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R/+COLLE1

This website contains an archive of files for the Acorn Electron, BBC Micro, Acorn Archimedes, Commodore 16 and Commodore 64 computers, which Dominic Ford has rescued from his private collection of floppy disks and cassettes.

Some of these files were originally commercial releases in the 1980s and 1990s, but they are now widely available online. I assume that copyright over them is no longer being asserted. If you own the copyright and would like files to be removed, please contact me.

Tape/disk: Home » Personal collection » Acorn ADFS disks » Electron_User_Group » EUG_56.ADF
Filename: R/+COLLE1
Read OK:
File size: 16CC bytes
Load address: 2B204556
Exec address: 4C4C4F43
Duplicates

There are 2 duplicate copies of this file in the archive:

File contents
                        COLLECTIONS OF CLIPART
                       Supplier:    www.8bs.com    
          All Disks Available on 3.5"/5.25" (ADFS, CDFS, DFS)
                   Reviewed by (the) Dave in EUG 56

UNLIKE with the PC, where it has now become so easy to manipulate photo-
graphs, graphics and images that only a bare minimum of skill is needed,
producing a good picture on the BBC or Electron takes lots of time and
lots of patience. It also takes either considerable skill at programming
or a software package allowing you to draw on screen.
   The choice, moreso for Elk users than BBC ones, is rather limited in
even acquiring the latter tool. If you're very lucky, you'll pick up a 
boxed and complete copy of AMX ART and a nice analogue mouse. But more
likely, you'll find a copied disk in an old box acquired elsewhere, have
no instructions for the program that's on it and find the whole process
too daunting to begin. Either that, or you'll be faced with a package
which only accepts KEYBOARD input such as EUG's own DIAGRAM (EUG #15),   
Impact's THE ART STUDIO or - horror of horrors! - the SKETCH program on
the Introductory Cassette!
   Even if you persevere, you'll then find the machines simply aren't
powerful enough to provide the features we've come to expect. There cer-
tainly won't be an Undo facility - make a mistake with the Fill command
and you'll have to painstakingly reconstruct your original. And magnify-
ing particular areas of screen? A few pixels at most IF you're lucky!
   Conversely, it's this exorbitant amount of hassle which can provoke a
quite intriguing amount of delight if a very impressive picture appears
on your monitor while it's connected to a Beeb. Look no further than   
ELECTRON USER and EUG reviews and letters that praise professional load-
ing (or opening) screens for proof. It's the "How did he DO that?!" 
factor that the 8 Bit pictures provoke - and that the PC never will -
that ensures they will be popular for quite a few years yet.
   There are more pictures out there (sometimes incorrectly labelled as
"Clipart"!) than you might imagine, safely stowed in the 8 BIT SOFTWARE 
archives. Recently a batch arrived at EUG HQ and it would not be an
exaggeration to call some of them unbelievably fantastic. Especially 
when you put them into the context described above. But they are as in-
teresting from a historical point of view, in the same way that compar-
ing today's computing magazines with those of ten years ago yields much
reminiscing and merriment.
   This review gives the lowdown on just nine of the disks available for
download at www.8bs.com. Running through it, unfortunately is a lack of
reliable copyright information. Many pictures crop up on different disks
(snatched from the official ones) and almost all are 'unsigned'; their
origins as big a mystery as their artists. 
   The biggest offenders 'snatch' from the ACORN USER GALLERY range of
disks. The ACORN USER magazine thought a lot more of the "Clipart Scene"
than its contemporaries; it published at least two full DFS disks of
images in its lifetime, as well as showcasing a new picture each issue.
Virtually all the pictures gracing them are assured to be colourful and
exciting. The 8BS library (and EUG) can supply the GALLERY disks #1 and
#2. There may have been more and it may be the case that images from 
subsequent GALLERY disks were 'snatched' onto the disks reviewed below.
   In the main, these other disks are a gamble. Some are dire, some mix
crud with crowd-pleasers and gems like the JOSEPH LAVERY COLLECTION 
stand head and shoulders above even ACORN USER. But this is the Public
Domain world in general, isn't it?
   Anyway, having established that we "Wow!" only if we appreciate the
amount of time the artist must have worked to bring the picture to our
Beeb screen, disks TYB-10, TYB-18, TYB-19 and TYB-21 demonstrate the 
opposite effect. Respectively, these disks are archived as piccies of
POPSTARS, THE WORLD, SPACE and THE TOWER OF LONDON. They are digitised
pictures grabbed from a video tape with hardware known as a Digitiser.
   This is an area where the PC triumphs over many rival computers. Even
16 bit computers such as the Amiga 500 could never 'grab' pictures from
external sources with the requisite degree of quality. On 8 bit, the re-
sults really are appalling, akin to watching a still picture on your TV
without an aereal connected. Why the BBC Digitiser was once a revolution
is understandable but just one digitised picture incorporated in a 
slideshow inevitably shows not only the dated nature of the machine but
also that the 'artist' took no time in presenting something original. 
(Even ACORN USER GALLERY disks suffer from this drawback!) To this end,
a slideshow of them is out of the question.
   Coming off only fractionally better is TYB-41-1, a slideshow of pic-
tures digitised from the Archimedes. These have been ported down to Mode
0 on the BBC so they are of a reasonably high quality, albeit in black
and white, but again fail to "Wow!" After all, quite apart from the lack
of time it took their author to produce them (apart from connecting up 
the two machines), you glean the perception that they would be spectac-
ular ON an Archimedes. So why look at them on a Beeb?
   TYB-11 mixes digitised pictures with both freehand and MANDELBROT AND
JULIA designs. MAJ was once a professional software package (It's now 
PD!) for designing crazy kaliedoscope-style designs. Output from it, 
when you can't manipulate the image, rather defeats the purpose so wait-
ing for five images in turn to load (slowly!) after five digitised pics
(as slowly!) have annoyed you is frustrating. Fortunately, there are six
fair freehand drawings to help quell the despair...

