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SibDemo/Read?Me/Reviews/Impression/The?Mix
This website contains an archive of files for the Acorn Electron, BBC Micro, Acorn Archimedes, Commodore 16 and Commodore 64 computers, which Dominic Ford has rescued from his private collection of floppy disks and cassettes.
Some of these files were originally commercial releases in the 1980s and 1990s, but they are now widely available online. I assume that copyright over them is no longer being asserted. If you own the copyright and would like files to be removed, please contact me.
| Tape/disk: | Home » Personal collection » Acorn hard disk » apps » sibelius |
| Filename: | SibDemo/Read?Me/Reviews/Impression/The?Mix |
| Read OK: | ✔ |
| File size: | 4884 bytes |
| Load address: | 0000 |
| Exec address: | 0000 |
File contents
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# # $ % $ $ % % % & & � %$ Cq� C���;��H June 1995
$ �$ B 7V��/���H
�� & $ �� ��+��#:��H YOU don�t see much new music software these days, so ' ' ' Sibelius ' comes as a double surprise. Not only is it written for � � I�������H the Arc, but it also happens to be one of the most powerful pieces of music software on any computer platform. It�s a � %D B��#�����H top-end, highly professional scorewriter.
D � ��a�����H Actually, the developers call it an expert system. Even if you can read music well, if you�ve ever tried your hand at � � ���-���X��H notation, you�ll have realised that there are lots of little rules which you weren�t consciously aware of, which have to � %P B�i���%��H be applied exactly, if the music is to read correctly.
P � ��������H Music typesetting is full of these arcane rules. They were developed over the centuries, and go far beyond those of � � ���w���H mere music notation. They cover things like how long note stems should be, how much space there should be between � � ���K���v��H notes, exactly where music symbols should go, where accidentals and music symbols should be placed, how large text � � ��w��oC��H should be (that depends on what it�s for) and so on. Sibelius is programmed with this arcane knowledge, and applies � %@ Bzz�����H the rules to your score automatically.
@ � &������H So why compromise such a worthy program by writing it for the Archimedes, rather than Mac or PC? Well, it was � � r�cj��[���H written by twin brothers Jonathan and Ben Finn, over a six year period while they were at university. An Arc was � � ���6���a��H there, and that�s just what they happened to use. Any coincidence between their surname and Finnish composers � %\ BY[��S.��H living or dead hotly contested by Jonathan and Ben, incidentally.
\ � ��O���G�H The Archimdedes is actually a high-underrated machine, but the lack of a significant user-base compared with the � � R�ˈ��ó��H Mac and PC promises to limit the commercial ambitions of the program. What is remarkable about Sibelius is that is � � �WGU��?���H written in machine code, unlike most other software, which tends to be written in C. Machine code makes for � %| B�#�!���L��H blindingly fast software, and you have to see Sibelius in action to believe just how fast it is.
| � �a������H The main screen does not run under RISC OS, but instead shows the layout of the score. There�s a small radar � � ȴ3���+��H window on the bottom right, containing a white rectangle which shows that part of the score which is visible in the � %( B� �s������H main window.
( � ���,���W��H You can move around the score by dragging the rectangle over the radar window. You can also move the score by � � � ���$��H holding down the mouse button on the main score, and dragging it as though you were sliding a piece of paper over � � J������H the desktop. The amazing thing about this is that the score moves instantly, just as if you were sliding a piece of paper � %L B q������H around. Graphics don�t come much faster than this.
L � �� K��v��H The speed of the program is evident in all aspects of its operation. If you decide to insert a note at the beginning of a � � y����B��H score, it will reformat it in a fraction of a second. It not only adjusts the notes, but intelligently performs functions � � ?�����H such as splitting or joining crescendos, and phrasing marks across two staves, adjusting the bar numbers at the start of � %D Bm����w��H each stave, reformatting text and so on.
D � m�si��k���H Sibelius reformats the score on the fly. As soon as you enter a note, it automatically spaces it and adjusts the stave and � % B�l �5���`��H �pages.
� ����H You can make large changes, too, such as adding a new instrument or even selecting a different score size, and that � %� Bd�_���W�H will be reformatted instantly, too. And it does this however large the score is - not even a symphony slows it down!
� � ��St��K���H Sibelius does have a RISC OS display, however. It shows an overview of the score, and appears like a normal Arc � � 6��@���k��H desktop window with scroll bars. You can zoom in and out, and the program uses shades of grey to make it legible at � � ��K
��C8��H almost any resolution. Working with this is a little slower, particularly on older machines, as it�s more under control of � %X B�������H the Arc. Give the fonts lots of RAM, to help speed things up.
