 54 00 00 05 54 00 00 03 b2 6d 03 |ng ..T...T....m.|
00014790 f2 08 45 ff 02 30 45 ff 70 1c 00 00 72 65 64 75 |..E..0E.p...redu|
000147a0 6e 64 61 6e 74 20 70 6c 61 79 65 72 20 74 65 78 |ndant player tex|
000147b0 74 3b 20 73 68 6f 77 69 6e 67 20 74 6f 74 61 6c |t; showing total|
000147c0 20 70 6c 61 79 65 72 73 20 61 74 20 73 74 61 72 | players at star|
000147d0 74 2e 20 53 65 65 20 00 00 54 00 00 25 44 00 00 |t. See ..T..%D..|
000147e0 43 7c 5e 02 12 da 44 ff 22 01 45 ff 70 1c 00 00 |C|^...D.".E.p...|
000147f0 61 6c 73 6f 20 49 6e 73 74 72 75 6d 65 6e 74 73 |also Instruments|
00014800 2c 20 50 61 72 74 20 65 78 74 72 61 63 74 69 6f |, Part extractio|
00014810 6e 2c 20 54 65 78 74 2e 0d 00 00 00 00 44 00 00 |n, Text......D..|
00014820 a5 34 00 00 42 00 00 00 32 ab 44 ff 42 d2 44 ff |.4..B...2.D.B.D.|
00014830 70 1c 00 02 0d 08 08 00 0c fb 00 00 00 00 00 00 |p...............|
00014840 07 00 00 00 10 c0 01 00 10 c0 01 00 00 00 00 00 |................|
00014850 00 34 00 00 a5 48 00 00 43 de 16 01 52 7c 44 ff |.4...H..C...R|D.|
00014860 62 a3 44 ff 24 1d 00 02 43 68 61 6e 67 69 6e 67 |b.D.$...Changing|
00014870 20 70 6c 61 79 65 72 73 08 08 3a ff 10 c0 01 00 | players..:.....|
00014880 00 00 00 00 07 68 61 6e 0c fb 00 00 0c fb 00 00 |.....han........|
00014890 00 00 00 00 0d 00 00 00 00 48 00 00 25 3c 00 00 |.........H..%<..|
000148a0 43 fa 1c 02 72 4d 44 ff 82 74 44 ff 70 1c 00 02 |C...rMD..tD.p...|
000148b0 8f 20 47 6f 20 69 6e 74 6f 20 74 68 65 20 54 65 |. Go into the Te|
000148c0 78 74 89 50 6c 61 79 65 72 73 20 77 69 6e 64 6f |xt.Players windo|
000148d0 77 2e 0d 00 00 3c 00 00 25 50 00 00 43 f2 0f 03 |w....<..%P..C...|
000148e0 92 1e 44 ff a2 45 44 ff 70 1c 00 02 8f 20 53 65 |..D..ED.p.... Se|
000148f0 6c 65 63 74 20 74 68 65 20 62 75 6c 6c 65 74 73 |lect the bullets|
00014900 20 6f 66 20 74 68 65 20 70 6c 61 79 65 72 73 20 | of the players |
00014910 77 68 6f 20 61 72 65 20 70 6c 61 79 69 6e 67 2e |who are playing.|
00014920 0d 00 00 00 00 50 00 00 25 28 00 00 43 da e8 00 |.....P..%(..C...|
00014930 b2 ef 43 ff c2 16 44 ff 70 1c 00 02 8f 20 43 6c |..C...D.p.... Cl|
00014940 69 63 6b 20 6f 6e 20 4f 4b 2e 0d 00 00 28 00 00 |ick on OK....(..|
00014950 25 40 00 00 42 8c 49 02 d2 c0 43 ff e2 e7 43 ff |%@..B.I...C...C.|
00014960 70 1c 00 02 8f 20 50 6f 73 69 74 69 6f 6e 20 74 |p.... Position t|
00014970 68 65 20 74 65 78 74 20 62 79 20 63 6c 69 63 6b |he text by click|
00014980 69 6e 67 20 41 64 6a 75 73 74 2e 0d 00 40 00 00 |ing Adjust...@..|
00014990 25 1c 00 00 43 00 00 00 f2 91 43 ff 02 b9 43 ff |%...C.....C...C.|
000149a0 70 1c 00 02 0d 00 00 00 00 1c 00 00 05 50 00 00 |p............P..|
000149b0 03 10 4c 03 12 63 43 ff 22 8a 43 ff 70 1c 00 02 |..L..cC.".C.p...|
000149c0 57 68 65 6e 20 79 6f 75 20 63 6c 69 63 6b 20 53 |When you click S|
000149d0 65 6c 65 63 74 20 6f 6e 20 70 6c 61 79 65 72 20 |elect on player |
000149e0 74 65 78 74 20 74 68 65 20 77 68 6f 6c 65 20 74 |text the whole t|
000149f0 65 78 74 20 69 73 20 00 00 50 00 00 05 54 00 00 |ext is ..P...T..|
00014a00 03 0a 7f 03 32 34 43 ff 42 5b 43 ff 70 1c 00 00 |....24C.B[C.p...|
00014a10 68 69 67 68 6c 69 67 68 74 65 64 20 77 69 74 68 |highlighted with|
00014a20 6f 75 74 20 61 20 63 61 72 65 74 20 61 70 70 65 |out a caret appe|
00014a30 61 72 69 6e 67 2e 20 59 6f 75 20 63 61 6e 91 74 |aring. You can.t|
00014a40 20 65 64 69 74 20 74 65 78 74 20 00 00 54 00 00 | edit text ..T..|
00014a50 05 54 00 00 00 8e 78 03 52 05 43 ff 62 2c 43 ff |.T....x.R.C.b,C.|
00014a60 70 1c 00 00 69 6e 20 74 68 65 20 50 6c 61 79 65 |p...in the Playe|
00014a70 72 73 20 73 74 79 6c 65 20 62 65 63 61 75 73 65 |rs style because|
00014a80 20 6f 66 20 69 74 73 20 73 70 65 63 69 61 6c 20 | of its special |
00014a90 66 6f 72 6d 61 74 2c 20 62 75 74 20 79 6f 75 20 |format, but you |
00014aa0 00 54 00 00 05 54 00 00 03 52 82 03 72 d6 42 ff |.T...T...R..r.B.|
00014ab0 82 fd 42 ff 70 1c 00 00 63 61 6e 20 63 6f 70 79 |..B.p...can copy|
00014ac0 2c 20 64 72 61 67 20 61 6e 64 20 44 65 6c 65 74 |, drag and Delet|
00014ad0 65 20 69 74 20 6c 69 6b 65 20 6f 74 68 65 72 20 |e it like other |
00014ae0 74 65 78 74 2e 20 53 69 6d 69 6c 61 72 6c 79 20 |text. Similarly |
00014af0 79 6f 75 20 00 54 00 00 05 50 00 00 03 10 33 03 |you .T...P....3.|
00014b00 92 a7 42 ff a2 ce 42 ff 70 1c 00 00 63 61 6e 91 |..B...B.p...can.|
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00014b20 61 74 69 63 20 70 6c 61 79 65 72 20 6e 75 6d 62 |atic player numb|
00014b30 65 72 73 20 61 74 20 74 68 65 20 6c 65 66 74 20 |ers at the left |
00014b40 6f 66 20 00 00 50 00 00 05 50 00 00 03 10 4c 03 |of ..P...P....L.|
00014b50 b2 78 42 ff c2 9f 42 ff 70 1c 00 00 73 79 73 74 |.xB...B.p...syst|
00014b60 65 6d 73 3a 20 74 68 65 79 20 73 69 6d 70 6c 79 |ems: they simply|
00014b70 20 72 65 66 6c 65 63 74 20 74 68 65 20 70 6c 61 | reflect the pla|
00014b80 79 65 72 73 20 63 75 72 72 65 6e 74 20 6f 6e 20 |yers current on |
00014b90 74 68 65 20 00 50 00 00 25 20 00 00 43 3c 69 00 |the .P..% ..C<i.|
00014ba0 d2 49 42 ff e2 70 42 ff 70 1c 00 00 73 74 61 76 |.IB..pB.p...stav|
00014bb0 65 73 2e 0d 00 20 00 00 a5 34 00 00 42 00 00 00 |es... ...4..B...|
00014bc0 f2 1a 42 ff 02 42 42 ff 70 1c 00 02 0d 08 08 00 |..B..BB.p.......|
00014bd0 0c fb 00 00 00 00 00 00 07 88 38 ff 10 c1 01 00 |..........8.....|
00014be0 10 c1 01 00 00 00 00 00 00 34 00 00 a5 38 00 00 |.........4...8..|
00014bf0 43 d4 30 00 12 ec 41 ff 22 13 42 ff 24 1d 00 02 |C.0...A.".B.$...|
00014c00 61 20 32 08 10 c1 01 00 00 00 00 00 07 59 38 ff |a 2..........Y8.|