This review is continued in R.+COLLE2. First published EUG #56.
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00000070  20 44 69 73 6b 73 20 41  76 61 69 6c 61 62 6c 65  | Disks Available|
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000000a0  0d 20 20 20 20 20 20 20  20 20 20 20 20 20 20 20  |.               |
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00000230  20 54 68 65 20 63 68 6f  69 63 65 2c 20 6d 6f 72  | The choice, mor|
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00000ac0  0d 28 73 6e 61 74 63 68  65 64 20 66 72 6f 6d 20  |.(snatched from |
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00000ae0  73 29 20 61 6e 64 20 61  6c 6d 6f 73 74 20 61 6c  |s) and almost al|
00000af0  6c 20 61 72 65 20 27 75  6e 73 69 67 6e 65 64 27  |l are 'unsigned'|
00000b00  3b 20 74 68 65 69 72 0d  6f 72 69 67 69 6e 73 20  |; their.origins |
00000b10  61 73 20 62 69 67 20 61  20 6d 79 73 74 65 72 79  |as big a mystery|
00000b20  20 61 73 20 74 68 65 69  72 20 61 72 74 69 73 74  | as their artist|
00000b30  73 2e 20 0d 20 20 20 54  68 65 20 62 69 67 67 65  |s. .   The bigge|
00000b40  73 74 20 6f 66 66 65 6e  64 65 72 73 20 27 73 6e  |st offenders 'sn|
00000b50  61 74 63 68 27 20 66 72  6f 6d 20 74 68 65 20 41  |atch' from the A|
00000b60  43 4f 52 4e 20 55 53 45  52 20 47 41 4c 4c 45 52  |CORN USER GALLER|
00000b70  59 20 72 61 6e 67 65 20  6f 66 0d 64 69 73 6b 73  |Y range of.disks|
00000b80  2e 20 54 68 65 20 41 43  4f 52 4e 20 55 53 45 52  |. The ACORN USER|
00000b90  20 6d 61 67 61 7a 69 6e  65 20 74 68 6f 75 67 68  | magazine though|
00000ba0  74 20 61 20 6c 6f 74 20  6d 6f 72 65 20 6f 66 20  |t a lot more of |
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