X % B ��������H
� m��K���v��H Let�s see how you create a score. First, you select some instruments. These are simply staves, correctly formatted for � � ��+��#C��H the various instruments you want to use. There are over 100 available from menus, and you can create your own. � %� B������H They automatically appear in the correct order for an orchestral score, although you can change this too.
� � X������H Select a note duration using the function keys - an overlay is supplied - and then drag the note to the correct pitch, � � ��j���H with the mouse. Short notes are automatically beamed, although you can split and adjust these manually if you wish. � � �2�6�a�H Accidentals and note heads in chords are automatically put in the right place. You can then add accidentals, � %T BY��.�H articulation marks, text, lyrics and other music symbols.
T � �����H Notes or text are easily picked up and dragged to new positions. When you enter lyrics, notes are spaced � 9� � � 9��!�L�H automatically to accommodate them. Sibelius supports virtually any kind of music symbol you can think of, from � � �#���H renaissance breves to modern avant-garde notation. Entering notes in step-time from a MIDI keyboard is possible, � � �������H too. This is an easy way of working. The developers are currently working on real-time MIDI input, which will be � %4 B������H very useful to many people.
4 � m�@�k�H And all the time you�re entering notes, the program is formatting the score for you. When you reach the end of a line � � �� �7�H (technically, a System), Sibelius creates another one, much as wordprocessor wraps words onto a new line. It also � %t B�����H �wraps� pages, but you can also force a page end at any point, to help with page-turning.
t % B �����H
� ���J��u�H Virtually every aspect of Sibelius can be customised, a point which is well illustrated by House Styles. These are used � � �k�cB�H to customise scores for different types of music. They can include all aspects of layout and formatting, including � � ������H fonts, note spacings, bar number style and frequency, rehearsal mark formats, instrument order, barline splitting point � %$ Bq� c��[��H and so on.
$ � wWi�O��H House Styles let you create music with the same stylistic appearance. This is useful for music publishers, or for � %p B��5��`�H anyone wanting to assemble several pieces of music, even produced by different people.
p � ){����H But even though you can customise Sibelius quite heavily, most options have sensible defaults, and you can get � %\ B� C��;��H started quickly without having to create lots of settings first.
\ � �}7t�/��H �Although Sibelius is not a sequencer as such, it does have a remarkable range of playback facilities. It uses tape � %d B���@�k�H �transport-type controls for playback, and the score scrolls while playing.
d � ����$�H It defaults to General MIDI, although - as most of us have now come to expect - you can alter this. It will read the � � (�#����H instruments assigned to the staves, and automatically assign them to suitable GM voices. If you aren�t hooked up to � %p B�q�����H MIDI, it will play the score as best it can, using the Arc�s internal sounds system.
p � ���K�v�H The program also reads instructions such as mf, cresc, metronome markings, bowing marks (down-bowing makes the � � ���C�H sound a little louder), ties and hairpins, and interprets them on playback. It will also check for music instructions in � %8 B.�����H English, French and Italian.
8 � -���w��H It also contains an Espressivo algorithm, which makes subtle changes to the music during playback. It does such � � |�i���H things as slightly accentuating the first note in a bar, or group of beamed notes. It can be very subtle, but it does � %` B
�w6�oa�H remove some of the mechanical-ness you often find in sequenced music.
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� 6�_��W��H And so to the printing. Sibelius has lots of option in the print department. You can extract individual parts - as you � � ���t�ӟ�H would expect with any scoring program. However, Sibelius will also automatically transpose parts, and bring several � %l B�tWA�Ol�H bar rests together, as in the common practice in individual part scoring. Nice one.
l � ��K��C%�H It can export a score as a Draw or Impression file for Arc users, and as an EPS (Encapsulated PostScript) file, should � � ������H you want to use it on a Mac or PC. This enables you to use scores in any type of document material just as easily as � � M�C��;��H you would import a graphic. With all these features, you may be wondering if the program is easy to use. Well, you � � �0�_���H can generally just use those parts that you need. You don�t have to dig deep into the more sophisticated and � %D B-�;,�3W�H customisable features if you don�t want to.
D � y�/��'�H The whole process is admirably aided by an excellent manual. It�s in plain English, fairly jargon-free, has an index � � Q������H and is well illustrated. Adopting a tutorial approach, it takes you from entering your first score through to some of the � %\ B-^'~� ��H more intricate aspects of scorewriting, such as layout and design.