00014c10 0c fb 00 00 0c fb 00 00 00 00 00 00 0d 00 00 00 |................|
00014c20 00 38 00 00 05 54 00 00 03 b4 61 03 32 bd 41 ff |.8...T....a.2.A.|
00014c30 42 e4 41 ff 70 1c 00 02 49 66 20 61 6c 6c 20 74 |B.A.p...If all t|
00014c40 68 65 20 70 6c 61 79 65 72 73 20 6f 66 20 61 20 |he players of a |
00014c50 77 6f 6f 64 77 69 6e 64 20 6f 72 20 62 72 61 73 |woodwind or bras|
00014c60 73 20 69 6e 73 74 72 75 6d 65 6e 74 20 61 72 65 |s instrument are|
00014c70 20 00 00 00 00 54 00 00 05 58 00 00 03 a6 79 03 | ....T...X....y.|
00014c80 52 8e 41 ff 62 b5 41 ff 70 1c 00 00 70 6c 61 79 |R.A.b.A.p...play|
00014c90 69 6e 67 20 61 20 70 61 73 73 61 67 65 20 69 6e |ing a passage in|
00014ca0 20 75 6e 69 73 6f 6e 2c 20 69 74 20 69 73 20 6e | unison, it is n|
00014cb0 6f 72 6d 61 6c 20 74 6f 20 77 72 69 74 65 20 90 |ormal to write .|
00014cc0 61 20 32 91 2c 20 90 61 20 00 00 00 00 58 00 00 |a 2., .a ....X..|
00014cd0 05 54 00 00 03 68 44 03 72 5f 41 ff 82 86 41 ff |.T...hD.r_A...A.|
00014ce0 70 1c 00 00 33 91 20 65 74 63 2e 20 69 6e 73 74 |p...3. etc. inst|
00014cf0 65 61 64 20 6f 66 20 90 31 2e 32 2e 91 2c 20 90 |ead of .1.2.., .|
00014d00 31 2e 32 2e 33 2e 91 20 65 74 63 2e 20 57 68 65 |1.2.3.. etc. Whe|
00014d10 6e 20 74 68 65 20 55 6e 69 73 6f 6e 20 00 00 00 |n the Unison ...|
00014d20 00 54 00 00 05 58 00 00 03 da 7c 03 92 30 41 ff |.T...X....|..0A.|
00014d30 a2 57 41 ff 70 1c 00 00 73 77 69 74 63 68 20 69 |.WA.p...switch i|
00014d40 73 20 73 65 6c 65 63 74 65 64 20 66 6f 72 20 61 |s selected for a|
00014d50 20 70 69 65 63 65 20 6f 66 20 70 6c 61 79 65 72 | piece of player|
00014d60 20 74 65 78 74 2c 20 53 69 62 65 6c 69 75 73 20 | text, Sibelius |
00014d70 64 6f 65 73 20 00 00 00 00 58 00 00 25 2c 00 00 |does ....X..%,..|
00014d80 42 a2 20 01 b2 01 41 ff c2 28 41 ff 70 1c 00 00 |B. ...A..(A.p...|
00014d90 74 68 69 73 20 61 75 74 6f 6d 61 74 69 63 61 6c |this automatical|
00014da0 6c 79 2e 0d 00 2c 00 00 a5 34 00 00 42 00 00 00 |ly...,...4..B...|
00014db0 d2 d2 40 ff e2 f9 40 ff 70 1c 00 02 0d 08 08 00 |..@...@.p.......|
00014dc0 0c fb 00 00 00 00 00 00 07 00 00 00 10 c2 01 00 |................|
00014dd0 10 c2 01 00 00 00 00 00 00 34 00 00 a5 44 00 00 |.........4...D..|
00014de0 43 2e db 00 f2 a3 40 ff 02 cb 40 ff 24 1d 00 02 |C.....@...@.$...|
00014df0 41 62 62 72 65 76 69 61 74 69 6f 6e 73 08 08 00 |Abbreviations...|
00014e00 10 c2 01 00 00 00 00 00 07 1d 00 02 0c fb 00 00 |................|
00014e10 0c fb 00 00 00 00 00 00 0d 00 00 00 00 44 00 00 |.............D..|
00014e20 05 54 00 00 03 22 99 03 12 75 40 ff 22 9c 40 ff |.T..."...u@.".@.|
00014e30 70 1c 00 02 53 69 62 65 6c 69 75 73 20 77 72 69 |p...Sibelius wri|
00014e40 74 65 73 20 6c 6f 6e 67 69 73 68 20 72 75 6e 73 |tes longish runs|
00014e50 20 6f 66 20 63 6f 6e 73 65 63 75 74 69 76 65 20 | of consecutive |
00014e60 70 6c 61 79 65 72 20 6e 75 6d 62 65 72 73 20 00 |player numbers .|
00014e70 00 54 00 00 05 58 00 00 00 aa 7a 03 32 46 40 ff |.T...X....z.2F@.|
00014e80 42 6d 40 ff 70 1c 00 00 61 73 20 28 73 61 79 29 |Bm@.p...as (say)|
00014e90 20 90 31 2d 34 91 20 72 61 74 68 65 72 20 74 68 | .1-4. rather th|
00014ea0 61 6e 20 90 31 2e 32 2e 33 2e 34 91 20 66 6f 72 |an .1.2.3.4. for|
00014eb0 20 63 6c 61 72 69 74 79 2e 20 53 69 6d 69 6c 61 | clarity. Simila|
00014ec0 72 6c 79 20 69 74 20 00 00 58 00 00 05 54 00 00 |rly it ..X...T..|
00014ed0 03 c6 95 03 52 17 40 ff 62 3e 40 ff 70 1c 00 00 |....R.@.b>@.p...|
00014ee0 77 72 69 74 65 73 20 6d 6f 72 65 20 63 6f 6d 70 |writes more comp|
00014ef0 6c 69 63 61 74 65 64 20 73 65 6c 65 63 74 69 6f |licated selectio|
00014f00 6e 73 20 61 73 20 90 31 2e 32 2e 35 2d 38 91 2c |ns as .1.2.5-8.,|
00014f10 20 90 31 2d 34 2e 38 2d 31 32 91 20 00 54 00 00 | .1-4.8-12. .T..|
00014f20 25 24 00 00 42 7e 9f 00 72 e8 3f ff 82 0f 40 ff |%$..B~..r.?...@.|
00014f30 70 1c 00 00 61 6e 64 20 73 6f 20 6f 6e 2e 0d 00 |p...and so on...|
00014f40 00 24 00 00 a5 34 00 00 43 00 00 00 92 b9 3f ff |.$...4..C.....?.|
00014f50 a2 e0 3f ff 70 1c 00 02 0d 08 08 00 0c fb 00 00 |..?.p...........|
00014f60 00 00 00 00 07 00 00 00 10 c3 01 00 10 c3 01 00 |................|
00014f70 00 00 00 00 00 34 00 00 a5 44 00 00 43 d2 09 01 |.....4...D..C...|
00014f80 b2 8a 3f ff c2 b1 3f ff 24 1d 00 02 52 6f 6d 61 |..?...?.$...Roma|
00014f90 6e 20 6e 75 6d 65 72 61 6c 73 08 08 10 c3 01 00 |n numerals......|
00014fa0 00 00 00 00 07 1d 00 02 0c fb 00 00 0c fb 00 00 |................|
00014fb0 00 00 00 00 0d 00 00 00 00 44 00 00 05 50 00 00 |.........D...P..|
00014fc0 03 c8 7a 03 d2 5b 3f ff e2 82 3f ff 70 1c 00 02 |..z..[?...?.p...|
00014fd0 53 77 69 74 63 68 69 6e 67 20 48 6f 75 73 65 20 |Switching House |
00014fe0 73 74 79 6c 65 89 50 6c 61 79 65 72 73 89 52 6f |style.Players.Ro|
00014ff0 6d 61 6e 20 6e 75 6d 65 72 61 6c 73 20 6f 6e 20 |man numerals on |
00015000 6d 61 6b 65 73 20 00 00 00 50 00 00 a5 5c 00 00 |makes ...P...\..|
00015010 43 8c 53 02 f2 2c 3f ff 02 54 3f ff 70 1c 00 00 |C.S..,?..T?.p...|
00015020 61 6c 6c 20 70 6c 61 79 65 72 20 6e 75 6d 62 65 |all player numbe|
00015030 72 73 20 73 68 6f 77 20 61 73 20 65 2e 67 2e 20 |rs show as e.g. |
00015040 90 49 2e 49 49 2e 91 2e 0d 0e 08 08 0c fb 00 00 |.I.II...........|
00015050 00 00 00 00 07 00 00 00 0b fc 00 00 0b fc 00 00 |................|
00015060 00 00 00 00 00 5c 00 00 01 10 00 00 00 00 00 00 |.....\..........|
00015070 00 00 00 00 00 10 00 00 02 18 00 00 44 2a 00 00 |............D*..|
00015080 00 00 00 00 0b fc 00 00 00 00 00 00 00 18 00 00 |................|
00015090 a5 44 00 00 42 d6 a3 01 b7 78 3d ff 07 bf 3d ff |.D..B....x=...=.|
000150a0 30 33 00 02 50 72 69 6e 74 65 72 20 44 72 69 76 |03..Printer Driv|
000150b0 65 72 73 0d 08 08 73 0d 0b fc 00 00 00 00 00 00 |ers...s.........|
000150c0 07 00 00 00 0c fd 00 00 0c fd 00 00 00 00 00 00 |................|
000150d0 00 44 00 00 a5 34 00 00 42 00 00 00 97 43 3d ff |.D...4..B....C=.|
000150e0 a7 6a 3d ff 70 1c 00 02 0d 08 00 f2 0c fd 00 00 |.j=.p...........|
000150f0 00 00 00 00 07 00 00 00 10 c4 01 00 10 c4 01 00 |................|
00015100 00 00 00 00 00 34 00 00 a5 40 00 00 43 e8 8a 00 |.....4...@..C...|
00015110 b7 14 3d ff c7 3b 3d ff 24 1d 00 02 43 6f 6e 74 |..=..;=.$...Cont|
00015120 65 6e 74 73 08 08 74 73 10 c4 01 00 00 00 00 00 |ents..ts........|
00015130 07 00 00 00 0c fd 00 00 0c fd 00 00 00 00 00 00 |................|
00015140 0d 00 00 00 00 40 00 00 25 28 00 00 43 20 c1 00 |.....@..%(..C ..|
00015150 d7 e5 3c ff e7 0c 3d ff 70 1c 00 02 49 6e 74 72 |..<...=.p...Intr|
00015160 6f 64 75 63 74 69 6f 6e 0d 00 00 00 00 28 00 00 |oduction.....(..|
00015170 25 3c 00 00 43 d8 2f 02 f7 b6 3c ff 07 de 3c ff |%<..C./...<...<.|
00015180 70 1c 00 02 4c 6f 61 64 69 6e 67 20 61 20 52 49 |p...Loading a RI|
00015190 53 43 20 4f 53 20 32 20 70 72 69 6e 74 65 72 20 |SC OS 2 printer |
000151a0 64 72 69 76 65 72 0d 00 00 3c 00 00 25 40 00 00 |driver...<..%@..|
000151b0 43 2e 4d 02 17 88 3c ff 27 af 3c ff 70 1c 00 02 |C.M...<.'.<.p...|
000151c0 53 65 74 74 69 6e 67 20 75 70 20 61 20 52 49 53 |Setting up a RIS|
000151d0 43 20 4f 53 20 32 20 70 72 69 6e 74 65 72 20 64 |C OS 2 printer d|
000151e0 72 69 76 65 72 0d 00 00 00 40 00 00 25 2c 00 00 |river....@..%,..|
000151f0 42 ba 21 01 37 59 3c ff 47 80 3c ff 70 1c 00 02 |B.!.7Y<.G.<.p...|
00015200 50 6f 73 74 53 63 72 69 70 74 20 70 72 69 6e 74 |PostScript print|
00015210 65 72 73 0d 00 2c 00 00 25 1c 00 00 42 00 00 00 |ers..,..%...B...|
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00018630 8f 20 53 65 6c 65 63 74 20 61 20 6e 6f 74 65 20 |. Select a note |
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00018ac0 20 6f 66 20 72 65 73 74 73 20 77 69 74 68 6f 75 | of rests withou|
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00018bd0 10 df 01 00 10 df 01 00 00 00 00 00 00 34 00 00 |.............4..|
00018be0 a5 44 00 00 43 0c da 00 a6 83 1b ff b6 aa 1b ff |.D..C...........|
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00019000 00 00 00 00 07 00 00 00 10 e1 01 00 10 e1 01 00 |................|
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0001a280 00 00 00 00 00 10 00 00 02 18 00 00 68 33 00 00 |............h3..|
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0001a360 43 44 42 01 6b f4 17 ff 7b 1b 18 ff 70 1c 00 02 |CDB.k...{...p...|
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0001a3b0 ab 96 17 ff bb bd 17 ff 70 1c 00 02 0d 00 00 00 |........p.......|
0001a3c0 00 1c 00 00 05 50 00 00 03 6e 43 03 cb 67 17 ff |.....P...nC..g..|
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0001a400 72 70 2e 20 53 65 65 20 61 6c 73 6f 20 00 00 00 |rp. See also ...|
0001a410 00 50 00 00 25 38 00 00 43 22 b4 01 eb 38 17 ff |.P..%8..C"...8..|
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0001a480 a5 48 00 00 43 74 44 01 2b db 16 ff 3b 02 17 ff |.H..CtD.+...;...|
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0001a4c0 0d 00 00 00 00 48 00 00 05 48 00 00 03 6c dc 02 |.....H...H...l..|
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0001a500 20 69 73 20 66 61 69 72 6c 79 20 00 00 48 00 00 | is fairly ..H..|
0001a510 05 54 00 00 03 50 9d 03 6b 7d 16 ff 7b a4 16 ff |.T...P..k}..{...|
0001a520 70 1c 00 00 63 6f 6d 70 72 65 68 65 6e 73 69 76 |p...comprehensiv|
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0001a560 00 54 00 00 05 54 00 00 03 38 74 03 8b 4e 16 ff |.T...T...8t..N..|
0001a570 9b 75 16 ff 70 1c 00 00 69 6e 73 74 72 75 6d 65 |.u..p...instrume|
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0001a5c0 ab 1f 16 ff bb 46 16 ff 70 1c 00 00 69 6e 73 74 |.....F..p...inst|
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0001a600 db 17 16 ff 70 1c 00 02 0d 00 00 00 00 1c 00 00 |....p...........|
0001a610 25 48 00 00 43 12 ff 02 eb c1 15 ff fb e8 15 ff |%H..C...........|
0001a620 70 1c 00 02 54 68 65 20 69 6e 73 74 72 75 6d 65 |p...The instrume|
0001a630 6e 74 20 79 6f 75 20 62 61 73 65 20 74 68 65 20 |nt you base the |
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0001a6f0 03 2e 74 03 6b 06 15 ff 7b 2d 15 ff 70 1c 00 02 |..t.k...{-..p...|
0001a700 59 6f 75 20 77 69 6c 6c 20 70 72 6f 62 61 62 6c |You will probabl|
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0001a720 20 6f 66 66 20 55 73 65 20 73 74 61 6e 64 61 72 | off Use standar|
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0001a770 a5 34 00 00 42 00 00 00 ab a8 14 ff bb cf 14 ff |.4..B...........|
0001a780 70 1c 00 02 0d 08 08 00 0c 09 01 00 00 00 00 00 |p...............|
0001a790 07 00 00 00 10 e8 01 00 10 e8 01 00 00 00 00 00 |................|
0001a7a0 00 34 00 00 a5 3c 00 00 43 fe 65 00 cb 79 14 ff |.4...<..C.e..y..|
0001a7b0 db a0 14 ff 24 1d 00 02 4f 72 67 61 6e 08 08 00 |....$...Organ...|
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0001a7d0 0c 09 01 00 00 00 00 00 0d 00 00 00 00 3c 00 00 |.............<..|
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0001a7f0 70 1c 00 02 4f 72 67 61 6e 20 70 65 64 61 6c 73 |p...Organ pedals|
0001a800 20 61 72 65 20 63 68 6f 73 65 6e 20 61 73 20 61 | are chosen as a|