\ � /�7�b�H But easy though the program is to use, you will have to read the manual. In case you do have a problem, you�ll be � � ����.�H amazed to know that the company offers a 24-hour technical support hotline, which lasts for three months from the � %, BQ$�� ��H date of purchase.
, % B ����H
� {��A��l�H You may have come to the conclusion, as I have, that Sibelius is a pretty desirable piece of kit. It also has a pretty � � ��w�o9�H hefty price tag, more in keeping with high-end professional applications on the Mac and PC than a scorewriter. But � � E������H Sibelius is a very professional piece of software, and until Quark and Photoshop come down to �100, Sibelius has � %L BN*o��g��H every right to be up there with the rest of them.
L � ��c`�[��H But the company is aware that the program will be out of reach of many non-professional users, and so [...] check out � � ��,��W�H Sibelius 6. Most high-end programs have a cut-down sibling, and this is 7�s. Sibelius 6 may lack a few features, but � %� B{�[��S$�H it�s still an amazingly powerful program. It only looks limited if you�re already familiar with Sibelius 7.
� � ��O��G��H In all likelihood, the limitations will only be of importance to the professional. The vast majority of non-professional � Bֱ H %d Bֱ�!��L�H users, I�m sure, will find it more than equal to most scorewriting jobs.
d � �������H For example, 6 lacks some of the more esoteric note heads and music symbols. It also tends to have fixed options � � N�f��^��H where in 7 they can be customised. It can only handle scores up to 512 bars long, with 32 staves per page, and a � �� B>a�s�ڞ�H maximum of 16 instruments. And it can only print to A4 paper. Think you could live with that?
qua( ( � �0 C�� �,��W� Ian Waugh (
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00000170 54 68 65 a0 4d 69 78 00 00 0d 31 0d 00 04 00 00 |The.Mix...1.....|
00000180 94 05 00 00 0c 06 00 00 7c 06 00 00 dc 06 00 00 |........|.......|
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000008d0 cb 01 00 20 54 61 62 6c 65 00 65 64 00 00 00 00 |... Table.ed....|
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00000950 00 06 07 fa 00 00 00 00 45 66 66 65 63 74 20 31 |........Effect 1|
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00000a30 00 08 00 10 00 00 00 00 00 00 00 00 00 00 00 00 |................|
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00000a80 00 00 00 00 31 38 70 74 00 00 20 31 36 00 00 00 |....18pt.. 16...|
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00000aa0 00 80 32 02 20 01 00 00 00 00 00 00 00 00 00 00 |..2. ...........|
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00000b90 00 00 00 00 00 00 00 00 03 32 00 00 00 00 00 00 |.........2......|
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*
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*
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*
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00001860 00 ac 00 00 05 90 00 00 02 49 d7 07 a7 db fd ff |.........I......|
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00001940 17 61 fd ff 0f 8c fd ff 48 1f 00 00 41 63 74 75 |.a......H...Actu|
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00001960 70 65 72 73 20 63 61 6c 6c 20 69 74 20 61 6e 20 |pers call it an |
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00001980 76 65 6e 20 69 66 20 79 6f 75 20 63 61 6e 20 72 |ven if you can r|
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00001b60 20 54 68 65 79 20 63 6f 76 65 72 20 74 68 69 6e | They cover thin|
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00001c50 05 8c 00 00 00 a1 cc 07 77 18 fc ff 6f 43 fc ff |........w...oC..|
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00001ce0 42 7a 7a 02 f3 e4 fb ff eb 0f fc ff 48 1f 00 00 |Bzz.........H...|
00001cf0 74 68 65 20 72 75 6c 65 73 20 74 6f 20 79 6f 75 |the rules to you|
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00001d20 00 26 a8 07 e7 9d fb ff df c8 fb ff 48 1f 00 00 |.&..........H...|
00001d30 53 6f 20 77 68 79 20 63 6f 6d 70 72 6f 6d 69 73 |So why compromis|
00001d40 65 20 73 75 63 68 20 61 20 77 6f 72 74 68 79 20 |e such a worthy |
00001d50 70 72 6f 67 72 61 6d 20 62 79 20 77 72 69 74 69 |program by writi|
00001d60 6e 67 20 69 74 20 66 6f 72 20 74 68 65 20 41 72 |ng it for the Ar|
00001d70 63 68 69 6d 65 64 65 73 2c 20 72 61 74 68 65 72 |chimedes, rather|
00001d80 20 74 68 61 6e 20 4d 61 63 20 6f 72 20 50 43 3f | than Mac or PC?|
00001d90 20 57 65 6c 6c 2c 20 69 74 20 77 61 73 20 00 00 | Well, it was ..|
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00004884 
.