0001a810 20 73 65 70 61 72 61 74 65 20 69 6e 73 74 72 75 | separate instru|
0001a820 6d 65 6e 74 20 66 72 6f 6d 20 74 68 65 20 00 00 |ment from the ..|
0001a830 00 54 00 00 25 4c 00 00 42 3a f5 02 0b 1c 14 ff |.T..%L..B:......|
0001a840 1b 43 14 ff 70 1c 00 00 6d 61 6e 75 61 6c 73 2c |.C..p...manuals,|
0001a850 20 73 6f 20 74 68 61 74 20 74 68 65 79 20 61 72 | so that they ar|
0001a860 65 20 6e 6f 74 20 61 6c 6c 20 62 72 61 63 65 64 |e not all braced|
0001a870 20 74 6f 67 65 74 68 65 72 2e 0d 00 00 4c 00 00 | together....L..|
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0001a890 70 1c 00 02 0d 00 00 00 00 1c 00 00 05 50 00 00 |p............P..|
0001a8a0 03 ce 6f 03 4b be 13 ff 5b e5 13 ff 70 1c 00 02 |..o.K...[...p...|
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0001a8f0 42 fc f2 01 6b 8f 13 ff 7b b6 13 ff 70 1c 00 00 |B...k...{...p...|
0001a900 70 65 64 61 6c 73 20 61 72 65 20 90 50 65 64 2e |pedals are .Ped.|
0001a910 3a 20 4f 72 67 61 6e 20 70 65 64 61 6c 73 91 2e |: Organ pedals..|
0001a920 0d 0e 08 08 0c 09 01 00 00 00 00 00 07 00 00 00 |................|
0001a930 0b 0a 01 00 0b 0a 01 00 00 00 00 00 00 54 00 00 |.............T..|
0001a940 01 10 00 00 00 00 00 00 00 00 00 00 00 10 00 00 |................|
0001a950 02 18 00 00 6c 34 00 00 00 00 00 00 0b 0a 01 00 |....l4..........|
0001a960 00 00 00 00 00 18 00 00 a5 40 00 00 42 9e 84 01 |.........@..B...|
0001a970 f0 4a 0f ff 40 91 0f ff 30 33 00 02 53 70 65 63 |.J..@...03..Spec|
0001a980 69 61 6c 20 4e 6f 74 65 73 0d 08 08 0b 0a 01 00 |ial Notes.......|
0001a990 00 00 00 00 07 00 00 00 0c 0b 01 00 0c 0b 01 00 |................|
0001a9a0 00 00 00 00 00 40 00 00 a5 34 00 00 42 00 00 00 |.....@...4..B...|
0001a9b0 d0 15 0f ff e0 3c 0f ff 70 1c 00 02 0d 08 00 f2 |.....<..p.......|
0001a9c0 0c 0b 01 00 00 00 00 00 07 00 00 00 10 e9 01 00 |................|
0001a9d0 10 e9 01 00 00 00 00 00 00 34 00 00 a5 40 00 00 |.........4...@..|
0001a9e0 43 e8 8a 00 f0 e6 0e ff 00 0e 0f ff 24 1d 00 02 |C...........$...|
0001a9f0 43 6f 6e 74 65 6e 74 73 08 08 08 73 10 e9 01 00 |Contents...s....|
0001aa00 00 00 00 00 07 00 00 00 0c 0b 01 00 0c 0b 01 00 |................|
0001aa10 00 00 00 00 0d 00 00 00 00 40 00 00 25 28 00 00 |.........@..%(..|
0001aa20 43 20 c1 00 10 b8 0e ff 20 df 0e ff 70 1c 00 02 |C ...... ...p...|
0001aa30 49 6e 74 72 6f 64 75 63 74 69 6f 6e 0d 00 00 00 |Introduction....|
0001aa40 00 28 00 00 25 28 00 00 43 c4 ef 00 30 89 0e ff |.(..%(..C...0...|
0001aa50 40 b0 0e ff 70 1c 00 02 43 72 6f 73 73 20 6e 6f |@...p...Cross no|
0001aa60 74 65 68 65 61 64 0d 00 00 28 00 00 25 24 00 00 |tehead...(..%$..|
0001aa70 43 34 8f 00 50 5a 0e ff 60 81 0e ff 70 1c 00 02 |C4..PZ..`...p...|
0001aa80 43 75 65 2d 6e 6f 74 65 0d 00 00 00 00 24 00 00 |Cue-note.....$..|
0001aa90 25 2c 00 00 43 2c 28 01 70 2b 0e ff 80 52 0e ff |%,..C,(.p+...R..|
0001aaa0 70 1c 00 02 44 69 61 6d 6f 6e 64 20 6e 6f 74 65 |p...Diamond note|
0001aab0 68 65 61 64 0d 00 00 00 00 2c 00 00 25 28 00 00 |head.....,..%(..|
0001aac0 42 0c da 00 90 fc 0d ff a0 23 0e ff 70 1c 00 02 |B........#..p...|
0001aad0 48 65 61 64 6c 65 73 73 20 6e 6f 74 65 0d 00 00 |Headless note...|
0001aae0 00 28 00 00 25 1c 00 00 42 00 00 00 b0 cd 0d ff |.(..%...B.......|
0001aaf0 c0 f4 0d ff 70 1c 00 02 0d 00 00 00 00 1c 00 00 |....p...........|
0001ab00 05 50 00 00 03 40 76 03 d0 9e 0d ff e0 c5 0d ff |.P...@v.........|
0001ab10 70 1c 00 02 53 65 65 20 6d 61 6e 75 61 6c 20 66 |p...See manual f|
0001ab20 6f 72 3a 20 6f 74 68 65 72 20 73 70 65 63 69 61 |or: other specia|
0001ab30 6c 20 6e 6f 74 65 68 65 61 64 73 2e 20 53 65 65 |l noteheads. See|
0001ab40 20 61 6c 73 6f 20 47 72 61 63 65 2d 00 50 00 00 | also Grace-.P..|
0001ab50 25 3c 00 00 43 00 26 02 f0 6f 0d ff 00 97 0d ff |%<..C.&..o......|
0001ab60 70 1c 00 00 6e 6f 74 65 73 2c 20 4e 6f 74 65 73 |p...notes, Notes|
0001ab70 20 61 6e 64 20 63 68 6f 72 64 73 2c 20 54 72 61 | and chords, Tra|
0001ab80 6e 73 66 65 72 73 2e 0d 00 3c 00 00 a5 34 00 00 |nsfers...<...4..|
0001ab90 42 00 00 00 10 41 0d ff 20 68 0d ff 70 1c 00 02 |B....A.. h..p...|
0001aba0 0d 08 08 00 0c 0b 01 00 00 00 00 00 07 ae 03 ff |................|
0001abb0 10 ea 01 00 10 ea 01 00 00 00 00 00 00 34 00 00 |.............4..|
0001abc0 a5 44 00 00 43 50 c3 00 30 12 0d ff 40 39 0d ff |.D..CP..0...@9..|
0001abd0 24 1d 00 02 49 6e 74 72 6f 64 75 63 74 69 6f 6e |$...Introduction|
0001abe0 08 08 03 ff 10 ea 01 00 00 00 00 00 07 6e 74 72 |.............ntr|
0001abf0 0c 0b 01 00 0c 0b 01 00 00 00 00 00 0d 00 00 00 |................|
0001ac00 00 44 00 00 05 54 00 00 03 76 90 03 50 e3 0c ff |.D...T...v..P...|
0001ac10 60 0a 0d ff 70 1c 00 02 54 68 65 20 6b 65 79 73 |`...p...The keys|
0001ac20 20 53 68 69 66 74 2d 20 61 6e 64 20 43 74 72 6c | Shift- and Ctrl|
0001ac30 2d 46 31 31 2f 46 31 32 20 67 69 76 65 20 74 68 |-F11/F12 give th|
0001ac40 65 20 73 65 6c 65 63 74 65 64 20 6e 6f 74 65 20 |e selected note |
0001ac50 6f 72 20 00 00 54 00 00 25 4c 00 00 42 7e 1f 03 |or ..T..%L..B~..|
0001ac60 70 b4 0c ff 80 db 0c ff 70 1c 00 00 63 68 6f 72 |p.......p...chor|
0001ac70 64 20 66 6f 75 72 20 73 70 65 63 69 61 6c 20 6e |d four special n|
0001ac80 6f 74 65 68 65 61 64 73 2e 20 54 68 65 20 6b 65 |oteheads. The ke|
0001ac90 79 73 20 61 72 65 20 74 6f 67 67 6c 65 73 2e 0d |ys are toggles..|
0001aca0 00 4c 00 00 25 1c 00 00 43 00 00 00 90 85 0c ff |.L..%...C.......|
0001acb0 a0 ac 0c ff 70 1c 00 02 0d 00 00 00 00 1c 00 00 |....p...........|
0001acc0 05 54 00 00 03 1a 8d 03 b0 56 0c ff c0 7d 0c ff |.T.......V...}..|
0001acd0 70 1c 00 02 57 68 65 6e 20 79 6f 75 20 63 6f 70 |p...When you cop|
0001ace0 79 20 6e 6f 74 65 73 20 73 70 65 63 69 61 6c 20 |y notes special |
0001acf0 6e 6f 74 65 68 65 61 64 73 20 61 72 65 20 63 6f |noteheads are co|
0001ad00 70 69 65 64 20 74 6f 6f 2c 20 73 6f 20 00 00 00 |pied too, so ...|
0001ad10 00 54 00 00 05 54 00 00 03 4a 76 03 d0 27 0c ff |.T...T...Jv..'..|
0001ad20 e0 4e 0c ff 70 1c 00 00 77 68 65 6e 20 74 72 61 |.N..p...when tra|
0001ad30 6e 73 63 72 69 62 69 6e 67 20 61 20 70 61 73 73 |nscribing a pass|
0001ad40 61 67 65 20 6f 66 20 28 73 61 79 29 20 63 75 65 |age of (say) cue|
0001ad50 2d 6e 6f 74 65 73 2c 20 79 6f 75 20 6f 6e 6c 79 |-notes, you only|
0001ad60 20 00 00 00 00 54 00 00 25 44 00 00 43 ec 70 02 | ....T..%D..C.p.|
0001ad70 f0 f8 0b ff 00 20 0c ff 70 1c 00 00 6e 65 65 64 |..... ..p...need|
0001ad80 20 74 6f 20 70 72 65 73 73 20 53 68 69 66 74 2d | to press Shift-|
0001ad90 46 31 32 20 66 6f 72 20 74 68 65 20 66 69 72 73 |F12 for the firs|
0001ada0 74 20 6f 6e 65 2e 0d 00 00 44 00 00 a5 34 00 00 |t one....D...4..|
0001adb0 42 00 00 00 10 ca 0b ff 20 f1 0b ff 70 1c 00 02 |B....... ...p...|
0001adc0 0d 08 08 00 0c 0b 01 00 00 00 00 00 07 00 00 00 |................|
0001add0 10 eb 01 00 10 eb 01 00 00 00 00 00 00 34 00 00 |.............4..|
0001ade0 05 30 00 00 00 e4 56 01 30 9b 0b ff 40 c2 0b ff |.0....V.0...@...|
0001adf0 24 1d 00 02 43 72 6f 73 73 20 6e 6f 74 65 68 65 |$...Cross notehe|
0001ae00 61 64 20 28 43 74 72 6c 2d 00 00 00 00 30 00 00 |ad (Ctrl-....0..|
0001ae10 a5 3c 00 00 43 f0 4b 00 50 6c 0b ff 60 93 0b ff |.<..C.K.Pl..`...|
0001ae20 24 1d 00 00 46 31 31 29 08 08 00 00 10 eb 01 00 |$...F11)........|
0001ae30 00 00 00 00 07 da 01 ff 0c 0b 01 00 0c 0b 01 00 |................|
0001ae40 00 00 00 00 0d 00 00 00 00 3c 00 00 05 54 00 00 |.........<...T..|
0001ae50 03 8c 6b 03 70 3d 0b ff 80 64 0b ff 70 1c 00 02 |..k.p=...d..p...|
0001ae60 54 68 69 73 20 69 6e 64 69 63 61 74 65 73 20 61 |This indicates a|
0001ae70 20 6e 6f 74 65 20 6f 66 20 75 6e 63 65 72 74 61 | note of uncerta|
0001ae80 69 6e 20 70 69 74 63 68 2c 20 73 6f 6d 65 74 69 |in pitch, someti|
0001ae90 6d 65 73 20 75 73 65 64 20 00 00 00 00 54 00 00 |mes used ....T..|
0001aea0 05 50 00 00 03 be 61 03 90 0e 0b ff a0 35 0b ff |.P....a......5..|
0001aeb0 70 1c 00 00 66 6f 72 20 75 6e 74 75 6e 65 64 20 |p...for untuned |
0001aec0 70 65 72 63 75 73 73 69 6f 6e 20 69 6e 73 74 72 |percussion instr|
0001aed0 75 6d 65 6e 74 73 2e 20 57 68 65 6e 20 70 72 65 |uments. When pre|
0001aee0 73 73 65 64 20 6f 6e 20 61 20 00 00 00 50 00 00 |ssed on a ...P..|
0001aef0 05 54 00 00 03 d6 7b 03 b0 df 0a ff c0 06 0b ff |.T....{.........|
0001af00 70 1c 00 00 63 68 6f 72 64 2c 20 43 74 72 6c 2d |p...chord, Ctrl-|
0001af10 46 31 31 20 6d 61 6b 65 73 20 61 6c 6c 20 74 68 |F11 makes all th|
0001af20 65 20 6e 6f 74 65 68 65 61 64 73 20 69 6e 20 74 |e noteheads in t|
0001af30 68 65 20 63 68 6f 72 64 20 69 6e 74 6f 20 00 00 |he chord into ..|
0001af40 00 54 00 00 25 24 00 00 42 94 7a 00 d0 b0 0a ff |.T..%$..B.z.....|
0001af50 e0 d7 0a ff 70 1c 00 00 63 72 6f 73 73 65 73 2e |....p...crosses.|
0001af60 0d 00 00 00 00 24 00 00 25 1c 00 00 43 00 00 00 |.....$..%...C...|
0001af70 f0 81 0a ff 00 a9 0a ff 70 1c 00 02 0d 00 00 00 |........p.......|
0001af80 00 1c 00 00 05 50 00 00 03 d8 56 03 10 53 0a ff |.....P....V..S..|
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0001b450 44 69 61 6d 6f 6e 64 20 6e 6f 74 65 68 65 61 64 |Diamond notehead|
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0001bc60 49 66 20 79 6f 75 20 77 61 6e 74 20 74 6f 20 65 |If you want to e|
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0001bcb0 73 75 63 68 20 61 73 20 69 6e 20 61 20 6d 75 73 |such as in a mus|
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0001bcf0 05 54 00 00 03 a6 79 03 35 49 03 ff 45 70 03 ff |.T....y.5I..Ep..|
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0001bd40 00 54 00 00 05 54 00 00 00 82 84 03 55 1a 03 ff |.T...T......U...|
0001bd50 65 41 03 ff 70 1c 00 00 54 68 69 73 20 69 73 20 |eA..p...This is |
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0001df50 24 1d 00 00 73 79 73 74 65 6d 08 00 10 fa 01 00 |$...system......|
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0001df90 53 74 61 76 65 73 20 77 69 74 68 20 6e 6f 20 6d |Staves with no m|
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0001e060 03 8c 52 03 1a af f9 fe 2a d6 f9 fe 70 1c 00 00 |..R.....*...p...|
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0001ede0 0c 11 01 00 00 00 00 00 07 00 00 00 10 fe 01 00 |................|
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0001ee00 43 c4 ef 00 df ad ef fe ef d4 ef fe 24 1d 00 02 |C...........$...|
0001ee10 44 65 6c 65 74 69 6e 67 20 73 74 61 76 65 73 08 |Deleting staves.|
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0001ee30 0c 11 01 00 00 00 00 00 0d 00 00 00 00 44 00 00 |.............D..|
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0001f210 61 6e 64 20 70 72 65 73 73 20 44 65 6c 65 74 65 |and press Delete|
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00023d30 70 1c 00 02 8f 20 43 6c 69 63 6b 20 6f 6e 20 4f |p.... Click on O|
00023d40 4b 2e 20 54 68 65 20 63 6f 70 79 69 6e 67 20 70 |K. The copying p|
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00023d70 b8 a2 c2 fe c8 c9 c2 fe 70 1c 00 02 20 8f 20 50 |........p... . P|
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00023d90 74 20 6f 66 20 61 20 62 61 72 20 61 6e 64 20 63 |t of a bar and c|
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00023dc0 43 4e 68 03 d8 73 c2 fe e8 9a c2 fe 70 1c 00 00 |CNh..s......p...|
00023dd0 73 69 67 6e 61 74 75 72 65 20 77 69 6c 6c 20 62 |signature will b|
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00023e30 07 00 00 00 10 18 02 00 10 18 02 00 00 00 00 00 |................|
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00023f20 59 6f 75 20 63 61 6e 20 61 6c 73 6f 20 44 65 6c |You can also Del|
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00023f40 72 65 73 20 61 6e 64 20 63 6f 70 79 20 00 00 00 |res and copy ...|
00023f50 00 54 00 00 05 54 00 00 00 54 8f 03 98 5a c1 fe |.T...T...T...Z..|
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00023fe0 61 63 74 6c 79 20 74 68 65 20 72 69 67 68 74 20 |actly the right |
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00024010 00 00 00 00 00 70 00 00 01 10 00 00 00 00 00 00 |.....p..........|
00024020 00 00 00 00 00 10 00 00 02 18 00 00 b0 45 00 00 |.............E..|
00024030 00 00 00 00 0b 1e 01 00 00 00 00 00 00 18 00 00 |................|
00024040 a5 3c 00 00 42 80 09 01 18 68 c5 fe 68 ae c5 fe |.<..B....h..h...|
00024050 30 33 00 02 54 72 61 6e 73 66 65 72 73 08 08 00 |03..Transfers...|
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00024070 0c 1f 01 00 00 00 00 00 00 3c 00 00 a5 34 00 00 |.........<...4..|
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000240a0 10 19 02 00 10 19 02 00 00 00 00 00 00 34 00 00 |.............4..|
000240b0 a5 40 00 00 43 e8 8a 00 18 04 c5 fe 28 2b c5 fe |.@..C.......(+..|
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000240d0 10 19 02 00 00 00 00 00 07 c7 bb fe 0c 1f 01 00 |................|
000240e0 0c 1f 01 00 00 00 00 00 0d 00 00 00 00 40 00 00 |.............@..|
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00024100 70 1c 00 02 43 72 65 61 74 69 6e 67 20 61 20 74 |p...Creating a t|
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00024150 78 77 c4 fe 88 9e c4 fe 70 1c 00 02 0d 00 00 00 |xw......p.......|
00024160 00 1c 00 00 25 44 00 00 43 f4 8b 02 98 48 c4 fe |....%D..C....H..|
00024170 a8 6f c4 fe 70 1c 00 02 53 65 65 20 6d 61 6e 75 |.o..p...See manu|
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000241b0 b8 19 c4 fe c8 40 c4 fe 70 1c 00 02 0d 08 08 00 |.....@..p.......|
000241c0 0c 1f 01 00 00 00 00 00 07 87 ba fe 10 1a 02 00 |................|
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000241e0 43 ae 2d 01 d8 ea c3 fe e8 11 c4 fe 24 1d 00 02 |C.-.........$...|
000241f0 43 72 65 61 74 69 6e 67 20 61 20 74 72 61 6e 73 |Creating a trans|
00024200 66 65 72 08 10 1a 02 00 00 00 00 00 07 69 6e 67 |fer..........ing|
00024210 0c 1f 01 00 0c 1f 01 00 00 00 00 00 0d 00 00 00 |................|
00024220 00 48 00 00 05 50 00 00 03 9c 79 03 f8 bb c3 fe |.H...P....y.....|
00024230 08 e3 c3 fe 70 1c 00 02 43 68 6f 6f 73 65 20 6f |....p...Choose o|
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00024250 20 53 79 6d 62 6f 6c 73 89 54 72 61 6e 73 66 65 | Symbols.Transfe|
00024260 72 73 20 77 69 6e 64 6f 77 2c 20 61 6e 64 20 00 |rs window, and .|
00024270 00 50 00 00 25 38 00 00 42 8c d1 01 18 8d c3 fe |.P..%8..B.......|
00024280 28 b4 c3 fe 70 1c 00 00 70 6f 73 69 74 69 6f 6e |(...p...position|
00024290 20 69 74 20 62 79 20 63 6c 69 63 6b 69 6e 67 20 | it by clicking |
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000242b0 43 00 00 00 38 5e c3 fe 48 85 c3 fe 70 1c 00 02 |C...8^..H...p...|
000242c0 0d 00 00 00 00 1c 00 00 05 50 00 00 03 2e 5b 03 |.........P....[.|
000242d0 58 2f c3 fe 68 56 c3 fe 70 1c 00 02 44 6f 6e 91 |X/..hV..p...Don.|
000242e0 74 20 75 73 65 20 61 20 74 72 61 6e 73 66 65 72 |t use a transfer|
000242f0 20 77 68 65 72 65 20 6f 6e 65 20 6f 66 20 53 69 | where one of Si|
00024300 62 65 6c 69 75 73 91 73 20 61 75 74 6f 6d 61 74 |belius.s automat|
00024310 65 64 20 00 00 50 00 00 05 54 00 00 03 b8 7b 03 |ed ..P...T....{.|
00024320 78 00 c3 fe 88 27 c3 fe 70 1c 00 00 6d 61 72 6b |x....'..p...mark|
00024330 69 6e 67 73 20 77 69 6c 6c 20 64 6f 2c 20 62 65 |ings will do, be|
00024340 63 61 75 73 65 20 74 72 61 6e 73 66 65 72 73 20 |cause transfers |
00024350 6f 76 65 72 72 69 64 65 20 74 68 65 20 73 74 61 |override the sta|
00024360 6e 64 61 72 64 20 00 00 00 54 00 00 05 58 00 00 |ndard ...T...X..|
00024370 03 9a 9e 03 98 d1 c2 fe a8 f8 c2 fe 70 1c 00 00 |............p...|
00024380 70 6f 73 69 74 69 6f 6e 69 6e 67 20 72 75 6c 65 |positioning rule|
00024390 73 20 61 6e 64 20 73 6f 20 62 65 68 61 76 65 20 |s and so behave |
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000243b0 6c 79 20 74 68 61 6e 20 6f 74 68 65 72 20 00 00 |ly than other ..|
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000243d0 c8 c9 c2 fe 70 1c 00 00 6d 61 72 6b 69 6e 67 73 |....p...markings|
000243e0 2e 0d 00 00 00 24 00 00 a5 34 00 00 43 00 00 00 |.....$...4..C...|
000243f0 d8 73 c2 fe e8 9a c2 fe 70 1c 00 02 0d 08 08 00 |.s......p.......|
00024400 0c 1f 01 00 00 00 00 00 07 00 00 00 10 1b 02 00 |................|
00024410 10 1b 02 00 00 00 00 00 00 34 00 00 a5 48 00 00 |.........4...H..|
00024420 43 42 35 01 f8 44 c2 fe 08 6c c2 fe 24 1d 00 02 |CB5..D...l..$...|
00024430 4d 6f 64 69 66 79 69 6e 67 20 74 72 61 6e 73 66 |Modifying transf|
00024440 65 72 73 08 10 1b 02 00 00 00 00 00 07 6f 64 69 |ers..........odi|
00024450 0c 1f 01 00 0c 1f 01 00 00 00 00 00 0d 00 00 00 |................|
00024460 00 48 00 00 05 4c 00 00 03 bc 22 03 18 16 c2 fe |.H...L....".....|
00024470 28 3d c2 fe 70 1c 00 02 54 72 61 6e 73 66 65 72 |(=..p...Transfer|
00024480 73 20 63 61 6e 20 62 65 20 64 72 61 67 67 65 64 |s can be dragged|
00024490 2c 20 63 6f 70 69 65 64 20 28 77 69 74 68 20 41 |, copied (with A|
000244a0 64 6a 75 73 74 29 20 61 6e 64 20 00 00 4c 00 00 |djust) and ..L..|
000244b0 a5 3c 00 00 42 40 83 00 38 e7 c1 fe 48 0e c2 fe |.<..B@..8...H...|
000244c0 70 1c 00 00 44 65 6c 65 74 65 64 2e 0d 0e 08 08 |p...Deleted.....|
000244d0 0c 1f 01 00 00 00 00 00 07 00 00 00 0b 20 01 00 |............. ..|
000244e0 0b 20 01 00 00 00 00 00 00 3c 00 00 01 10 00 00 |. .......<......|
000244f0 00 00 00 00 00 00 00 00 00 10 00 00 02 18 00 00 |................|
00024500 b4 46 00 00 00 00 00 00 0b 20 01 00 00 00 00 00 |.F....... ......|
00024510 00 18 00 00 a5 38 00 00 42 9c de 00 bd 2b bc fe |.....8..B....+..|
00024520 0d 72 bc fe 30 33 00 02 54 72 65 6d 65 6c 69 08 |.r..03..Tremeli.|
00024530 0b 20 01 00 00 00 00 00 0d 07 00 00 0c 21 01 00 |. ...........!..|
00024540 0c 21 01 00 00 00 00 00 00 38 00 00 a5 34 00 00 |.!.......8...4..|
00024550 42 00 00 00 9d f6 bb fe ad 1d bc fe 70 1c 00 02 |B...........p...|
00024560 0d 08 00 f2 0c 21 01 00 00 00 00 00 07 00 00 00 |.....!..........|
00024570 10 1c 02 00 10 1c 02 00 00 00 00 00 00 34 00 00 |.............4..|
00024580 a5 40 00 00 43 e8 8a 00 bd c7 bb fe cd ee bb fe |.@..C...........|
00024590 24 1d 00 02 43 6f 6e 74 65 6e 74 73 08 08 74 73 |$...Contents..ts|
000245a0 10 1c 02 00 00 00 00 00 07 00 00 00 0c 21 01 00 |.............!..|
000245b0 0c 21 01 00 00 00 00 00 0d 00 00 00 00 40 00 00 |.!...........@..|
000245c0 25 2c 00 00 43 c8 09 01 dd 98 bb fe ed bf bb fe |%,..C...........|
000245d0 70 1c 00 02 4f 6e 65 2d 6e 6f 74 65 20 74 72 65 |p...One-note tre|
000245e0 6d 65 6c 69 0d 00 00 00 00 2c 00 00 25 2c 00 00 |meli.....,..%,..|
000245f0 43 4e 10 01 fd 69 bb fe 0d 91 bb fe 70 1c 00 02 |CN...i......p...|
00024600 54 77 6f 2d 6e 6f 74 65 20 74 72 65 6d 65 6c 69 |Two-note tremeli|
00024610 0d 00 00 00 00 2c 00 00 a5 34 00 00 42 00 00 00 |.....,...4..B...|
00024620 1d 3b bb fe 2d 62 bb fe 70 1c 00 02 0d 08 08 00 |.;..-b..p.......|
00024630 0c 21 01 00 00 00 00 00 07 00 00 00 10 1d 02 00 |.!..............|
00024640 10 1d 02 00 00 00 00 00 00 34 00 00 a5 48 00 00 |.........4...H..|
00024650 43 c8 09 01 3d 0c bb fe 4d 33 bb fe 24 1d 00 02 |C...=...M3..$...|
00024660 4f 6e 65 2d 6e 6f 74 65 20 74 72 65 6d 65 6c 69 |One-note tremeli|
00024670 08 08 b1 fe 10 1d 02 00 00 00 00 00 07 6e 65 2d |.............ne-|
00024680 0c 21 01 00 0c 21 01 00 00 00 00 00 0d 00 00 00 |.!...!..........|
00024690 00 48 00 00 25 34 00 00 43 38 94 01 5d dd ba fe |.H..%4..C8..]...|
000246a0 6d 04 bb fe 70 1c 00 02 8f a0 53 65 6c 65 63 74 |m...p.....Select|
000246b0 20 74 68 65 20 6e 6f 74 65 20 6f 72 20 63 68 6f | the note or cho|
000246c0 72 64 2e 0d 00 34 00 00 05 50 00 00 03 1e 2a 03 |rd...4...P....*.|
000246d0 7d ae ba fe 8d d5 ba fe 70 1c 00 02 8f a0 50 72 |}.......p.....Pr|
000246e0 65 73 73 20 43 74 72 6c 2d 53 68 69 66 74 2d 46 |ess Ctrl-Shift-F|
000246f0 35 20 74 6f 20 46 38 20 74 6f 20 61 64 64 20 75 |5 to F8 to add u|
00024700 70 20 74 6f 20 66 6f 75 72 20 74 72 65 6d 65 6c |p to four tremel|
00024710 6f 20 00 00 00 50 00 00 05 50 00 00 00 c6 3b 03 |o ...P...P....;.|
00024720 9d 7f ba fe ad a6 ba fe 70 1c 00 00 73 74 72 6f |........p...stro|
00024730 6b 65 73 20 74 6f 20 74 68 65 20 73 74 65 6d 2e |kes to the stem.|
00024740 20 59 6f 75 20 63 61 6e 20 65 76 65 6e 20 61 64 | You can even ad|
00024750 64 20 66 6f 75 72 20 73 74 72 6f 6b 65 73 20 74 |d four strokes t|
00024760 6f 20 00 00 00 50 00 00 25 34 00 00 42 14 b3 01 |o ...P..%4..B...|
00024770 bd 50 ba fe cd 77 ba fe 70 1c 00 00 73 65 6d 69 |.P...w..p...semi|
00024780 68 65 6d 69 64 65 6d 69 73 65 6d 69 71 75 61 76 |hemidemisemiquav|
00024790 65 72 73 2e 0d 00 00 00 00 34 00 00 25 1c 00 00 |ers......4..%...|
000247a0 43 00 00 00 dd 21 ba fe ed 48 ba fe 70 1c 00 02 |C....!...H..p...|
000247b0 0d 00 00 00 00 1c 00 00 05 50 00 00 03 74 51 03 |.........P...tQ.|
000247c0 fd f2 b9 fe 0d 1a ba fe 70 1c 00 02 54 68 65 20 |........p...The |
000247d0 74 72 65 6d 65 6c 6f 20 6b 65 79 73 20 61 63 74 |tremelo keys act|
000247e0 20 61 73 20 74 6f 67 67 6c 65 73 2c 20 73 6f 20 | as toggles, so |
000247f0 70 72 65 73 73 20 74 68 65 20 73 61 6d 65 20 6b |press the same k|
00024800 65 79 20 00 00 50 00 00 25 38 00 00 43 0c c0 01 |ey ..P..%8..C...|
00024810 1d c4 b9 fe 2d eb b9 fe 70 1c 00 00 61 67 61 69 |....-...p...agai|
00024820 6e 20 74 6f 20 72 65 6d 6f 76 65 20 74 68 65 20 |n to remove the |
00024830 74 72 65 6d 65 6c 6f 2e 0d 00 00 00 00 38 00 00 |tremelo......8..|
00024840 a5 34 00 00 42 00 00 00 3d 95 b9 fe 4d bc b9 fe |.4..B...=...M...|
00024850 70 1c 00 02 0d 08 08 00 0c 21 01 00 00 00 00 00 |p........!......|
00024860 07 00 00 00 10 1e 02 00 10 1e 02 00 00 00 00 00 |................|
00024870 00 34 00 00 a5 48 00 00 43 02 0c 01 5d 66 b9 fe |.4...H..C...]f..|
00024880 6d 8d b9 fe 24 1d 00 02 54 77 6f 2d 6e 6f 74 65 |m...$...Two-note|
00024890 20 74 72 65 6d 65 6c 69 08 08 af fe 10 1e 02 00 | tremeli........|
000248a0 00 00 00 00 07 77 6f 2d 0c 21 01 00 0c 21 01 00 |.....wo-.!...!..|
000248b0 00 00 00 00 0d 00 00 00 00 48 00 00 05 54 00 00 |.........H...T..|
000248c0 03 c6 81 03 7d 37 b9 fe 8d 5e b9 fe 70 1c 00 02 |....}7...^..p...|
000248d0 8f a0 43 72 65 61 74 65 20 74 77 6f 20 63 6f 6e |..Create two con|
000248e0 73 65 63 75 74 69 76 65 20 6e 6f 74 65 73 20 6f |secutive notes o|
000248f0 72 20 63 68 6f 72 64 73 2c 20 65 61 63 68 20 6f |r chords, each o|
00024900 66 20 68 61 6c 66 20 74 68 65 20 00 00 54 00 00 |f half the ..T..|
00024910 05 54 00 00 03 44 68 03 9d 08 b9 fe ad 2f b9 fe |.T...Dh....../..|
00024920 70 1c 00 00 74 6f 74 61 6c 20 64 75 72 61 74 69 |p...total durati|
00024930 6f 6e 20 6f 66 20 74 68 65 20 74 72 65 6d 65 6c |on of the tremel|
00024940 6f 20 28 74 68 65 79 20 63 61 6e 20 62 65 20 64 |o (they can be d|
00024950 6f 74 74 65 64 20 6e 6f 74 65 73 20 69 66 20 00 |otted notes if .|
00024960 00 54 00 00 25 24 00 00 43 ba 95 00 bd d9 b8 fe |.T..%$..C.......|
00024970 cd 00 b9 fe 70 1c 00 00 79 6f 75 20 6c 69 6b 65 |....p...you like|
00024980 29 2e 0d 00 00 24 00 00 05 58 00 00 03 3a 86 03 |)....$...X...:..|
00024990 dd aa b8 fe ed d1 b8 fe 70 1c 00 02 8f a0 53 65 |........p.....Se|
000249a0 6c 65 63 74 20 74 68 65 20 66 69 72 73 74 20 6e |lect the first n|
000249b0 6f 74 65 20 61 6e 64 20 70 72 65 73 73 20 6f 6e |ote and press on|
000249c0 65 20 6f 66 20 74 68 65 20 6b 65 79 73 20 43 74 |e of the keys Ct|
000249d0 72 6c 2d 53 68 69 66 74 2d 00 00 00 00 58 00 00 |rl-Shift-....X..|
000249e0 25 24 00 00 42 b8 a1 00 fd 7b b8 fe 0d a3 b8 fe |%$..B....{......|
000249f0 70 1c 00 00 46 39 20 74 6f 20 46 31 32 2e 0d 00 |p...F9 to F12...|
00024a00 00 24 00 00 25 1c 00 00 43 00 00 00 1d 4d b8 fe |.$..%...C....M..|
00024a10 2d 74 b8 fe 70 1c 00 02 0d 00 00 00 00 1c 00 00 |-t..p...........|
00024a20 05 54 00 00 03 48 82 03 3d 1e b8 fe 4d 45 b8 fe |.T...H..=...ME..|
00024a30 70 1c 00 02 54 68 65 20 6b 65 79 73 20 61 72 65 |p...The keys are|
00024a40 20 74 6f 67 67 6c 65 73 2c 20 73 6f 20 70 72 65 | toggles, so pre|
00024a50 73 73 69 6e 67 20 74 68 65 6d 20 61 67 61 69 6e |ssing them again|
00024a60 20 72 65 6d 6f 76 65 73 20 74 68 65 20 00 00 00 | removes the ...|
00024a70 00 54 00 00 25 24 00 00 42 1a 81 00 5d ef b7 fe |.T..%$..B...]...|
00024a80 6d 16 b8 fe 70 1c 00 00 74 72 65 6d 65 6c 6f 2e |m...p...tremelo.|
00024a90 0d 00 00 00 00 24 00 00 25 1c 00 00 43 00 00 00 |.....$..%...C...|
00024aa0 7d c0 b7 fe 8d e7 b7 fe 70 1c 00 02 0d 00 00 00 |}.......p.......|
00024ab0 00 1c 00 00 05 54 00 00 03 f8 8b 03 9d 91 b7 fe |.....T..........|
00024ac0 ad b8 b7 fe 70 1c 00 02 54 77 6f 2d 6e 6f 74 65 |....p...Two-note|
00024ad0 20 74 72 65 6d 65 6c 69 20 63 61 6e 20 67 6f 20 | tremeli can go |
00024ae0 61 63 72 6f 73 73 20 62 61 72 6c 69 6e 65 73 2c |across barlines,|
00024af0 20 69 66 20 74 68 65 20 62 61 72 73 20 61 72 65 | if the bars are|
00024b00 20 6f 6e 20 00 54 00 00 a5 44 00 00 42 d2 09 01 | on .T...D..B...|
00024b10 bd 62 b7 fe cd 89 b7 fe 70 1c 00 00 74 68 65 20 |.b......p...the |
00024b20 73 61 6d 65 20 73 79 73 74 65 6d 2e 0d 0e 08 08 |same system.....|
00024b30 0c 21 01 00 00 00 00 00 07 00 00 00 0b 22 01 00 |.!..........."..|
00024b40 0b 22 01 00 00 00 00 00 00 44 00 00 01 10 00 00 |.".......D......|
00024b50 00 00 00 00 00 00 00 00 00 10 00 00 02 18 00 00 |................|
00024b60 b8 47 00 00 00 00 00 00 0b 22 01 00 00 00 00 00 |.G......."......|
00024b70 00 18 00 00 a5 3c 00 00 42 a2 05 01 bd 2b bc fe |.....<..B....+..|
00024b80 0d 72 bc fe 30 33 00 02 55 6e 64 65 72 6c 61 79 |.r..03..Underlay|
00024b90 08 08 61 79 0b 22 01 00 00 00 00 00 0d 07 00 00 |..ay."..........|
00024ba0 0c 23 01 00 0c 23 01 00 00 00 00 00 00 3c 00 00 |.#...#.......<..|
00024bb0 a5 34 00 00 42 00 00 00 9d f6 bb fe ad 1d bc fe |.4..B...........|
00024bc0 70 1c 00 02 0d 08 08 02 0c 23 01 00 00 00 00 00 |p........#......|
00024bd0 07 00 00 00 10 1f 02 00 10 1f 02 00 00 00 00 00 |................|
00024be0 00 34 00 00 a5 40 00 00 42 e8 8a 00 bd c7 bb fe |.4...@..B.......|
00024bf0 cd ee bb fe 24 1d 00 02 43 6f 6e 74 65 6e 74 73 |....$...Contents|
00024c00 08 08 00 f2 10 1f 02 00 00 00 00 00 07 00 00 00 |................|
00024c10 0c 23 01 00 0c 23 01 00 00 00 00 00 0d 00 00 00 |.#...#..........|
00024c20 00 40 00 00 25 2c 00 00 43 fa 18 01 dd 98 bb fe |.@..%,..C.......|
00024c30 ed bf bb fe 70 1c 00 02 43 72 65 61 74 69 6e 67 |....p...Creating|
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00025690 03 48 9b 03 e2 cf b1 fe f2 f6 b1 fe 70 1c 00 02 |.H..........p...|
000256a0 53 65 65 20 6d 61 6e 75 61 6c 20 66 6f 72 3a 20 |See manual for: |
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00025700 73 65 6d 69 62 72 65 76 65 73 20 61 6e 64 20 62 |semibreves and b|
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00025760 00 00 00 00 00 34 00 00 05 2c 00 00 02 8a 38 01 |.....4...,....8.|
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00025850 c2 87 b0 fe d2 ae b0 fe 70 1c 00 02 8f 20 50 75 |........p.... Pu|
00025860 74 20 74 68 65 20 66 69 72 73 74 20 6e 6f 74 65 |t the first note|
00025870 20 6f 72 20 72 65 73 74 20 6f 66 20 74 68 65 20 | or rest of the |
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00025890 62 79 20 63 6f 70 79 69 6e 67 20 00 00 58 00 00 |by copying ..X..|
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00025930 25 38 00 00 43 32 db 01 22 fb af fe 32 22 b0 fe |%8..C2.."...2"..|
00025940 70 1c 00 00 41 6c 74 20 77 68 65 6e 65 76 65 72 |p...Alt whenever|
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00025970 42 cc af fe 52 f3 af fe 70 1c 00 02 0d 08 08 00 |B...R...p.......|
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00025a90 70 1c 00 02 8f 20 44 65 6c 65 74 65 20 74 68 65 |p.... Delete the|
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00025b30 70 1c 00 00 2d 20 69 6e 73 74 65 61 64 2c 20 64 |p...- instead, d|
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